◗ Promoting “The Cause” ues. “For instance, if it worked better for the story to keep the camera more stationary, we’d shoot with 65mm, but if we wanted to run with it, we used 35mm. We weren’t thinking a lot about the process or the limitations [of 65mm], especially when the dailies were paying off. We were getting new ideas and finding new puzzle pieces every day.” When possible, the filmmakers used the disparity between the Panaflex System 65’s controlled movement and the Millennium’s handheld capability to heighten dramatic tension. An example of this is the scene in which Dodd and Quell are arrested outside Sullivan’s home. When police accuse Dodd of fraud and place him under arrest, Quell attempts to defend him by lashing out at the officers. Colin Anderson recalls, “I was on the porch with the 65mm camera with Erik and [dolly grip] Jeff Top: Dodd and his followers confront police officers attempting to arrest him for fraud. Bottom: The crew fashions a quick rig to support a heavy System 65 camera. 46 November 2012 American Cinematographer