American Cinematographer - October 2010 - 85

installation on truss or goalpost rigs. Both the RGBA and white-only configurations are available in two sizes: 10'x20' and 20'x20'. The Omni Nite is controllable via 4 channels of DMX512. The Omni Nite comes equipped with a canvas travel case and a dedicated controller with eight auto programs. The travel case features adjustable straps and holds both the curtain and the controller. For additional information, visit www.omnisistem.com. Rotolight Upgrades Ringlight Rotolight has introduced the upgraded RL48-A LED Ringlight and Rotolight Stand. Featuring soft, natural and “shadow-less” continuous light output as well as an expanded operating range of studio-accurate color temperatures, the RL48-A is ideally suited to HDSLR cinematography. The fixture can mount below a mattebox, over a shotgun microphone or accessory shoe, on a spare tripod or via an articulated arm. The revised Rotolight RL48-A is 35percent brighter than the previous model and uses the latest generation pro-grade ultrabright LEDs. The fixture boasts a wider color palette, delivering perfectly calibrated 6,900°, 5,600°, 4,100° and 3,200°K. It can be dimmed with extreme accuracy using neutral density filters over a range of 1.5 aperture stops. A newly designed water-resistant switch keeps adverse weather out and prevents accidental operation of the unit, allowing greater operational flexibility. The fixture also features completely redesigned opto-electronics and proprietary circuit boards for enhanced performance, along with a new internal cover plate that incorporates a redesigned battery compartment to further protect the electronics. Weighing only 5 ounces, the RL48-A features a matte black, water resistant, rubberized outer layer, which effectively eliminates reflectivity and acoustic resonance. The ring design incorporates a universal 38mm

microphone mount that allows the fixture to be fitted onto virtually any standard shotgun microphone. 48 special high-output LEDs provide the equivalent of a 50-watt tungsten hot bulb, delivering a widely dispersed light with soft, diffused shadows, resulting in evenly balanced illumination with a long throw. Power is provided by three AA lithium, alkaline or rechargeable batteries, which typically provide more than four hours of extended non-stop operation, over which the color temperature remains

highly stable. Rotolight has also introduced the Rotolight Interview Kit, comprising two RL48-A Ringlights, a belt pouch, two Rotolight Stands and an Add-On Color FX Filter Kit; the Filter Kit contains a selection of Lee filters. The complete kit weighs less than a traditional v-lock battery and fits inside the belt pouch, making it incredibly easy to transport. For additional information, visit www.rotolight.com. ●


http://www.rotolight.com http://www.hpaawards.net http://www.omnisistem.com http://www.hpaawards.net http://www.hpaonline.com

American Cinematographer - October 2010

Table of Contents for the Digital Edition of American Cinematographer - October 2010

American Cinematographer - October 2010
Contents
Editors Note
President’s Desk
Short Takes: “Lakairomania”
Production Slate: Enter the Void • Indie 3-D
With Friends Like These…
Zero-Sum Game
Bloody Valentine
Welcome to the Jungle
Post Focus: Advanced Digital Services
New Products & Services
International Marketplace
Classified Ads
Ad Index
Clubhouse News
ASC Close-Up: Jim Denault
American Cinematographer - October 2010 - American Cinematographer - October 2010
American Cinematographer - October 2010 - Cover2
American Cinematographer - October 2010 - 1
American Cinematographer - October 2010 - 2
American Cinematographer - October 2010 - Contents
American Cinematographer - October 2010 - 4
American Cinematographer - October 2010 - 5
American Cinematographer - October 2010 - 6
American Cinematographer - October 2010 - 7
American Cinematographer - October 2010 - Editors Note
American Cinematographer - October 2010 - 9
American Cinematographer - October 2010 - President’s Desk
American Cinematographer - October 2010 - 11
American Cinematographer - October 2010 - Short Takes: “Lakairomania”
American Cinematographer - October 2010 - 13
American Cinematographer - October 2010 - 14
American Cinematographer - October 2010 - 15
American Cinematographer - October 2010 - 16
American Cinematographer - October 2010 - 17
American Cinematographer - October 2010 - Production Slate: Enter the Void • Indie 3-D
American Cinematographer - October 2010 - 19
American Cinematographer - October 2010 - 20
American Cinematographer - October 2010 - 21
American Cinematographer - October 2010 - 22
American Cinematographer - October 2010 - 23
American Cinematographer - October 2010 - 24
American Cinematographer - October 2010 - 25
American Cinematographer - October 2010 - 26
American Cinematographer - October 2010 - 27
American Cinematographer - October 2010 - With Friends Like These…
American Cinematographer - October 2010 - 29
American Cinematographer - October 2010 - 30
American Cinematographer - October 2010 - 31
American Cinematographer - October 2010 - 32
American Cinematographer - October 2010 - 33
American Cinematographer - October 2010 - 34
American Cinematographer - October 2010 - 35
American Cinematographer - October 2010 - 36
American Cinematographer - October 2010 - 37
American Cinematographer - October 2010 - 38
American Cinematographer - October 2010 - 39
American Cinematographer - October 2010 - 40
American Cinematographer - October 2010 - 41
American Cinematographer - October 2010 - Zero-Sum Game
American Cinematographer - October 2010 - 43
American Cinematographer - October 2010 - 44
American Cinematographer - October 2010 - 45
American Cinematographer - October 2010 - 46
American Cinematographer - October 2010 - 47
American Cinematographer - October 2010 - 48
American Cinematographer - October 2010 - 49
American Cinematographer - October 2010 - 50
American Cinematographer - October 2010 - 51
American Cinematographer - October 2010 - 52
American Cinematographer - October 2010 - 53
American Cinematographer - October 2010 - Bloody Valentine
American Cinematographer - October 2010 - 55
American Cinematographer - October 2010 - 56
American Cinematographer - October 2010 - 57
American Cinematographer - October 2010 - 58
American Cinematographer - October 2010 - 59
American Cinematographer - October 2010 - 60
American Cinematographer - October 2010 - 61
American Cinematographer - October 2010 - 62
American Cinematographer - October 2010 - 63
American Cinematographer - October 2010 - 64
American Cinematographer - October 2010 - 65
American Cinematographer - October 2010 - Welcome to the Jungle
American Cinematographer - October 2010 - 67
American Cinematographer - October 2010 - 68
American Cinematographer - October 2010 - 69
American Cinematographer - October 2010 - 70
American Cinematographer - October 2010 - 71
American Cinematographer - October 2010 - Post Focus: Advanced Digital Services
American Cinematographer - October 2010 - 73
American Cinematographer - October 2010 - 74
American Cinematographer - October 2010 - 75
American Cinematographer - October 2010 - 76
American Cinematographer - October 2010 - 77
American Cinematographer - October 2010 - New Products & Services
American Cinematographer - October 2010 - 79
American Cinematographer - October 2010 - 80
American Cinematographer - October 2010 - 81
American Cinematographer - October 2010 - 82
American Cinematographer - October 2010 - 83
American Cinematographer - October 2010 - 84
American Cinematographer - October 2010 - 85
American Cinematographer - October 2010 - International Marketplace
American Cinematographer - October 2010 - 87
American Cinematographer - October 2010 - Ad Index
American Cinematographer - October 2010 - 89
American Cinematographer - October 2010 - Clubhouse News
American Cinematographer - October 2010 - 91
American Cinematographer - October 2010 - ASC Close-Up: Jim Denault
American Cinematographer - October 2010 - Cover3
American Cinematographer - October 2010 - Cover4
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