American Cinematographer - October 2011 - 79

Karesslite 6012 FX incorporate a 6x12 emitter format in a 23.6"x11.8" panel with a front-to-back depth of 6.5" and a weight of 15.4 pounds. Power consumption is 85 watts, allowing more than 90 minutes of continuous operation from two rear-mountable V-lock batteries. Power can also be supplied from a 12-40-volt DC feed via an XLR 4 connector, or from a mains supply. Each Karesslite comes complete with an integral diffusion grating, providing a single-source output with minimal light loss. Egg-crate options can also be deployed to make the source more directional. Other available accessories include the Gekko swivel mount, yoke, encapsulated colorcorrection gel sets, removable barn doors, honeycomb louvers, remote dimmer and soft transit case. For additional information, visit www.gekkotechnology.com. Litepanels Upgrades Sola ENG Litepanels, a Vitec Group brand, has added more versatility to its on-camera Sola ENG LED Fresnel light. The upgraded Sola ENG operates on battery or AC power thanks to a new AC/DC adapter, and the Sola ENG Kit includes a detachable D-Tap power cable and Stand Adapter Bracket, making the fixture easy to mount on either a camera or light stand. Litepanels’ daylight-balanced Sola fixtures provide great controllability and light-shaping properties, including variable beam control from 10-70 degrees while utilizing just a fraction of the power of stan-

dard fixtures. Employing a 3" proprietary Fresnel lens, the Sola ENG draws just 30 watts but produces light levels equivalent to a 250-watt tungsten unit. Sola Fresnels feature instant dimming from 0-100 percent with no noticeable color shift. The Sola ENG provides ergonomic manual focus and dimming via lens-style rotating control. Output is flicker free and remains consistent even as the battery voltage goes down. The Sola ENG fixture measures 4"x4"x5" and weighs 10 ounces. The Sola ENG Kit comes with the fixture, two-leaf barn doors, three gels ( 1⁄4 correction, full correction and diffusion), an AC power supply with power cord, a Stand Adapter Bracket, a detachable D-Tap DC power cable, and a shoe-ball mount and adapter. For additional information, visit www.litepanels.com.

3-Point Lighting With Ikan iLEDs Ikan has introduced the iLED 312 Three-Point Light Kit, which includes a durable carrying case, three iLED 312 LED fixtures, three light stands, three light diffusers, three AC power adapters, six Sony L-series DV batteries, three dualbattery chargers and three iLED 312 soft carrying cases. The iLED 312 boasts a bright (6,580 lux at 50cm) wide-angle beam pattern, tungsten-to-daylight (3,200°K-6,500°K) blending, dimming, on-board battery-life indicator, and dual battery-life capabilities. The kit’s suggested retail price is $1,799. For more information, visit www.ikancorp.com. Elation Professional Zooms With Platinum Wash Elation Professional has introduced the Platinum Wash LED Zoom, a compact, energy-efficient LED color wash with a built-in zoom and integrated DMX. Featuring a 300-watt Quad Color LED system and


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American Cinematographer - October 2011

Table of Contents for the Digital Edition of American Cinematographer - October 2011

