American Cinematographer - September 2016 - 84

1. Attendees tour the AMPAS
archive vaults at the Pickford
Center for Motion Picture
Study. 2. ASC associate
Michael Cioni. 3. ASC
associate Joshua Pines. 4. Mu
De Yuan, CSC takes a look at
Panavision's inverted 35mm
underwater camera. 5. The
delegates fill Panavision's Tak
Miyagishima Theater.

1.

2.

3.

4.

5.
84

September 2016

American Cinematographer

The morning concluded with
"Research in Cinematographic Style."
Rolf Coulanges, BVK spoke first, exploring whether a "digital look" is emerging as
a new aesthetic value. Elen Lotman, ESC
then took the podium to discuss the
impact of cinematographic style on the
audience's empathy for onscreen characters. Rounding out this portion of the
proceedings, Timo Heinänen, FSC
presented "Aspect Ratio as a Creative
Tool."
After lunch, the day's focus turned
toward cinematography in virtual reality.
This portion featured numerous VR
demonstrations, followed by a panel
moderated by 3ality chief executive and
ASC associate member Steve Schklair.
The speakers included David Stump,
ASC; Virtual Reality Co. chief production officer Chris Edwards; director
Randal Kleiser, who recently directed the
VR series Defrost; ASC associate and
Radiant Images co-founder Michael
Mansouri; Sony Pictures Entertainment
vice president of production technology
Scott Barbour; and Virtual Reality Co.
founder and chief creative officer Robert
Stromberg.
Schklair asked the panelists to
comment on whether VR is a cinematographer's or a director's medium. Stump
noted, "In its rudimentary form now, I
could see why it would be easy to say it's a
director's medium. Directing is the principle way to give the viewer an experience,
and cinematography is just to give enough
exposure to give the director a way to tell
the story. But we'll find ways to design
cinematographic capabilities into VR. At
the same time, the cinematographer has
to bring something new to VR to have
input into this medium. We have all kinds
of nifty tools we use to tell stories that we
have to rethink in this new medium."
Mansouri pointed out that 100
years ago, the rules of cinema were just
beginning to emerge. "We're facing the
same challenges today," he said. "We don't
know what this is becoming."
The final day of the ICS began at
Panavision's headquarters in Woodland
Hills. There, ASC associate Dan Sasaki,
Panavision's vice president of optical engi-

Photos 1 and 3 courtesy of AMPAS.

Global Gathering



American Cinematographer - September 2016

Table of Contents for the Digital Edition of American Cinematographer - September 2016

Contents
American Cinematographer - September 2016 - Intro
American Cinematographer - September 2016 - Cover1
American Cinematographer - September 2016 - Cover2
American Cinematographer - September 2016 - 1
American Cinematographer - September 2016 - 2
American Cinematographer - September 2016 - Contents
American Cinematographer - September 2016 - 4
American Cinematographer - September 2016 - 5
American Cinematographer - September 2016 - 6
American Cinematographer - September 2016 - 7
American Cinematographer - September 2016 - 8
American Cinematographer - September 2016 - 9
American Cinematographer - September 2016 - 10
American Cinematographer - September 2016 - 11
American Cinematographer - September 2016 - 12
American Cinematographer - September 2016 - 13
American Cinematographer - September 2016 - 14
American Cinematographer - September 2016 - 15
American Cinematographer - September 2016 - 16
American Cinematographer - September 2016 - 17
American Cinematographer - September 2016 - 18
American Cinematographer - September 2016 - 19
American Cinematographer - September 2016 - 20
American Cinematographer - September 2016 - 21
American Cinematographer - September 2016 - 22
American Cinematographer - September 2016 - 23
American Cinematographer - September 2016 - 24
American Cinematographer - September 2016 - 25
American Cinematographer - September 2016 - 26
American Cinematographer - September 2016 - 27
American Cinematographer - September 2016 - 28
American Cinematographer - September 2016 - 29
American Cinematographer - September 2016 - 30
American Cinematographer - September 2016 - 31
American Cinematographer - September 2016 - 32
American Cinematographer - September 2016 - 33
American Cinematographer - September 2016 - 34
American Cinematographer - September 2016 - 35
American Cinematographer - September 2016 - 36
American Cinematographer - September 2016 - 37
American Cinematographer - September 2016 - 38
American Cinematographer - September 2016 - 39
American Cinematographer - September 2016 - 40
American Cinematographer - September 2016 - 41
American Cinematographer - September 2016 - 42
American Cinematographer - September 2016 - 43
American Cinematographer - September 2016 - 44
American Cinematographer - September 2016 - 45
American Cinematographer - September 2016 - 46
American Cinematographer - September 2016 - 47
American Cinematographer - September 2016 - 48
American Cinematographer - September 2016 - 49
American Cinematographer - September 2016 - 50
American Cinematographer - September 2016 - 51
American Cinematographer - September 2016 - 52
American Cinematographer - September 2016 - 53
American Cinematographer - September 2016 - 54
American Cinematographer - September 2016 - 55
American Cinematographer - September 2016 - 56
American Cinematographer - September 2016 - 57
American Cinematographer - September 2016 - 58
American Cinematographer - September 2016 - 59
American Cinematographer - September 2016 - 60
American Cinematographer - September 2016 - 61
American Cinematographer - September 2016 - 62
American Cinematographer - September 2016 - 63
American Cinematographer - September 2016 - 64
American Cinematographer - September 2016 - 65
American Cinematographer - September 2016 - 66
American Cinematographer - September 2016 - 67
American Cinematographer - September 2016 - 68
American Cinematographer - September 2016 - 69
American Cinematographer - September 2016 - 70
American Cinematographer - September 2016 - 71
American Cinematographer - September 2016 - 72
American Cinematographer - September 2016 - 73
American Cinematographer - September 2016 - 74
American Cinematographer - September 2016 - 75
American Cinematographer - September 2016 - 76
American Cinematographer - September 2016 - 77
American Cinematographer - September 2016 - 78
American Cinematographer - September 2016 - 79
American Cinematographer - September 2016 - 80
American Cinematographer - September 2016 - 81
American Cinematographer - September 2016 - 82
American Cinematographer - September 2016 - 83
American Cinematographer - September 2016 - 84
American Cinematographer - September 2016 - 85
American Cinematographer - September 2016 - 86
American Cinematographer - September 2016 - 87
American Cinematographer - September 2016 - 88
American Cinematographer - September 2016 - 89
American Cinematographer - September 2016 - 90
American Cinematographer - September 2016 - 91
American Cinematographer - September 2016 - 92
American Cinematographer - September 2016 - 93
American Cinematographer - September 2016 - 94
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American Cinematographer - September 2016 - 96
American Cinematographer - September 2016 - 97
American Cinematographer - September 2016 - 98
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American Cinematographer - September 2016 - 100
American Cinematographer - September 2016 - 101
American Cinematographer - September 2016 - 102
American Cinematographer - September 2016 - 103
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American Cinematographer - September 2016 - 108
American Cinematographer - September 2016 - 109
American Cinematographer - September 2016 - 110
American Cinematographer - September 2016 - 111
American Cinematographer - September 2016 - 112
American Cinematographer - September 2016 - Cover3
American Cinematographer - September 2016 - Cover4
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