American Cinematographer - November 2011 - 41

An Eye On The World
Mark Irwin,ASC,CSC,reflects on advantages of global resourcing
“The thing I like the most about cinematography is the ability to use an Austrian camera with a French zoom lens on an Italian fluid head with an English tripod and also rely on a set of German prime lenses. The reason I get my gear from Clairmont Camera is very simple. To me, it’s not a rental house—it’s a portal into the World of Cinematography. I started out in the business in Canada and managed to travel a lot while shooting films,so I gained an appreciation for all things international. At the same time,I found that a “monoculture”point of view could not give me the options I was looking for. What I find in Clairmont is a group of people who share my outlook; people who travel to trade seminars and cinematography forums all over the world; people who can understand my shooting conditions and discover new equipment—film or digital—to meet those needs. I can’t get to Germany,France,Japan or the UK to find the next best thing so I rely on Denny Clairmont,Alan Albert,Tom Boelens,Andree Martin and Mike Condon to go there and bring it back so I can use it. Call me selfish,but I eagerly await the chance to shoot my next project with the latest and greatest equipment; the Arri235,the Sony F35, the Arri D-21,the Iconix,the Red,whatever—and repeat the same experience I have had for 16 years and over 38 film and television projects:excellent equipment,innovative modifications and quality service...from quality people I’ve come to trust.”

www.clairmont.com

Hollywood 818-761-4440

Vancouver 604-984-4563

Toronto 416-467-1700

Albuquerque 505-227-2525

Montreal 514-525-6556


http://www.clairmont.com

American Cinematographer - November 2011

Table of Contents for the Digital Edition of American Cinematographer - November 2011

American Cinematographer - November 2011
Contents
Editor’s Note
President’s Desk
Short Takes: “The Candidate”
Production Slate: Martha Marcy May MarleneAmerica in Primetime
Time Bandit
All for One
3-D on a Budget
Caught on Tape
Sharp Shooting
Filmmakers’ Forum: Juan-Ruiz Anchia, ASC
New Products & Services
International Marketplace
Classified Ads
Ad Index
Clubhouse News
ASC Close-Up: Dan Mindel
American Cinematographer - November 2011 - American Cinematographer - November 2011
American Cinematographer - November 2011 - Cover2
American Cinematographer - November 2011 - 1
American Cinematographer - November 2011 - 2
American Cinematographer - November 2011 - Contents
American Cinematographer - November 2011 - 4
American Cinematographer - November 2011 - 5
American Cinematographer - November 2011 - 6
American Cinematographer - November 2011 - 7
American Cinematographer - November 2011 - Editor’s Note
American Cinematographer - November 2011 - 9
American Cinematographer - November 2011 - President’s Desk
American Cinematographer - November 2011 - 11
American Cinematographer - November 2011 - Short Takes: “The Candidate”
American Cinematographer - November 2011 - 13
American Cinematographer - November 2011 - 14
American Cinematographer - November 2011 - 15
American Cinematographer - November 2011 - 16
American Cinematographer - November 2011 - 17
American Cinematographer - November 2011 - Production Slate: Martha Marcy May MarleneAmerica in Primetime
American Cinematographer - November 2011 - 19
American Cinematographer - November 2011 - 20
American Cinematographer - November 2011 - 21
American Cinematographer - November 2011 - 22
American Cinematographer - November 2011 - 23
American Cinematographer - November 2011 - 24
American Cinematographer - November 2011 - 25
American Cinematographer - November 2011 - 26
American Cinematographer - November 2011 - 27
American Cinematographer - November 2011 - 28
American Cinematographer - November 2011 - 29
American Cinematographer - November 2011 - 30
American Cinematographer - November 2011 - 31
American Cinematographer - November 2011 - Time Bandit
American Cinematographer - November 2011 - 33
American Cinematographer - November 2011 - 34
American Cinematographer - November 2011 - 35
American Cinematographer - November 2011 - 36
American Cinematographer - November 2011 - 37
American Cinematographer - November 2011 - 38
American Cinematographer - November 2011 - 39
American Cinematographer - November 2011 - 40
American Cinematographer - November 2011 - 41
American Cinematographer - November 2011 - 42
American Cinematographer - November 2011 - 43
American Cinematographer - November 2011 - 44
American Cinematographer - November 2011 - 45
American Cinematographer - November 2011 - All for One
American Cinematographer - November 2011 - 47
American Cinematographer - November 2011 - 48
American Cinematographer - November 2011 - 49
American Cinematographer - November 2011 - 50
American Cinematographer - November 2011 - 51
American Cinematographer - November 2011 - 52
American Cinematographer - November 2011 - 53
American Cinematographer - November 2011 - 54
American Cinematographer - November 2011 - 55
American Cinematographer - November 2011 - 56
American Cinematographer - November 2011 - 57
American Cinematographer - November 2011 - 58
American Cinematographer - November 2011 - 59
American Cinematographer - November 2011 - 3-D on a Budget
American Cinematographer - November 2011 - 61
American Cinematographer - November 2011 - 62
American Cinematographer - November 2011 - 63
American Cinematographer - November 2011 - 64
American Cinematographer - November 2011 - 65
American Cinematographer - November 2011 - 66
American Cinematographer - November 2011 - 67
American Cinematographer - November 2011 - Caught on Tape
American Cinematographer - November 2011 - 69
American Cinematographer - November 2011 - 70
American Cinematographer - November 2011 - 71
American Cinematographer - November 2011 - 72
American Cinematographer - November 2011 - 73
American Cinematographer - November 2011 - 74
American Cinematographer - November 2011 - 75
American Cinematographer - November 2011 - 76
American Cinematographer - November 2011 - 77
American Cinematographer - November 2011 - Sharp Shooting
American Cinematographer - November 2011 - 79
American Cinematographer - November 2011 - Filmmakers’ Forum: Juan-Ruiz Anchia, ASC
American Cinematographer - November 2011 - 81
American Cinematographer - November 2011 - 82
American Cinematographer - November 2011 - 83
American Cinematographer - November 2011 - 84
American Cinematographer - November 2011 - 85
American Cinematographer - November 2011 - New Products & Services
American Cinematographer - November 2011 - 87
American Cinematographer - November 2011 - 88
American Cinematographer - November 2011 - 89
American Cinematographer - November 2011 - International Marketplace
American Cinematographer - November 2011 - Classified Ads
American Cinematographer - November 2011 - Ad Index
American Cinematographer - November 2011 - 93
American Cinematographer - November 2011 - Clubhouse News
American Cinematographer - November 2011 - 95
American Cinematographer - November 2011 - ASC Close-Up: Dan Mindel
American Cinematographer - November 2011 - Cover3
American Cinematographer - November 2011 - Cover4
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