American Cinematographer - September 2015 - 95
on the [interior apartment] walls - how shiny
they were, how much glare they produced, the
amount of lacquer to put on the walls, and
what angle was necessary to get the glare. We
wanted a strong sense of how hot it is. It's
summertime and you feel the burning sun
coming through the drapes. We also tested
different makeup and black-and-white
filtration to affect the contrast, but chose not
to use these methods because they limited the
grading possibilities too much.
[We established] the tonal range with
lighting while we were shooting - we didn't
want flat images to push in post. We shot
Concrete Night in 2.39:1, primarily using an
Alexa Studio 4:3 [in ProRes]; we didn't have the
money to shoot ArriRaw.
We also tested a 35mm film camera
and Kodak 5219, 5213 and 5207 stocks for
certain scenes. I would have preferred to shoot
the entire movie on film, but we had a massive
number of night shots and I knew we would
benefit from the ability to go up to 1,600 ASA
with the Alexa, if needed. Also, the closest film
labs have unfortunately closed down and we
didn't have the option of waiting for the dailies
[to determine if any reshoots were necessary]
- so the decision [to use digital] was clear.
We don't have many good-quality
anamorphic lenses in Finland. We ended up
using a set of [Vantage Film] Hawk C-series
anamorphic primes. I liked their softness; I
didn't need to use much filtration. The only
new lens we had was a 35mm Hawk V-Series
prime. I wanted it for its close-focus ability; it
was sharp, and I occasionally used some Ultra
Con filtration to match the older set.
Goodich: Did you use any zoom
lenses?
Flinckenberg: No. I am not a fan of
zooms. Sometimes in a documentary - [and
in those cases] I will often choose [an] older
series of Zeiss Super Speeds - but not usually
then, either. The most complicated scenes to
shoot were the underwater ones, which we
shot with a Red Epic Mysterium-X in a
HydroFlex, because we couldn't get the housing for the Alexa. Jani's underwater lighting
was terrific.
Jani Lehtinen: Underwater scenes
were meant to be all in color, so we went for a
rich color contrast. In the sinking train [car] we
used 4-foot [HydroFlex] HydroFlo single fixtures
- fitted with Kino Flo 5,500K tubes - from
Panalux, London. It was the only time we used
Top: Simo spends time with his older brother, Ilkka (Jari Virman). Middle: Simo gazes out the
window of a Ferris-wheel car. Bottom: The brothers ride the train on Ilkka's last night of
freedom before he has to go to prison.
www.theasc.com
September 2015
95
http://www.theasc.com
American Cinematographer - September 2015
Table of Contents for the Digital Edition of American Cinematographer - September 2015
Contents
American Cinematographer - September 2015 - Intro
American Cinematographer - September 2015 - Cover1
American Cinematographer - September 2015 - Cover2
American Cinematographer - September 2015 - 1
American Cinematographer - September 2015 - 2
American Cinematographer - September 2015 - Contents
American Cinematographer - September 2015 - 4
American Cinematographer - September 2015 - 5
American Cinematographer - September 2015 - 6
American Cinematographer - September 2015 - 7
American Cinematographer - September 2015 - 8
American Cinematographer - September 2015 - 9
American Cinematographer - September 2015 - 10
American Cinematographer - September 2015 - 11
American Cinematographer - September 2015 - 12
American Cinematographer - September 2015 - 13
American Cinematographer - September 2015 - 14
American Cinematographer - September 2015 - 15
American Cinematographer - September 2015 - 16
American Cinematographer - September 2015 - 17
American Cinematographer - September 2015 - 18
American Cinematographer - September 2015 - 19
American Cinematographer - September 2015 - 20
American Cinematographer - September 2015 - 21
American Cinematographer - September 2015 - 22
American Cinematographer - September 2015 - 23
American Cinematographer - September 2015 - 24
American Cinematographer - September 2015 - 25
American Cinematographer - September 2015 - 26
American Cinematographer - September 2015 - 27
American Cinematographer - September 2015 - 28
American Cinematographer - September 2015 - 29
American Cinematographer - September 2015 - 30
American Cinematographer - September 2015 - 31
American Cinematographer - September 2015 - 32
American Cinematographer - September 2015 - 33
American Cinematographer - September 2015 - 34
American Cinematographer - September 2015 - 35
