American Cinematographer - October 2011 - 56
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Home Invasion
Top: David and Amy encounter Charlie at the church in town. Bottom: Sakharov directs his crew as the filmmakers prep a scene at a high-school football game.
walk through. What I wanted was to control them better, and after talking to Kevin, we decided to encase them in some sort of box. His team built a box that was a prototype for what Whities would become later on — a box built around a batten strip, and then an egg crate to control the spill. It became a transportable and repeatedly usable unit, but after seeing it take some bangs, we
56 October 2011
eventually put them in metal boxes. “We built more than 200 of them for The Sopranos, and I still carry two dozen with me on every show,” he continues. “I use them on everything. It’s just a great way to work fast and get my lights off the floor and up in a grid quickly.” By the time he began prepping Straw Dogs, Whities had evolved into
American Cinematographer
1'x4' boxes measuring 1' deep and housing strips of 100-watt bulbs that could be mounted quickly above a set flap or a grid, or vertically on an apple box or stand. Sakharov says they allowed him to light perimeters on set, and because they are dimmer controlled, he could easily choose which side of the set would be lit at a given moment. The units also accept gel frames and egg crates. They became the primary lighting instrument for most of the interior work on Straw Dogs. Bates acknowledges that the Whities initially presented him with a bit of a learning curve, but he eventually became very impressed with the tool and, in fact, helped Sakharov evolve it further. “Alik is devoted to the concept, and he even told me at the start what bulbs to buy for the sockets,” says the gaffer. “He asked me to use them all the time, but I realized that because of the way some of our sets were laid out, we would need smaller versions that were basically 2 feet long instead of 4 feet long. So we made up some 2-foot versions, ‘Little Whities,’ and we ended up using them extensively. “I came to really like using them,”
American Cinematographer - October 2011
Table of Contents for the Digital Edition of American Cinematographer - October 2011
American Cinematographer - October 2011
Contents
Editor’s Note
President’s Desk
Short Takes: Woolite “Torture”
Production Slate: The Skin I Live In • Margin Call
Road Warriors
Man of Action
Home Invasion
King of New York
Post Focus: Restoring A Trip to the Moon
Filmmakers’ Forum: Karl Walter Lindenlaub, ASC, BVK
New Products & Services
International Marketplace
Classified Ads
Ad Index
In Memoriam: Takuo “Tak” Miyagishima
Clubhouse News
ASC Close-Up: Xavier Grobet
American Cinematographer - October 2011 - American Cinematographer - October 2011
American Cinematographer - October 2011 - Cover2
American Cinematographer - October 2011 - 1
American Cinematographer - October 2011 - 2
American Cinematographer - October 2011 - 3
American Cinematographer - October 2011 - 4
American Cinematographer - October 2011 - Contents
American Cinematographer - October 2011 - 6
American Cinematographer - October 2011 - 7
American Cinematographer - October 2011 - Editor’s Note
American Cinematographer - October 2011 - 9
American Cinematographer - October 2011 - President’s Desk
American Cinematographer - October 2011 - 11
American Cinematographer - October 2011 - Short Takes: Woolite “Torture”
American Cinematographer - October 2011 - 13
American Cinematographer - October 2011 - 14
American Cinematographer - October 2011 - 15
American Cinematographer - October 2011 - Production Slate: The Skin I Live In • Margin Call
American Cinematographer - October 2011 - 17
American Cinematographer - October 2011 - 18
American Cinematographer - October 2011 - 19
American Cinematographer - October 2011 - 20
American Cinematographer - October 2011 - 21
American Cinematographer - October 2011 - 22
American Cinematographer - October 2011 - 23
American Cinematographer - October 2011 - 24
American Cinematographer - October 2011 - 25
American Cinematographer - October 2011 - 26
American Cinematographer - October 2011 - 27
American Cinematographer - October 2011 - Road Warriors
American Cinematographer - October 2011 - 29
American Cinematographer - October 2011 - 30
American Cinematographer - October 2011 - 31
American Cinematographer - October 2011 - 32
American Cinematographer - October 2011 - 32a
American Cinematographer - October 2011 - 32b
American Cinematographer - October 2011 - 33
American Cinematographer - October 2011 - 34
American Cinematographer - October 2011 - 35
American Cinematographer - October 2011 - 36
American Cinematographer - October 2011 - 37
American Cinematographer - October 2011 - 38
American Cinematographer - October 2011 - 39
American Cinematographer - October 2011 - 40
American Cinematographer - October 2011 - 41
American Cinematographer - October 2011 - 42
American Cinematographer - October 2011 - 43
American Cinematographer - October 2011 - Man of Action
American Cinematographer - October 2011 - 45
American Cinematographer - October 2011 - 46
American Cinematographer - October 2011 - 47
American Cinematographer - October 2011 - 48
American Cinematographer - October 2011 - 49
American Cinematographer - October 2011 - 50
American Cinematographer - October 2011 - 51
American Cinematographer - October 2011 - Home Invasion
American Cinematographer - October 2011 - 53
American Cinematographer - October 2011 - 54
American Cinematographer - October 2011 - 55
American Cinematographer - October 2011 - 56
American Cinematographer - October 2011 - 57
American Cinematographer - October 2011 - 58
American Cinematographer - October 2011 - 59
American Cinematographer - October 2011 - 60
American Cinematographer - October 2011 - 61
American Cinematographer - October 2011 - King of New York
American Cinematographer - October 2011 - 63
American Cinematographer - October 2011 - 64
American Cinematographer - October 2011 - 65
American Cinematographer - October 2011 - 66
American Cinematographer - October 2011 - 67
American Cinematographer - October 2011 - Post Focus: Restoring A Trip to the Moon
American Cinematographer - October 2011 - 69
American Cinematographer - October 2011 - 70
American Cinematographer - October 2011 - 71
American Cinematographer - October 2011 - 72
American Cinematographer - October 2011 - 73
American Cinematographer - October 2011 - Filmmakers’ Forum: Karl Walter Lindenlaub, ASC, BVK
American Cinematographer - October 2011 - 75
American Cinematographer - October 2011 - 76
American Cinematographer - October 2011 - 77
American Cinematographer - October 2011 - New Products & Services
American Cinematographer - October 2011 - 79
American Cinematographer - October 2011 - 80
American Cinematographer - October 2011 - 81
American Cinematographer - October 2011 - International Marketplace
American Cinematographer - October 2011 - Classified Ads
American Cinematographer - October 2011 - Ad Index
American Cinematographer - October 2011 - 85
American Cinematographer - October 2011 - In Memoriam: Takuo “Tak” Miyagishima
American Cinematographer - October 2011 - Clubhouse News
American Cinematographer - October 2011 - ASC Close-Up: Xavier Grobet
American Cinematographer - October 2011 - Cover3
American Cinematographer - October 2011 - Cover4
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