American Cinematographer - October 2013 - 70

◗

Naval Campaign

Right: The team
goes over
evidence in the
laboratory of
forensic scientist
Abby Sciuto
(Pauley Perrette,
second from
right). 2K Zip
lights hang above
each of the
arched windows
in the
background to
help create a
backlit “sunlight”
effect in the lab.
Below: Abby
shares a
discovery with
Gibbs.

scene at a remarkable clip, and Webb is
quick to share credit for that with
episode director Tony Wharmby. “Once
we start shooting, my first loyalty is to
the director, and I do my best to accommodate him, even if he has an idea that’s
sort of outside the NCIS norm,” he says.
Webb himself has directed four episodes
to date: “Mind Games” (season three),
“Shalom” (season four), “Child’s Play”
70

October 2013

(season seven) and “Dead Reflection”
(season eight). “It’s a fantastic experience, and it has changed me as a
cameraman. I’m much more empathetic to the director’s plight, to the
millions of questions he’s attacked with
every day.”
When Webb directs, or when he
has to leave set for an upcoming
episode’s tech scout, he taps Bitsakos to
American Cinematographer

take over cinematography duties. “He’s a
very talented guy with a great eye,” says
Webb. “He was already shooting
projects when he started working for me
as a second AC on JAG.”
Webb’s prep begins when he
receives the script, which he reads
“several times before our tech scout.
Somebody once told me, ‘The first time
you read a script, read it like you’re
watching it, as fast as you possibly can.’
When I do that, images just pop into
my mind, and then I make all these
manic notes. The key to any narrative
production is the story. That is god, and
that’s where I look for inspiration. You
stay open, and you try to break habits,
especially when you’re on season 11!”
The next scene takes the crew to
the elevator interior built into one of the
squad room’s walls, at the end of a long
row of windows that look out onto a
backing of the real NCIS building at
Quantico. Roughly 15' separates the
backing from the windows, with some
greenery positioned in between. Twenty
Mole-Richardson 2K Zip lights are
aimed at the backing from the ceiling;
half are open faced, half are gelled Full



American Cinematographer - October 2013

Table of Contents for the Digital Edition of American Cinematographer - October 2013

Contents
American Cinematographer - October 2013 - Cover1
American Cinematographer - October 2013 - Cover2
American Cinematographer - October 2013 - 1
American Cinematographer - October 2013 - 2
American Cinematographer - October 2013 - Contents
American Cinematographer - October 2013 - 4
American Cinematographer - October 2013 - 5
American Cinematographer - October 2013 - 6
American Cinematographer - October 2013 - 7
American Cinematographer - October 2013 - 8
American Cinematographer - October 2013 - 9
American Cinematographer - October 2013 - 10
American Cinematographer - October 2013 - 11
American Cinematographer - October 2013 - 12
American Cinematographer - October 2013 - 13
American Cinematographer - October 2013 - 14
American Cinematographer - October 2013 - 15
American Cinematographer - October 2013 - 16
American Cinematographer - October 2013 - 17
American Cinematographer - October 2013 - 18
American Cinematographer - October 2013 - 19
American Cinematographer - October 2013 - 20
American Cinematographer - October 2013 - 21
American Cinematographer - October 2013 - 22
American Cinematographer - October 2013 - 23
American Cinematographer - October 2013 - 24
American Cinematographer - October 2013 - 25
American Cinematographer - October 2013 - 26
American Cinematographer - October 2013 - 27
American Cinematographer - October 2013 - 28
American Cinematographer - October 2013 - 29
American Cinematographer - October 2013 - 30
American Cinematographer - October 2013 - 31
American Cinematographer - October 2013 - 32
American Cinematographer - October 2013 - 33
American Cinematographer - October 2013 - 34
American Cinematographer - October 2013 - 35
American Cinematographer - October 2013 - 36
American Cinematographer - October 2013 - 37
American Cinematographer - October 2013 - 38
American Cinematographer - October 2013 - 39
American Cinematographer - October 2013 - 40
American Cinematographer - October 2013 - 41
American Cinematographer - October 2013 - 42
American Cinematographer - October 2013 - 43
American Cinematographer - October 2013 - 44
American Cinematographer - October 2013 - 45
American Cinematographer - October 2013 - 46
American Cinematographer - October 2013 - 47
American Cinematographer - October 2013 - 48
American Cinematographer - October 2013 - 49
American Cinematographer - October 2013 - 50
American Cinematographer - October 2013 - 51
American Cinematographer - October 2013 - 52
American Cinematographer - October 2013 - 53
American Cinematographer - October 2013 - 54
American Cinematographer - October 2013 - 55
American Cinematographer - October 2013 - 56
American Cinematographer - October 2013 - 57
American Cinematographer - October 2013 - 58
American Cinematographer - October 2013 - 59
American Cinematographer - October 2013 - 60
American Cinematographer - October 2013 - 61
American Cinematographer - October 2013 - 62
American Cinematographer - October 2013 - 63
American Cinematographer - October 2013 - 64
American Cinematographer - October 2013 - 65
American Cinematographer - October 2013 - 66
American Cinematographer - October 2013 - 67
American Cinematographer - October 2013 - 68
American Cinematographer - October 2013 - 69
American Cinematographer - October 2013 - 70
American Cinematographer - October 2013 - 71
American Cinematographer - October 2013 - 72
American Cinematographer - October 2013 - 73
American Cinematographer - October 2013 - 74
American Cinematographer - October 2013 - 75
American Cinematographer - October 2013 - 76
American Cinematographer - October 2013 - 77
American Cinematographer - October 2013 - 78
American Cinematographer - October 2013 - 79
American Cinematographer - October 2013 - 80
American Cinematographer - October 2013 - 81
American Cinematographer - October 2013 - 82
American Cinematographer - October 2013 - 83
American Cinematographer - October 2013 - 84
American Cinematographer - October 2013 - 85
American Cinematographer - October 2013 - 86
American Cinematographer - October 2013 - 87
American Cinematographer - October 2013 - 88
American Cinematographer - October 2013 - 89
American Cinematographer - October 2013 - 90
American Cinematographer - October 2013 - 91
American Cinematographer - October 2013 - 92
American Cinematographer - October 2013 - 93
American Cinematographer - October 2013 - 94
American Cinematographer - October 2013 - 95
American Cinematographer - October 2013 - 96
American Cinematographer - October 2013 - 97
American Cinematographer - October 2013 - 98
American Cinematographer - October 2013 - 99
American Cinematographer - October 2013 - 100
American Cinematographer - October 2013 - Cover3
American Cinematographer - October 2013 - Cover4
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