American Cinematographer - September 2015 - 36
American Cinematographer - September 2015 - 37
American Cinematographer - September 2015 - 38
American Cinematographer - September 2015 - 39
American Cinematographer - September 2015 - 40
American Cinematographer - September 2015 - 41
American Cinematographer - September 2015 - 42
American Cinematographer - September 2015 - 43
American Cinematographer - September 2015 - 44
American Cinematographer - September 2015 - 45
American Cinematographer - September 2015 - 46
American Cinematographer - September 2015 - 47
American Cinematographer - September 2015 - 48
American Cinematographer - September 2015 - 49
American Cinematographer - September 2015 - 50
American Cinematographer - September 2015 - 51
American Cinematographer - September 2015 - 52
American Cinematographer - September 2015 - 53
American Cinematographer - September 2015 - 54
American Cinematographer - September 2015 - 55
American Cinematographer - September 2015 - 56
American Cinematographer - September 2015 - 57
American Cinematographer - September 2015 - 58
American Cinematographer - September 2015 - 59
American Cinematographer - September 2015 - 60
American Cinematographer - September 2015 - 61
American Cinematographer - September 2015 - 62
American Cinematographer - September 2015 - 63
American Cinematographer - September 2015 - 64
American Cinematographer - September 2015 - 64a
American Cinematographer - September 2015 - 64b
American Cinematographer - September 2015 - 64c
American Cinematographer - September 2015 - 64d
American Cinematographer - September 2015 - 64e
American Cinematographer - September 2015 - 64f
American Cinematographer - September 2015 - 64g
American Cinematographer - September 2015 - 64h
American Cinematographer - September 2015 - 65
American Cinematographer - September 2015 - 66
American Cinematographer - September 2015 - 67
American Cinematographer - September 2015 - 68
American Cinematographer - September 2015 - 69
American Cinematographer - September 2015 - 70
American Cinematographer - September 2015 - 71
American Cinematographer - September 2015 - 72
American Cinematographer - September 2015 - 73
American Cinematographer - September 2015 - 74
American Cinematographer - September 2015 - 75
American Cinematographer - September 2015 - 76
American Cinematographer - September 2015 - 77
American Cinematographer - September 2015 - 78
American Cinematographer - September 2015 - 79
American Cinematographer - September 2015 - 80
American Cinematographer - September 2015 - 81
American Cinematographer - September 2015 - 82
American Cinematographer - September 2015 - 83
American Cinematographer - September 2015 - 84
American Cinematographer - September 2015 - 85
American Cinematographer - September 2015 - 86
American Cinematographer - September 2015 - 87
American Cinematographer - September 2015 - 88
American Cinematographer - September 2015 - 89
American Cinematographer - September 2015 - 90
American Cinematographer - September 2015 - 91
American Cinematographer - September 2015 - 92
American Cinematographer - September 2015 - 93
American Cinematographer - September 2015 - 94
American Cinematographer - September 2015 - 95
American Cinematographer - September 2015 - 96
American Cinematographer - September 2015 - 97
American Cinematographer - September 2015 - 98
American Cinematographer - September 2015 - 99
American Cinematographer - September 2015 - 100
American Cinematographer - September 2015 - 101
American Cinematographer - September 2015 - 102
American Cinematographer - September 2015 - 103
American Cinematographer - September 2015 - 104
American Cinematographer - September 2015 - 105
American Cinematographer - September 2015 - 106
American Cinematographer - September 2015 - 107
American Cinematographer - September 2015 - 108
American Cinematographer - September 2015 - 109
American Cinematographer - September 2015 - 110
American Cinematographer - September 2015 - 111
American Cinematographer - September 2015 - 112
American Cinematographer - September 2015 - 113
American Cinematographer - September 2015 - 114
American Cinematographer - September 2015 - 115
American Cinematographer - September 2015 - 116
American Cinematographer - September 2015 - 117
American Cinematographer - September 2015 - 118
American Cinematographer - September 2015 - 119
American Cinematographer - September 2015 - 120
American Cinematographer - September 2015 - Cover3
American Cinematographer - September 2015 - Cover4
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