American Cinematographer - October 2017 - 67

Unit photography by Aimee Spinks, Mark Mainz and Graeme Hunter, courtesy of Sony Pictures Television and Starz Entertainment.

Opposite: Scottish
Highlander Jamie Fraser
(Sam Heughan, right)
battles the villainous
Capt. Jonathan "Black
Jack" Randall (Tobias
Menzies) on Culloden
Moor in 1746 in the
Season 3 premiere of
Outlander. This page,
left: Jamie's wife, Claire
Randall Fraser
(Caitriona Balfe),
returns to 1948 to give
birth to their daughter
and reunite with her
first husband, Frank
Randall (also portrayed
by Menzies). Below:
Standing next to
camera operator Andrei
Austin (left, both
photos) are
cinematographers
Alasdair Walker (left)
and Stephen McNutt,
ASC, CSC (right, blue
vest), prepping scenes
for Season 3.

honeymoon after being separated for
years by the war. They tour the ruins in
and around the city of Inverness, including the Culloden battlefield, and revisit
the battle's tragic narrative - a trip that,
at the time, seems simply to be an opportunity for Frank to learn a bit more about
his family history.
The day after witnessing a Druid
ritual at Craigh na Dun, Claire accidentally travels through one of the standing
stones and plunges into the turmoil of
1743 Scotland. Forced to marry Jamie as
a means to escape the clutches of Frank's
villainous ancestor, Claire finds herself

falling in love with her new husband,
and reveals to him her time-traveling
secret as well as the true outcome of the
Jacobite rebellion and the end of
Highland clan culture.
Wondering if perhaps they can
change the future, Jamie and Claire -
accompanied by Murtagh Fitzgibbons
(Duncan Lacroix) - travel to Paris in
Season 2, in hopes of foiling the war
efforts and saving the lives of thousands.
Despite their efforts, it becomes clear
that the future is set in stone. A nowpregnant Claire travels back through the
stones to 1948, returning to Frank, and
www.ascmag.com

spends 20 years thinking that Jamie died
in battle. However, on a trip to Scotland
in 1968 with her daughter, Brianna
(Sophie Skelton), to attend the funeral
of Reverend Wakefield ( James Fleet),
Claire discovers the truth: Jamie survived
Culloden.
"Season 3 begins with the main
battle sequence in the Outlander series,
and the final encounter between the
hero Jamie and the villain Captain Jack
Randall," explains cinematographer
Alasdair Walker. "Director Brendan
Maher and I, along with the writers,
wanted to approach the battle sequence
October 2017

67


http://www.ascmag.com

Table of Contents for the Digital Edition of American Cinematographer - October 2017

Contents
American Cinematographer - October 2017 - Cover1
American Cinematographer - October 2017 - Cover2
American Cinematographer - October 2017 - 1
American Cinematographer - October 2017 - 2
American Cinematographer - October 2017 - Contents
American Cinematographer - October 2017 - 4
American Cinematographer - October 2017 - 5
American Cinematographer - October 2017 - 6
American Cinematographer - October 2017 - 7
American Cinematographer - October 2017 - 8
American Cinematographer - October 2017 - 9
American Cinematographer - October 2017 - 10
American Cinematographer - October 2017 - 11
American Cinematographer - October 2017 - 12
American Cinematographer - October 2017 - 13
American Cinematographer - October 2017 - 14
American Cinematographer - October 2017 - 15
American Cinematographer - October 2017 - 16
American Cinematographer - October 2017 - 17
American Cinematographer - October 2017 - 18
American Cinematographer - October 2017 - 19
American Cinematographer - October 2017 - 20
American Cinematographer - October 2017 - 21
American Cinematographer - October 2017 - 22
American Cinematographer - October 2017 - 23
American Cinematographer - October 2017 - 24
American Cinematographer - October 2017 - 25
American Cinematographer - October 2017 - 26
American Cinematographer - October 2017 - 27
American Cinematographer - October 2017 - 28
American Cinematographer - October 2017 - 29
American Cinematographer - October 2017 - 30
American Cinematographer - October 2017 - 31
American Cinematographer - October 2017 - 32
American Cinematographer - October 2017 - 33
American Cinematographer - October 2017 - 34
American Cinematographer - October 2017 - 35
American Cinematographer - October 2017 - 36
American Cinematographer - October 2017 - 37
American Cinematographer - October 2017 - 38
American Cinematographer - October 2017 - 39
American Cinematographer - October 2017 - 40
American Cinematographer - October 2017 - 41
American Cinematographer - October 2017 - 42
American Cinematographer - October 2017 - 43
American Cinematographer - October 2017 - 44
American Cinematographer - October 2017 - 45
American Cinematographer - October 2017 - 46
American Cinematographer - October 2017 - 47
American Cinematographer - October 2017 - 48
American Cinematographer - October 2017 - 49
American Cinematographer - October 2017 - 50
American Cinematographer - October 2017 - 51
American Cinematographer - October 2017 - 52
American Cinematographer - October 2017 - 53
American Cinematographer - October 2017 - 54
American Cinematographer - October 2017 - 55
American Cinematographer - October 2017 - 56
American Cinematographer - October 2017 - 57
American Cinematographer - October 2017 - 58
American Cinematographer - October 2017 - 59
American Cinematographer - October 2017 - 60
American Cinematographer - October 2017 - 61
American Cinematographer - October 2017 - 62
American Cinematographer - October 2017 - 63
American Cinematographer - October 2017 - 64
American Cinematographer - October 2017 - 65
American Cinematographer - October 2017 - 66
American Cinematographer - October 2017 - 67
American Cinematographer - October 2017 - 68
American Cinematographer - October 2017 - 69
American Cinematographer - October 2017 - 70
American Cinematographer - October 2017 - 71
American Cinematographer - October 2017 - 72
American Cinematographer - October 2017 - 73
American Cinematographer - October 2017 - 74
American Cinematographer - October 2017 - 75
American Cinematographer - October 2017 - 76
American Cinematographer - October 2017 - 77
American Cinematographer - October 2017 - 78
American Cinematographer - October 2017 - 79
American Cinematographer - October 2017 - 80
American Cinematographer - October 2017 - 81
American Cinematographer - October 2017 - 82
American Cinematographer - October 2017 - 83
American Cinematographer - October 2017 - 84
American Cinematographer - October 2017 - 85
American Cinematographer - October 2017 - 86
American Cinematographer - October 2017 - 87
American Cinematographer - October 2017 - 88
American Cinematographer - October 2017 - Cover3
American Cinematographer - October 2017 - Cover4
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