American Cinematographer - October 2013 - 79

Photos by Jair Sfez, courtesy of The Weinstein Co.

Opposite: Rose
(Déborah François), a
secretary in 1958
France, finds herself
on a path to glory
after her new boss
pushes her to pursue
competitive speed
typing. This page,
top: Rose holds a
typewriter while
working in her
father’s shop.
Middle: Rose
impresses Louis
(Romain Duris), the
boss of a small
insurance company,
with her typing
skills. Bottom:
Cinematographer
Guillaume
Schiffman, AFC
surveys a shot
on set.

For most of his work in France,
Schiffman uses Arri cameras because “I
like the viewfinder, and the rest is basically the same mechanics in all
cameras.” Because the camera would
often be stationary on Populaire, he
chose an Arricam Studio as the main
camera, which he operated. (An
Arricam Lite was used for limited Bcamera work.) His lenses were Cooke
S4 primes and Angenieux Optimo 24290mm zooms. “I like S4s because they
are very crisp and sharp, but also soft.
We used the 40mm a lot. With the
32mm and 40mm, you get a nice presence of the actors for close-ups, as well
as all the background. Basically, everything we shot was between 32mm and
50mm. For the end of the film, when
Rose becomes a star, we switched to
longer lenses.
“It’s very important for this kind
of movie to [make] the women beautiful,” continues Schiffman, who used a
Tiffen Soft/FX filter on the lens when
filming François and Bérénice Bejo,
who plays Louis’ former love. “The SFX
softens everything a little bit; it’s not
exaggerated like the old star filters, and
it doesn’t interfere with practical lights.”
The films of Billy Wilder and
Douglas Sirk were just some of the stylistic influences on Populaire. The filmwww.theasc.com

October 2013

79



http://www.theasc.com

American Cinematographer - October 2013

Table of Contents for the Digital Edition of American Cinematographer - October 2013

Contents
American Cinematographer - October 2013 - Cover1
American Cinematographer - October 2013 - Cover2
American Cinematographer - October 2013 - 1
American Cinematographer - October 2013 - 2
American Cinematographer - October 2013 - Contents
American Cinematographer - October 2013 - 4
American Cinematographer - October 2013 - 5
American Cinematographer - October 2013 - 6
American Cinematographer - October 2013 - 7
American Cinematographer - October 2013 - 8
American Cinematographer - October 2013 - 9
American Cinematographer - October 2013 - 10
American Cinematographer - October 2013 - 11
American Cinematographer - October 2013 - 12
American Cinematographer - October 2013 - 13
American Cinematographer - October 2013 - 14
American Cinematographer - October 2013 - 15
American Cinematographer - October 2013 - 16
American Cinematographer - October 2013 - 17
American Cinematographer - October 2013 - 18
American Cinematographer - October 2013 - 19
American Cinematographer - October 2013 - 20
American Cinematographer - October 2013 - 21
American Cinematographer - October 2013 - 22
American Cinematographer - October 2013 - 23
American Cinematographer - October 2013 - 24
American Cinematographer - October 2013 - 25
American Cinematographer - October 2013 - 26
American Cinematographer - October 2013 - 27
American Cinematographer - October 2013 - 28
American Cinematographer - October 2013 - 29
American Cinematographer - October 2013 - 30
American Cinematographer - October 2013 - 31
American Cinematographer - October 2013 - 32
American Cinematographer - October 2013 - 33
American Cinematographer - October 2013 - 34
American Cinematographer - October 2013 - 35
American Cinematographer - October 2013 - 36
American Cinematographer - October 2013 - 37
American Cinematographer - October 2013 - 38
American Cinematographer - October 2013 - 39
American Cinematographer - October 2013 - 40
American Cinematographer - October 2013 - 41
American Cinematographer - October 2013 - 42
American Cinematographer - October 2013 - 43
American Cinematographer - October 2013 - 44
American Cinematographer - October 2013 - 45
American Cinematographer - October 2013 - 46
American Cinematographer - October 2013 - 47
American Cinematographer - October 2013 - 48
American Cinematographer - October 2013 - 49
American Cinematographer - October 2013 - 50
American Cinematographer - October 2013 - 51
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American Cinematographer - October 2013 - 54
American Cinematographer - October 2013 - 55
American Cinematographer - October 2013 - 56
American Cinematographer - October 2013 - 57
American Cinematographer - October 2013 - 58
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American Cinematographer - October 2013 - 60
American Cinematographer - October 2013 - 61
American Cinematographer - October 2013 - 62
American Cinematographer - October 2013 - 63
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American Cinematographer - October 2013 - 72
American Cinematographer - October 2013 - 73
American Cinematographer - October 2013 - 74
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American Cinematographer - October 2013 - 77
American Cinematographer - October 2013 - 78
American Cinematographer - October 2013 - 79
American Cinematographer - October 2013 - 80
American Cinematographer - October 2013 - 81
American Cinematographer - October 2013 - 82
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American Cinematographer - October 2013 - 100
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