American Cinematographer - September 2015 - 97
We shot the film in autumn when the sun is
low in the sky, and generally there are more
clouds. That was an especially difficult scene
to shoot, both because we were working in a
metro station and because we didn't have
much time to do it.
Lehtinen: We couldn't close the
station and had to use the metro with real
people in it. It was challenging, rather than
complicated.
Goodich: There are so many reflections in the metro station, and they have a
kind of liquid quality.
Flinckenberg: The reflections are
natural. Simo is searching for himself
throughout the movie. [At several points in
the film] he gazes at himself in the mirror, but
his face disappears in the steam. The story's
subtext is: 'Who am I? What am I?'
Goodich: You do your own operating, don't you? Did you have a second operator?
Flinckenberg: I always operate; it's
because [of my] documentary background.
Finland doesn't have the concept of two
operators, although we did occasionally use a
second camera on the film. The B-camera
operator was Arttu Peltomaa.
Our crews aren't very big and our
shooting schedules are tight. When you have
so few days, it has to be planned very carefully, although we'll deviate from the plan if
we see that another angle is better. For me,
the most wonderful part of filmmaking is the
planning with the director, when you have all
these possibilities. Of course, reality hits you at
some point, in the form of a producer saying
that what you want isn't possible. On this
movie, our wonderful production company,
Bufo, really understood the importance of
details - for example, wetting down the
streets when doing a black-and-white film.
We rehearse the actors before shooting, and then I draw a floor plan for every
scene. I tape each scene on the wall in the
production office. I have a system on the
computer where I print the scene - what is
happening in it, thoughts I have for those
scenes, and what special things we need for
the camera. As we find locations and actors,
I add photographs. I also put markers where
we have dramatic changes in light, or need
the Steadicam or greenscreen. When the
process of pre-planning is complete, I basically
have the whole film [mapped out] in that
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American Cinematographer - September 2015
Table of Contents for the Digital Edition of American Cinematographer - September 2015
Contents
American Cinematographer - September 2015 - Intro
American Cinematographer - September 2015 - Cover1
American Cinematographer - September 2015 - Cover2
American Cinematographer - September 2015 - 1
American Cinematographer - September 2015 - 2
American Cinematographer - September 2015 - Contents
American Cinematographer - September 2015 - 4
American Cinematographer - September 2015 - 5
American Cinematographer - September 2015 - 6
American Cinematographer - September 2015 - 7
American Cinematographer - September 2015 - 8
American Cinematographer - September 2015 - 9
American Cinematographer - September 2015 - 10
American Cinematographer - September 2015 - 11
American Cinematographer - September 2015 - 12
American Cinematographer - September 2015 - 13
American Cinematographer - September 2015 - 14
American Cinematographer - September 2015 - 15
American Cinematographer - September 2015 - 16
American Cinematographer - September 2015 - 17
American Cinematographer - September 2015 - 18
American Cinematographer - September 2015 - 19
American Cinematographer - September 2015 - 20
American Cinematographer - September 2015 - 21
American Cinematographer - September 2015 - 22
American Cinematographer - September 2015 - 23
American Cinematographer - September 2015 - 24
American Cinematographer - September 2015 - 25
American Cinematographer - September 2015 - 26
American Cinematographer - September 2015 - 27
American Cinematographer - September 2015 - 28
American Cinematographer - September 2015 - 29
American Cinematographer - September 2015 - 30
American Cinematographer - September 2015 - 31
American Cinematographer - September 2015 - 32
American Cinematographer - September 2015 - 33
American Cinematographer - September 2015 - 34
American Cinematographer - September 2015 - 35
American Cinematographer - September 2015 - 36
American Cinematographer - September 2015 - 37
American Cinematographer - September 2015 - 38
American Cinematographer - September 2015 - 39
American Cinematographer - September 2015 - 40
American Cinematographer - September 2015 - 41
American Cinematographer - September 2015 - 42
American Cinematographer - September 2015 - 43
American Cinematographer - September 2015 - 44
American Cinematographer - September 2015 - 45
American Cinematographer - September 2015 - 46
American Cinematographer - September 2015 - 47
American Cinematographer - September 2015 - 48
American Cinematographer - September 2015 - 49
American Cinematographer - September 2015 - 50
American Cinematographer - September 2015 - 51
American Cinematographer - September 2015 - 52
American Cinematographer - September 2015 - 53
American Cinematographer - September 2015 - 54
American Cinematographer - September 2015 - 55
American Cinematographer - September 2015 - 56
American Cinematographer - September 2015 - 57
American Cinematographer - September 2015 - 58
American Cinematographer - September 2015 - 59
American Cinematographer - September 2015 - 60
American Cinematographer - September 2015 - 61
American Cinematographer - September 2015 - 62
American Cinematographer - September 2015 - 63
American Cinematographer - September 2015 - 64
American Cinematographer - September 2015 - 64a
American Cinematographer - September 2015 - 64b
American Cinematographer - September 2015 - 64c
American Cinematographer - September 2015 - 64d
American Cinematographer - September 2015 - 64e
American Cinematographer - September 2015 - 64f
American Cinematographer - September 2015 - 64g
American Cinematographer - September 2015 - 64h
American Cinematographer - September 2015 - 65
American Cinematographer - September 2015 - 66
American Cinematographer - September 2015 - 67
American Cinematographer - September 2015 - 68
American Cinematographer - September 2015 - 69
American Cinematographer - September 2015 - 70
American Cinematographer - September 2015 - 71
American Cinematographer - September 2015 - 72
American Cinematographer - September 2015 - 73
American Cinematographer - September 2015 - 74
American Cinematographer - September 2015 - 75
American Cinematographer - September 2015 - 76
American Cinematographer - September 2015 - 77
American Cinematographer - September 2015 - 78
American Cinematographer - September 2015 - 79
American Cinematographer - September 2015 - 80
American Cinematographer - September 2015 - 81
American Cinematographer - September 2015 - 82
American Cinematographer - September 2015 - 83
American Cinematographer - September 2015 - 84
American Cinematographer - September 2015 - 85
American Cinematographer - September 2015 - 86
American Cinematographer - September 2015 - 87
American Cinematographer - September 2015 - 88
American Cinematographer - September 2015 - 89
American Cinematographer - September 2015 - 90
American Cinematographer - September 2015 - 91
American Cinematographer - September 2015 - 92
American Cinematographer - September 2015 - 93
American Cinematographer - September 2015 - 94
American Cinematographer - September 2015 - 95
American Cinematographer - September 2015 - 96
American Cinematographer - September 2015 - 97
American Cinematographer - September 2015 - 98
American Cinematographer - September 2015 - 99
American Cinematographer - September 2015 - 100
American Cinematographer - September 2015 - 101
American Cinematographer - September 2015 - 102
American Cinematographer - September 2015 - 103
American Cinematographer - September 2015 - 104
American Cinematographer - September 2015 - 105
American Cinematographer - September 2015 - 106
American Cinematographer - September 2015 - 107
American Cinematographer - September 2015 - 108
American Cinematographer - September 2015 - 109
American Cinematographer - September 2015 - 110
American Cinematographer - September 2015 - 111
American Cinematographer - September 2015 - 112
American Cinematographer - September 2015 - 113
American Cinematographer - September 2015 - 114
American Cinematographer - September 2015 - 115
American Cinematographer - September 2015 - 116
American Cinematographer - September 2015 - 117
American Cinematographer - September 2015 - 118
American Cinematographer - September 2015 - 119
American Cinematographer - September 2015 - 120
American Cinematographer - September 2015 - Cover3
American Cinematographer - September 2015 - Cover4
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