American Cinematographer - October 2011
Contents
Editor’s Note
President’s Desk
Short Takes: Woolite “Torture”
Production Slate: The Skin I Live In • Margin Call
Road Warriors
Man of Action
Home Invasion
King of New York
Post Focus: Restoring A Trip to the Moon
Filmmakers’ Forum: Karl Walter Lindenlaub, ASC, BVK
New Products & Services
International Marketplace
Classified Ads
Ad Index
In Memoriam: Takuo “Tak” Miyagishima
Clubhouse News
ASC Close-Up: Xavier Grobet
American Cinematographer - October 2011 - American Cinematographer - October 2011
American Cinematographer - October 2011 - Cover2
American Cinematographer - October 2011 - 1
American Cinematographer - October 2011 - 2
American Cinematographer - October 2011 - 3
American Cinematographer - October 2011 - 4
American Cinematographer - October 2011 - Contents
American Cinematographer - October 2011 - 6
American Cinematographer - October 2011 - 7
American Cinematographer - October 2011 - Editor’s Note
American Cinematographer - October 2011 - 9
American Cinematographer - October 2011 - President’s Desk
American Cinematographer - October 2011 - 11
American Cinematographer - October 2011 - Short Takes: Woolite “Torture”
American Cinematographer - October 2011 - 13
American Cinematographer - October 2011 - 14
American Cinematographer - October 2011 - 15
American Cinematographer - October 2011 - Production Slate: The Skin I Live In • Margin Call
American Cinematographer - October 2011 - 17
American Cinematographer - October 2011 - 18
American Cinematographer - October 2011 - 19
American Cinematographer - October 2011 - 20
American Cinematographer - October 2011 - 21
American Cinematographer - October 2011 - 22
American Cinematographer - October 2011 - 23
American Cinematographer - October 2011 - 24
American Cinematographer - October 2011 - 25
American Cinematographer - October 2011 - 26
American Cinematographer - October 2011 - 27
American Cinematographer - October 2011 - Road Warriors
American Cinematographer - October 2011 - 29
American Cinematographer - October 2011 - 30
American Cinematographer - October 2011 - 31
American Cinematographer - October 2011 - 32
American Cinematographer - October 2011 - 32a
American Cinematographer - October 2011 - 32b
American Cinematographer - October 2011 - 33
American Cinematographer - October 2011 - 34
American Cinematographer - October 2011 - 35
American Cinematographer - October 2011 - 36
American Cinematographer - October 2011 - 37
American Cinematographer - October 2011 - 38
American Cinematographer - October 2011 - 39
American Cinematographer - October 2011 - 40
American Cinematographer - October 2011 - 41
American Cinematographer - October 2011 - 42
American Cinematographer - October 2011 - 43
American Cinematographer - October 2011 - Man of Action
American Cinematographer - October 2011 - 45
American Cinematographer - October 2011 - 46
American Cinematographer - October 2011 - 47
American Cinematographer - October 2011 - 48
American Cinematographer - October 2011 - 49
American Cinematographer - October 2011 - 50
American Cinematographer - October 2011 - 51
American Cinematographer - October 2011 - Home Invasion
American Cinematographer - October 2011 - 53
American Cinematographer - October 2011 - 54
American Cinematographer - October 2011 - 55
American Cinematographer - October 2011 - 56
American Cinematographer - October 2011 - 57
American Cinematographer - October 2011 - 58
American Cinematographer - October 2011 - 59
American Cinematographer - October 2011 - 60
American Cinematographer - October 2011 - 61
American Cinematographer - October 2011 - King of New York
American Cinematographer - October 2011 - 63
American Cinematographer - October 2011 - 64
American Cinematographer - October 2011 - 65
American Cinematographer - October 2011 - 66
American Cinematographer - October 2011 - 67
American Cinematographer - October 2011 - Post Focus: Restoring A Trip to the Moon
American Cinematographer - October 2011 - 69
American Cinematographer - October 2011 - 70
American Cinematographer - October 2011 - 71
American Cinematographer - October 2011 - 72
American Cinematographer - October 2011 - 73
American Cinematographer - October 2011 - Filmmakers’ Forum: Karl Walter Lindenlaub, ASC, BVK
American Cinematographer - October 2011 - 75
American Cinematographer - October 2011 - 76
American Cinematographer - October 2011 - 77
American Cinematographer - October 2011 - New Products & Services
American Cinematographer - October 2011 - 79
American Cinematographer - October 2011 - 80
American Cinematographer - October 2011 - 81
American Cinematographer - October 2011 - International Marketplace
American Cinematographer - October 2011 - Classified Ads
American Cinematographer - October 2011 - Ad Index
American Cinematographer - October 2011 - 85
American Cinematographer - October 2011 - In Memoriam: Takuo “Tak” Miyagishima
American Cinematographer - October 2011 - Clubhouse News
American Cinematographer - October 2011 - ASC Close-Up: Xavier Grobet
American Cinematographer - October 2011 - Cover3
American Cinematographer - October 2011 - Cover4
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