American Cinematographer - September 2016 - 48
◗
A Fierce Friendship
The crew prepares exteriors on location. Lowery notes that the story is set in "a slightly elevated,
more magical version of the Pacific Northwest, and New Zealand's got plenty of magic on hand."
avoid noise artifacts. If my image is 70or 80-percent shadows and mid-tones, I
rate down, and for the opposite - if the
highlights are the priority - I rate up at
800."
48
September 2016
Elliot's cave - which, in the
movie, is situated in the hollow beneath
a massive tree hidden deep within the
forest - was built on stage at Stone
Street Studios in Wellington. For night
American Cinematographer
interiors in the cave, the cinematographer
adhered to the spirit of the natural-light
mandate and employed the single source
of firelight. "We lit the whole inside of
the cave with gas fires that simulated the
look of the campfire," he says, "and that
was it - no movie lighting at all. This
was possible thanks to the technical
achievement of the Master Anamorphic
lenses, which work beautifully in these
situations." Sunlight filtering in through
the cave's opening for day scenes was
simulated by "bouncing an 18K Arrimax
into bleached muslin," Bazelli adds.
The filmmakers' lighting approach
extended to more traditional interiors as
well. For interiors in the house where
Grace, Jack (Wes Bentley) and Natalie
live, and where Pete stays after being
discovered in the woods, "I wanted to
create a cozy, warm, family feeling,"
Bazelli offers. "The set was built
practically onstage, with two stories and
hard ceilings; this was done to help create
a natural and real world for the child
actors. We had three practical lamps in
American Cinematographer - September 2016
Table of Contents for the Digital Edition of American Cinematographer - September 2016
Contents
American Cinematographer - September 2016 - Intro
American Cinematographer - September 2016 - Cover1
American Cinematographer - September 2016 - Cover2
American Cinematographer - September 2016 - 1
American Cinematographer - September 2016 - 2
American Cinematographer - September 2016 - Contents
American Cinematographer - September 2016 - 4
American Cinematographer - September 2016 - 5
American Cinematographer - September 2016 - 6
American Cinematographer - September 2016 - 7
American Cinematographer - September 2016 - 8
American Cinematographer - September 2016 - 9
American Cinematographer - September 2016 - 10
American Cinematographer - September 2016 - 11
American Cinematographer - September 2016 - 12
American Cinematographer - September 2016 - 13
American Cinematographer - September 2016 - 14
American Cinematographer - September 2016 - 15
American Cinematographer - September 2016 - 16
American Cinematographer - September 2016 - 17
American Cinematographer - September 2016 - 18
American Cinematographer - September 2016 - 19
American Cinematographer - September 2016 - 20
American Cinematographer - September 2016 - 21
American Cinematographer - September 2016 - 22
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American Cinematographer - September 2016 - 24
American Cinematographer - September 2016 - 25
American Cinematographer - September 2016 - 26
American Cinematographer - September 2016 - 27
American Cinematographer - September 2016 - 28
American Cinematographer - September 2016 - 29
American Cinematographer - September 2016 - 30
American Cinematographer - September 2016 - 31
American Cinematographer - September 2016 - 32
American Cinematographer - September 2016 - 33
American Cinematographer - September 2016 - 34
American Cinematographer - September 2016 - 35
American Cinematographer - September 2016 - 36
American Cinematographer - September 2016 - 37
American Cinematographer - September 2016 - 38
American Cinematographer - September 2016 - 39
American Cinematographer - September 2016 - 40
American Cinematographer - September 2016 - 41
American Cinematographer - September 2016 - 42
American Cinematographer - September 2016 - 43
American Cinematographer - September 2016 - 44
American Cinematographer - September 2016 - 45
American Cinematographer - September 2016 - 46
American Cinematographer - September 2016 - 47
American Cinematographer - September 2016 - 48
American Cinematographer - September 2016 - 49
American Cinematographer - September 2016 - 50
American Cinematographer - September 2016 - 51
American Cinematographer - September 2016 - 52
American Cinematographer - September 2016 - 53
American Cinematographer - September 2016 - 54
American Cinematographer - September 2016 - 55
American Cinematographer - September 2016 - 56
American Cinematographer - September 2016 - 57
American Cinematographer - September 2016 - 58
American Cinematographer - September 2016 - 59
American Cinematographer - September 2016 - 60
American Cinematographer - September 2016 - 61
American Cinematographer - September 2016 - 62
American Cinematographer - September 2016 - 63
American Cinematographer - September 2016 - 64
American Cinematographer - September 2016 - 65
American Cinematographer - September 2016 - 66
American Cinematographer - September 2016 - 67
American Cinematographer - September 2016 - 68
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American Cinematographer - September 2016 - 70
American Cinematographer - September 2016 - 71
American Cinematographer - September 2016 - 72
American Cinematographer - September 2016 - 73
American Cinematographer - September 2016 - 74
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American Cinematographer - September 2016 - Cover3
American Cinematographer - September 2016 - Cover4
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