American Cinematographer - October 2010 - 82

a 12-volt DC input or a D-tap power cable. The Multi-K kit sells for $499 and includes an AC adapter, a camera shoe mount and a soft carrying case. The portable, wireless, 5,600°K ID500 weighs 5.8 pounds and measures 13.8"x7.5"x2.7". The 30-watt fixture operates from 12-14.4 volts and comes with an RF remote control, giving users control over feedback system ensures color temperature remains constant when the light is dimmed, as ambient conditions change or as the unit ages.” Drawing less than 200 watts of power, the Kezia 200F is comparable in output intensity with a 1K tungsten fixture while generating far less heat than traditional lamps. Interchangeable optics provide beam angles of 20, 35, 60 or 80 degrees. According to Gekko, output intensity is 8,300 lux at 1 meter, 1,900 lux at 2 meters and 900 lux at 3 meters. The Kezia 200F joins the Kezia 50E, 50F and 200E. All four models are based on Gekko’s Kleer Color LED technology, which provides a very broad-spectrum light with precisely controllable color temperature. The Kezia family is supported by a range of reflector options, honeycomb louvers, barndoor accessories and diffusion gratings. For additional information, visit www.gekkotechnology.com. ETC Introduces Hot, Cool LEDs Electronic Theatre Controls, Inc. has introduced two bold color-spectrum-specific additions to its line of Selador LED lighting

fixtures: Fire and Ice. Fire features a warm wash of saturated reds, oranges and ambers while Ice provides a palette of indigo, blue, cyan and green — and a touch of red. An integral addition to the Selador Vivid lineup, Fire and Ice offer brightness performance equal to or exceeding that of conventional tungsten Par fixtures while saving dramatically on electricity.

the fixture’s power and the ability to regulate each of the unit’s four light banks; the control operates on three separate channels, allowing users to control three ID500s from one remote. The fixture (with power cord and remote control) sells for $499. Ikan also offers an ID500 three-light kit for $1,699; each kit includes three lights, three stands, three power cords, one bag for the lights and one bag for the stands. The four-bulb ID-400 measures 8.5"x2.5"x5.5" and weighs 3.6 pounds. In addition to standard AC power, the fixture can be powered via a professional battery plate. Selling for $499, the ID-400 comes with an AC adapter, a light stand adapter and an RF remote control offering three channels and a range of more than 500'. For additional information, visit www.ikancorp.com. Gekko Spotlights Kezia 200F Gekko Technology has introduced the Kezia 200F white-optimized spot lamp. “The Kezia 200F is optimized for use in film production or studio broadcast,” says David Amphlett, Gekko’s founder and managing director. “It allows precise adjustment between 2,900° and 6,500° Kelvin, including presets for selection of 2,900, 3,200, 4,300, 5,600 and 6,500°K via DMX or an optional rear panel. A built-in color82 October 2010

Tom Littrell, ETC’s fixtures product manager, says, “These are truly the tools of a new stage-lighting design: super-high-intensity LED color washes bright enough to blend seamlessly with your conventional fixtures’ output, while slashing power consumption. Ice, with its bright, rich hues, is up to 90 percent more efficient than conventional Par washlights gelled blue. “Most productions regularly employ deep colors in their rigs — keeping blues and reds in use at all times,” Littrell continues.

Boca Flasher Builds Brick Light Boca Flasher has introduced the SBLWWW Brick Light, which provides homogenous, high-output white light and features CLD control technology to ensure smooth linear response across the complete dimming curve (0-100 percent). The SBL-WWW is available in two build options — one for DMX512 control and one for use with standard dimmers — both of which offer a choice of six color temperatures: 2,700°K, 3,000°K, 3,500°K, 4,100°K, 5,000°K and 6,500°K. Additionally, the fixture is available in 1', 2' and 4' configurations, with 48 1.2-watt, high-

output white LEDs per linear foot. The weather- and abrasion-resistant unit sports an aluminum housing with a durable powder coat finish and a 180-degree adjustable base. For additional information, visit www.bocaflasher.com.

