American Cinematographer - October 2013 - 48
◗
Full Throttle
Top: Dod Mantle captures a scene from the cockpit of Lauda’s car as a driver speeds past
him. Bottom left: A remote-controlled, car-mounted slider rig was constructed so the
Indiecams could capture unusual onboard perspectives. Bottom right: Multiple Indiecams
mounted on Hunt’s vehicle.
camera, getting shots of the tiny things
that move and turn when you press
down on a car’s accelerator.”
The style of camerawork in much
of the archival material provided another
source of inspiration for Dod Mantle’s
visual approach. He notes, “With motor
racing at that time, the cameras were
always struggling to catch the moment,
48
October 2013
so I tried to educate myself and my operators about how and when to incorporate that idea. We didn’t do it too much,
because if you do, you get this incessant
wobbling, but if there was an emotional
or story-based reason to have a camera
slightly struggling to shoot through a
fence, or doing a slightly unmotivated
push, then we did it. The unpredictabilAmerican Cinematographer
ity of life and death in motor racing was
why this film had to have a kind of
inquisitive, slightly unstable language.”
For scenes involving human
drama, Dod Mantle’s camerawork was
guided by the contrasting characters of
Hunt and Lauda. “One of the first things
I said to Ron was that I saw Hunt as a
kind of animal. I felt that in the early
American Cinematographer - October 2013
Table of Contents for the Digital Edition of American Cinematographer - October 2013
Contents
American Cinematographer - October 2013 - Cover1
American Cinematographer - October 2013 - Cover2
American Cinematographer - October 2013 - 1
American Cinematographer - October 2013 - 2
American Cinematographer - October 2013 - Contents
American Cinematographer - October 2013 - 4
American Cinematographer - October 2013 - 5
American Cinematographer - October 2013 - 6
American Cinematographer - October 2013 - 7
American Cinematographer - October 2013 - 8
American Cinematographer - October 2013 - 9
American Cinematographer - October 2013 - 10
American Cinematographer - October 2013 - 11
American Cinematographer - October 2013 - 12
American Cinematographer - October 2013 - 13
American Cinematographer - October 2013 - 14
American Cinematographer - October 2013 - 15
American Cinematographer - October 2013 - 16
American Cinematographer - October 2013 - 17
American Cinematographer - October 2013 - 18
American Cinematographer - October 2013 - 19
American Cinematographer - October 2013 - 20
American Cinematographer - October 2013 - 21
American Cinematographer - October 2013 - 22
American Cinematographer - October 2013 - 23
American Cinematographer - October 2013 - 24
American Cinematographer - October 2013 - 25
American Cinematographer - October 2013 - 26
American Cinematographer - October 2013 - 27
American Cinematographer - October 2013 - 28
American Cinematographer - October 2013 - 29
American Cinematographer - October 2013 - 30
American Cinematographer - October 2013 - 31
American Cinematographer - October 2013 - 32
American Cinematographer - October 2013 - 33
American Cinematographer - October 2013 - 34
American Cinematographer - October 2013 - 35
American Cinematographer - October 2013 - 36
American Cinematographer - October 2013 - 37
American Cinematographer - October 2013 - 38
American Cinematographer - October 2013 - 39
American Cinematographer - October 2013 - 40
American Cinematographer - October 2013 - 41
American Cinematographer - October 2013 - 42
American Cinematographer - October 2013 - 43
American Cinematographer - October 2013 - 44
American Cinematographer - October 2013 - 45
American Cinematographer - October 2013 - 46
American Cinematographer - October 2013 - 47
American Cinematographer - October 2013 - 48
American Cinematographer - October 2013 - 49
American Cinematographer - October 2013 - 50
American Cinematographer - October 2013 - 51
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American Cinematographer - October 2013 - 53
American Cinematographer - October 2013 - 54
American Cinematographer - October 2013 - 55
American Cinematographer - October 2013 - 56
American Cinematographer - October 2013 - 57
American Cinematographer - October 2013 - 58
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American Cinematographer - October 2013 - 60
American Cinematographer - October 2013 - 61
American Cinematographer - October 2013 - 62
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American Cinematographer - October 2013 - 100
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