American Cinematographer - October 2017 - 4

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Your Two Best Cinematography Resources
ascmag.com

John's Bailiwick

theasc.com

In his exclusive blog for American Cinematographer, John Bailey, ASC offers his take on a broad range of art
and artists - from modern still photography to opera, from avant-garde cinema to the timeless artistry of Native
America - adding a personal view of how one can appreciate creativity and expression in all forms.

You'll find this all at ascmag.com/blog/johns-bailiwick

Some recent Bailiwick posts include:
The Single-Frame Movie: Jason Shulman
"British sculptor and avant-garde artist Jason Shulman has reduced the running time of
many iconic motion pictures to, well, an abstract photograph."
Jeanne Moreau Is the French New Wave
"The French New Wave reinvented the rules of screenplay writing, narrative structure
and cinematography, and it was defined by the face of one actor: Jeanne Moreau."
Janet Cardiff, Thomas Tallis and Spem in Alium
"In the wake of the 2001 terrorist attacks, the deep spiritual conviction of Thomas Tallis'
Spem in Alium became a soundtrack to my soul as other great music seldom had."
The Society of Motion Picture Still Photographers (SMPSP)
"How barren our sense of film history would be without the dedicated work of these
men and women who are always looking for that revealing moment that might yield
deeper insight into the filmmaking process."
John Bailey's credits as a cinematographer include Ordinary People, American Gigolo,
The Big Chill, Mishima: A Life in Four Chapters, The Accidental Tourist, Groundhog Day,
In the Line of Fire, As Good as It Gets, The Way Way Back and A Walk in the Woods.
He was honored with the 2014 ASC Lifetime Achievement Award.
Bailey was recently elected president of the Academy of
Motion Picture Arts and Sciences, and he is beginning his
14th year as an AMPAS governor in
the Cinematographers Branch.

Log in now at ascmag.com/blog/johns-bailiwick and subscribe for updates.


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Table of Contents for the Digital Edition of American Cinematographer - October 2017

Contents
American Cinematographer - October 2017 - Cover1
American Cinematographer - October 2017 - Cover2
American Cinematographer - October 2017 - 1
American Cinematographer - October 2017 - 2
American Cinematographer - October 2017 - Contents
American Cinematographer - October 2017 - 4
American Cinematographer - October 2017 - 5
American Cinematographer - October 2017 - 6
American Cinematographer - October 2017 - 7
American Cinematographer - October 2017 - 8
American Cinematographer - October 2017 - 9
American Cinematographer - October 2017 - 10
American Cinematographer - October 2017 - 11
American Cinematographer - October 2017 - 12
American Cinematographer - October 2017 - 13
American Cinematographer - October 2017 - 14
American Cinematographer - October 2017 - 15
American Cinematographer - October 2017 - 16
American Cinematographer - October 2017 - 17
American Cinematographer - October 2017 - 18
American Cinematographer - October 2017 - 19
American Cinematographer - October 2017 - 20
American Cinematographer - October 2017 - 21
American Cinematographer - October 2017 - 22
American Cinematographer - October 2017 - 23
American Cinematographer - October 2017 - 24
American Cinematographer - October 2017 - 25
American Cinematographer - October 2017 - 26
American Cinematographer - October 2017 - 27
American Cinematographer - October 2017 - 28
American Cinematographer - October 2017 - 29
American Cinematographer - October 2017 - 30
American Cinematographer - October 2017 - 31
American Cinematographer - October 2017 - 32
American Cinematographer - October 2017 - 33
American Cinematographer - October 2017 - 34
American Cinematographer - October 2017 - 35
American Cinematographer - October 2017 - 36
American Cinematographer - October 2017 - 37
American Cinematographer - October 2017 - 38
American Cinematographer - October 2017 - 39
American Cinematographer - October 2017 - 40
American Cinematographer - October 2017 - 41
American Cinematographer - October 2017 - 42
American Cinematographer - October 2017 - 43
American Cinematographer - October 2017 - 44
American Cinematographer - October 2017 - 45
American Cinematographer - October 2017 - 46
American Cinematographer - October 2017 - 47
American Cinematographer - October 2017 - 48
American Cinematographer - October 2017 - 49
American Cinematographer - October 2017 - 50
American Cinematographer - October 2017 - 51
American Cinematographer - October 2017 - 52
American Cinematographer - October 2017 - 53
American Cinematographer - October 2017 - 54
American Cinematographer - October 2017 - 55
American Cinematographer - October 2017 - 56
American Cinematographer - October 2017 - 57
American Cinematographer - October 2017 - 58
American Cinematographer - October 2017 - 59
American Cinematographer - October 2017 - 60
American Cinematographer - October 2017 - 61
American Cinematographer - October 2017 - 62
American Cinematographer - October 2017 - 63
American Cinematographer - October 2017 - 64
American Cinematographer - October 2017 - 65
American Cinematographer - October 2017 - 66
American Cinematographer - October 2017 - 67
American Cinematographer - October 2017 - 68
American Cinematographer - October 2017 - 69
American Cinematographer - October 2017 - 70
American Cinematographer - October 2017 - 71
American Cinematographer - October 2017 - 72
American Cinematographer - October 2017 - 73
American Cinematographer - October 2017 - 74
American Cinematographer - October 2017 - 75
American Cinematographer - October 2017 - 76
American Cinematographer - October 2017 - 77
American Cinematographer - October 2017 - 78
American Cinematographer - October 2017 - 79
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American Cinematographer - October 2017 - 81
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American Cinematographer - October 2017 - 84
American Cinematographer - October 2017 - 85
American Cinematographer - October 2017 - 86
American Cinematographer - October 2017 - 87
American Cinematographer - October 2017 - 88
American Cinematographer - October 2017 - Cover3
American Cinematographer - October 2017 - Cover4
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