American Cinematographer - October 2015 - 68
◗
Unholy Alliance
Top: Bulger in
the car with
Flemmi.
Middle: Bulger
handles a
problem with
Deborah
Hussey (Juno
Temple),
Flemmi's
stepdaughter.
Bottom:
Takayanagi
takes a break
during filming.
police lights, and a Condor with a 20K
gelled with Full Plus Green and ½
CTO simulated the streetlights and
backlit the downpour provided by a rain
machine. (The rain effect was further
amplified with visual effects.) "We
needed the good punch of mounted
68
October 2015
lights there," Takayanagi notes. LED
streetlights - four, in this case - were
again replaced with sodium-vapor units.
A Miami nightclub scene brings
the story into the '80s. Connolly and
Bulger are partying in the club, as is
John Callahan (Bill Camp), president of
American Cinematographer
the World Jai-Alai betting operation.
Believing Callahan will implicate him in
the murder of Callahan's predecessor,
Bulger orders hitman Johnny
Martorano (W. Earl Brown) to kill him.
As the scene unfolds, strobe lights penetrate Bulger's sunglasses, making him
look particularly menacing. The scene
cuts from the strobe flashes to the
gunshots of the hit and then the flashes
of photographers at the crime scene.
The crew used Martin Atomic
strobes, aimed in various directions, to
replicate club lighting of the era, and
enhanced the effect with Lightning
Strikes 8K Paparazzi Flash units. Inframe Par cans - run through a
dimmer system and filtered through red,
yellow and green gels - also flash and
offer contrast with the film's otherwise
largely industrial look.
Takayanagi expresses special
thanks to A-camera 1st AC Jim Apted,
key grip Frank Montesanto, and the
entirety of the camera and grip crews for
their contributions to Black Mass.
"Without their hard work and talent,
this film would have been impossible,"
he says.
The now-defunct Film Lab New
York handled processing, and the negative was digitized nightly on an Arriscan
at Deluxe New York. Dailies colorist
Kevin Krout worked with Colorfront
On-Set Dailies and every morning sent
frame grabs to Takayanagi for feedback.
Finished dailies were delivered online,
and Takayanagi evaluated them on a
American Cinematographer - October 2015
Table of Contents for the Digital Edition of American Cinematographer - October 2015
Contents
American Cinematographer - October 2015 - Intro
American Cinematographer - October 2015 - Cover1
American Cinematographer - October 2015 - Cover2
American Cinematographer - October 2015 - 1
American Cinematographer - October 2015 - 2
American Cinematographer - October 2015 - Contents
American Cinematographer - October 2015 - 4
American Cinematographer - October 2015 - 5
American Cinematographer - October 2015 - 6
American Cinematographer - October 2015 - 7
American Cinematographer - October 2015 - 8
American Cinematographer - October 2015 - 9
American Cinematographer - October 2015 - 10
American Cinematographer - October 2015 - 11
American Cinematographer - October 2015 - 12
American Cinematographer - October 2015 - 13
American Cinematographer - October 2015 - 14
American Cinematographer - October 2015 - 15
American Cinematographer - October 2015 - 16
American Cinematographer - October 2015 - 17
American Cinematographer - October 2015 - 18
American Cinematographer - October 2015 - 19
American Cinematographer - October 2015 - 20
American Cinematographer - October 2015 - 21
American Cinematographer - October 2015 - 22
American Cinematographer - October 2015 - 23
American Cinematographer - October 2015 - 24
American Cinematographer - October 2015 - 25
American Cinematographer - October 2015 - 26
American Cinematographer - October 2015 - 27
American Cinematographer - October 2015 - 28
American Cinematographer - October 2015 - 29
American Cinematographer - October 2015 - 30
American Cinematographer - October 2015 - 31
American Cinematographer - October 2015 - 32
American Cinematographer - October 2015 - 33
American Cinematographer - October 2015 - 34
American Cinematographer - October 2015 - 35
American Cinematographer - October 2015 - 36
American Cinematographer - October 2015 - 37
American Cinematographer - October 2015 - 38
American Cinematographer - October 2015 - 39
American Cinematographer - October 2015 - 40
American Cinematographer - October 2015 - 41
American Cinematographer - October 2015 - 42
American Cinematographer - October 2015 - 43
American Cinematographer - October 2015 - 44
American Cinematographer - October 2015 - 45
American Cinematographer - October 2015 - 46
American Cinematographer - October 2015 - 47
American Cinematographer - October 2015 - 48
American Cinematographer - October 2015 - 49
American Cinematographer - October 2015 - 50
American Cinematographer - October 2015 - 50a
American Cinematographer - October 2015 - 50b
American Cinematographer - October 2015 - 51
American Cinematographer - October 2015 - 52
American Cinematographer - October 2015 - 53
American Cinematographer - October 2015 - 54
American Cinematographer - October 2015 - 55
American Cinematographer - October 2015 - 56
American Cinematographer - October 2015 - 57
American Cinematographer - October 2015 - 58
American Cinematographer - October 2015 - 59
American Cinematographer - October 2015 - 60
American Cinematographer - October 2015 - 61
American Cinematographer - October 2015 - 62
American Cinematographer - October 2015 - 63
American Cinematographer - October 2015 - 64
American Cinematographer - October 2015 - 65
American Cinematographer - October 2015 - 66
American Cinematographer - October 2015 - 67
American Cinematographer - October 2015 - 68
American Cinematographer - October 2015 - 69
American Cinematographer - October 2015 - 70
American Cinematographer - October 2015 - 71
American Cinematographer - October 2015 - 72
American Cinematographer - October 2015 - 73
American Cinematographer - October 2015 - 74
American Cinematographer - October 2015 - 75
American Cinematographer - October 2015 - 76
American Cinematographer - October 2015 - 77
American Cinematographer - October 2015 - 78
American Cinematographer - October 2015 - 79
American Cinematographer - October 2015 - 80
American Cinematographer - October 2015 - 81
American Cinematographer - October 2015 - 82
American Cinematographer - October 2015 - 83
American Cinematographer - October 2015 - 84
American Cinematographer - October 2015 - 85
American Cinematographer - October 2015 - 86
American Cinematographer - October 2015 - 87
American Cinematographer - October 2015 - 88
American Cinematographer - October 2015 - 89
American Cinematographer - October 2015 - 90
American Cinematographer - October 2015 - 91
American Cinematographer - October 2015 - 92
American Cinematographer - October 2015 - 93
American Cinematographer - October 2015 - 94
American Cinematographer - October 2015 - 95
American Cinematographer - October 2015 - 96
American Cinematographer - October 2015 - Cover3
American Cinematographer - October 2015 - Cover4
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