American Cinematographer - October 2013 - 54

Beyond the Law
Roger Deakins, ASC, BSC details his
lighting approach to Prisoners, a
police procedural with compelling
plot twists.
By David E. Williams
•|•

S

et in an unassuming suburbia, Denis Villeneuve’s drama
Prisoners begins as two neighboring families convene to
celebrate Thanksgiving. After two of their young daughters vanish without a trace, a tenuous string of clues and
frantic desperation leads one father, Keller Dover (Hugh
Jackman), to step well outside the law as he tracks, captures
and imprisons the man he believes responsible, Alex Jones
(Paul Dano). Meanwhile, the police investigation, led by Det.
Loki ( Jake Gyllenhaal), is uncovering a conspiracy involving

54

October 2013

child abductions that have taken place over decades.
Prisoners cinematographer Roger Deakins, ASC, BSC
says a number of elements in the story struck him as timely,
“the issue of torture among them,” and that he was also
attracted to the project by its emphasis on character and
performance. “The dramatic success of Prisoners rests on the
acting,” he says.
He had also been impressed by Villeneuve’s last feature,
Incendies [2010], and was keen to collaborate with the director. “I heard Denis was doing this movie and got the script,
which was dense and had a lot of characters, and, to be honest,
Gothic elements that I thought went too far. I wasn’t interested in that genre, but it turned out that Denis wasn’t, either.
We did end up shooting the script, but it was always his intention that the final cut of the film wouldn’t feature those
elements.”
Prisoners unfolds mainly through the perspectives of
Dover and Loki as their respective investigations progress.
“Denis and I talked at length about how to ground the movie
in those two perspectives, but we didn’t want to do it in an

American Cinematographer



American Cinematographer - October 2013

Table of Contents for the Digital Edition of American Cinematographer - October 2013

Contents
American Cinematographer - October 2013 - Cover1
American Cinematographer - October 2013 - Cover2
American Cinematographer - October 2013 - 1
American Cinematographer - October 2013 - 2
American Cinematographer - October 2013 - Contents
American Cinematographer - October 2013 - 4
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