American Cinematographer


http://www.gekkotechnology.com http://www.ikancorp.com http://www.bocaflasher.com

American Cinematographer - October 2010

Table of Contents for the Digital Edition of American Cinematographer - October 2010

American Cinematographer - October 2010
Contents
Editors Note
President’s Desk
Short Takes: “Lakairomania”
Production Slate: Enter the Void • Indie 3-D
With Friends Like These…
Zero-Sum Game
Bloody Valentine
Welcome to the Jungle
Post Focus: Advanced Digital Services
New Products & Services
International Marketplace
Classified Ads
Ad Index
Clubhouse News
ASC Close-Up: Jim Denault
American Cinematographer - October 2010 - American Cinematographer - October 2010
American Cinematographer - October 2010 - Cover2
American Cinematographer - October 2010 - 1
American Cinematographer - October 2010 - 2
American Cinematographer - October 2010 - Contents
American Cinematographer - October 2010 - 4
American Cinematographer - October 2010 - 5
American Cinematographer - October 2010 - 6
American Cinematographer - October 2010 - 7
American Cinematographer - October 2010 - Editors Note
American Cinematographer - October 2010 - 9
American Cinematographer - October 2010 - President’s Desk
American Cinematographer - October 2010 - 11
American Cinematographer - October 2010 - Short Takes: “Lakairomania”
American Cinematographer - October 2010 - 13
American Cinematographer - October 2010 - 14
American Cinematographer - October 2010 - 15
American Cinematographer - October 2010 - 16
American Cinematographer - October 2010 - 17
American Cinematographer - October 2010 - Production Slate: Enter the Void • Indie 3-D
American Cinematographer - October 2010 - 19
American Cinematographer - October 2010 - 20
American Cinematographer - October 2010 - 21
American Cinematographer - October 2010 - 22
American Cinematographer - October 2010 - 23
American Cinematographer - October 2010 - 24
American Cinematographer - October 2010 - 25
American Cinematographer - October 2010 - 26
American Cinematographer - October 2010 - 27
American Cinematographer - October 2010 - With Friends Like These…
American Cinematographer - October 2010 - 29
American Cinematographer - October 2010 - 30
American Cinematographer - October 2010 - 31
American Cinematographer - October 2010 - 32
American Cinematographer - October 2010 - 33
American Cinematographer - October 2010 - 34
American Cinematographer - October 2010 - 35
American Cinematographer - October 2010 - 36
American Cinematographer - October 2010 - 37
American Cinematographer - October 2010 - 38
American Cinematographer - October 2010 - 39
American Cinematographer - October 2010 - 40
American Cinematographer - October 2010 - 41
American Cinematographer - October 2010 - Zero-Sum Game
American Cinematographer - October 2010 - 43
American Cinematographer - October 2010 - 44
American Cinematographer - October 2010 - 45
American Cinematographer - October 2010 - 46
American Cinematographer - October 2010 - 47
American Cinematographer - October 2010 - 48
American Cinematographer - October 2010 - 49
American Cinematographer - October 2010 - 50
American Cinematographer - October 2010 - 51
American Cinematographer - October 2010 - 52
American Cinematographer - October 2010 - 53
American Cinematographer - October 2010 - Bloody Valentine
American Cinematographer - October 2010 - 55
American Cinematographer - October 2010 - 56
American Cinematographer - October 2010 - 57
American Cinematographer - October 2010 - 58
American Cinematographer - October 2010 - 59
American Cinematographer - October 2010 - 60
American Cinematographer - October 2010 - 61
American Cinematographer - October 2010 - 62
American Cinematographer - October 2010 - 63
American Cinematographer - October 2010 - 64
American Cinematographer - October 2010 - 65
American Cinematographer - October 2010 - Welcome to the Jungle
American Cinematographer - October 2010 - 67
American Cinematographer - October 2010 - 68
American Cinematographer - October 2010 - 69
American Cinematographer - October 2010 - 70
American Cinematographer - October 2010 - 71
American Cinematographer - October 2010 - Post Focus: Advanced Digital Services
American Cinematographer - October 2010 - 73
American Cinematographer - October 2010 - 74
American Cinematographer - October 2010 - 75
American Cinematographer - October 2010 - 76
American Cinematographer - October 2010 - 77
American Cinematographer - October 2010 - New Products & Services
American Cinematographer - October 2010 - 79
American Cinematographer - October 2010 - 80
American Cinematographer - October 2010 - 81
American Cinematographer - October 2010 - 82
American Cinematographer - October 2010 - 83
American Cinematographer - October 2010 - 84
American Cinematographer - October 2010 - 85
American Cinematographer - October 2010 - International Marketplace
American Cinematographer - October 2010 - 87
American Cinematographer - October 2010 - Ad Index
American Cinematographer - October 2010 - 89
American Cinematographer - October 2010 - Clubhouse News
American Cinematographer - October 2010 - 91
American Cinematographer - October 2010 - ASC Close-Up: Jim Denault
American Cinematographer - October 2010 - Cover3
American Cinematographer - October 2010 - Cover4
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