American Cinematographer - October 2013 - 84
◗
Magic Touch
Schiffman and director Régis Roinsard confer with François on set.
room. (Extras puffed away on herbal
cigarettes, augmented by a smoke
machine.) The production was not
allowed to hang lights at the location, so
84
for ambience the crew placed 18Ks on
cherry pickers outside the large windows
lining one wall. “A mix of 400-watt and
800-watt Jokers through Chimeras and
usually double diffused with egg crates
lit the close-ups, and this light was
mixed with bounced light from the
18Ks for medium shots,” says Berard.
Two typing sessions were held in
this location. One was brighter and
warmer to suggest daytime; the other
was cooler to suggest evening. For the
latter, Schiffman’s crew added ¼ CTB
to the 18Ks.
The French Nationals were
staged in a hotel ballroom that was lit
with fluorescent practicals in the ceiling. Eventually, the competition is
whittled down to two finalists: Rose
and the reigning French champion. At
this point, the camera springs into
action. The grips laid a circular dolly
track around the two women, who were
seated at separate tables but facing one
another, and then pushed the A and B
cameras around the track at full speed
as the operators zoomed in and out.
It was a difficult day for both the
operators and the dolly grips, recalls
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American Cinematographer - October 2013
Table of Contents for the Digital Edition of American Cinematographer - October 2013
Contents
American Cinematographer - October 2013 - Cover1
American Cinematographer - October 2013 - Cover2
American Cinematographer - October 2013 - 1
American Cinematographer - October 2013 - 2
American Cinematographer - October 2013 - Contents
American Cinematographer - October 2013 - 4
American Cinematographer - October 2013 - 5
American Cinematographer - October 2013 - 6
American Cinematographer - October 2013 - 7
American Cinematographer - October 2013 - 8
American Cinematographer - October 2013 - 9
American Cinematographer - October 2013 - 10
American Cinematographer - October 2013 - 11
American Cinematographer - October 2013 - 12
American Cinematographer - October 2013 - 13
American Cinematographer - October 2013 - 14
American Cinematographer - October 2013 - 15
American Cinematographer - October 2013 - 16
American Cinematographer - October 2013 - 17
American Cinematographer - October 2013 - 18
American Cinematographer - October 2013 - 19
American Cinematographer - October 2013 - 20
American Cinematographer - October 2013 - 21
American Cinematographer - October 2013 - 22
American Cinematographer - October 2013 - 23
American Cinematographer - October 2013 - 24
American Cinematographer - October 2013 - 25
American Cinematographer - October 2013 - 26
American Cinematographer - October 2013 - 27
American Cinematographer - October 2013 - 28
American Cinematographer - October 2013 - 29
American Cinematographer - October 2013 - 30
American Cinematographer - October 2013 - 31
American Cinematographer - October 2013 - 32
American Cinematographer - October 2013 - 33
American Cinematographer - October 2013 - 34
American Cinematographer - October 2013 - 35
American Cinematographer - October 2013 - 36
American Cinematographer - October 2013 - 37
American Cinematographer - October 2013 - 38
American Cinematographer - October 2013 - 39
American Cinematographer - October 2013 - 40
American Cinematographer - October 2013 - 41
American Cinematographer - October 2013 - 42
American Cinematographer - October 2013 - 43
American Cinematographer - October 2013 - 44
American Cinematographer - October 2013 - 45
American Cinematographer - October 2013 - 46
American Cinematographer - October 2013 - 47
American Cinematographer - October 2013 - 48
American Cinematographer - October 2013 - 49
American Cinematographer - October 2013 - 50
American Cinematographer - October 2013 - 51
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American Cinematographer - October 2013 - 53
American Cinematographer - October 2013 - 54
American Cinematographer - October 2013 - 55
American Cinematographer - October 2013 - 56
American Cinematographer - October 2013 - 57
American Cinematographer - October 2013 - 58
American Cinematographer - October 2013 - 59
American Cinematographer - October 2013 - 60
American Cinematographer - October 2013 - 61
American Cinematographer - October 2013 - 62
American Cinematographer - October 2013 - 63
American Cinematographer - October 2013 - 64
American Cinematographer - October 2013 - 65
American Cinematographer - October 2013 - 66
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American Cinematographer - October 2013 - 70
American Cinematographer - October 2013 - 71
American Cinematographer - October 2013 - 72
American Cinematographer - October 2013 - 73
American Cinematographer - October 2013 - 74
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American Cinematographer - October 2013 - 77
American Cinematographer - October 2013 - 78
American Cinematographer - October 2013 - 79
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American Cinematographer - October 2013 - 81
American Cinematographer - October 2013 - 82
American Cinematographer - October 2013 - 83
American Cinematographer - October 2013 - 84
American Cinematographer - October 2013 - 85
American Cinematographer - October 2013 - 86
American Cinematographer - October 2013 - 87
American Cinematographer - October 2013 - 88
American Cinematographer - October 2013 - 89
American Cinematographer - October 2013 - 90
American Cinematographer - October 2013 - 91
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American Cinematographer - October 2013 - 93
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American Cinematographer - October 2013 - 96
American Cinematographer - October 2013 - 97
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American Cinematographer - October 2013 - 99
American Cinematographer - October 2013 - 100
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