American Cinematographer - November 2013 - 110

Clubhouse News

Clockwise from top left: Sean MacLeod Phillips, ASC; Matthew Jensen, ASC; students from
USC's Summer Program in Film and Digital Cinematography pose with Society members
outside the Clubhouse.

Society Welcomes Phillips,
Jensen
Sean MacLeod Phillips, ASC is a
Los Angeles native whose interest in cinematography was sparked when he saw
2001: A Space Odyssey. He majored in
cinema/television production at the University of Southern California, where he won
multiple awards, including a 1980 Achievement Award from the Academy of Motion
Picture Arts & Sciences for his student film
Sections.
Phillips has focused on 3-D cinematography for large-format theatrical
110

November 2013

films. Inspired by the unique needs of
stereoscopic shooting, he has worked with
MSM Design to help develop the Gemini
3D camera and the CC3-D mirror rigs.
In 2000, Phillips won a Kodak Vision
Award for Large Format Cinematography.
He later won two Visual Effects Society
Achievement Awards for his work on
Magnificent Desolation and Sea Monsters.
He continues to work as a cinematographer
and visual-effects supervisor on feature
films and commercials. He has also
contributed to such publications as Film
Journal, CineFX, Big Frame, LF Examiner,
American Cinematographer

Land Named Associate
New ASC associate member Jarred
Land is president of the Red Digital Cinema
Camera Co. After working as the owner of
a bicycle-messenger company in Vancouver, B.C., he made his first foray into the
motion-picture industry when he
purchased a Panasonic DVX100 and
created the forum website DVXuser.com.
The site quickly grew, and its membership
soon included Land's future business
collaborator, Red founder and ASC associate Jim Jannard. Land also founded
Reduser.net. In addition to his role at Red,
Land is the owner of Landmine Media, Inc.,
which controls Reduser.net, DVXuser.com
and Landmine.tv.
Education Committee
Hosts Students
The Society's Education and Public
Outreach Committee had a busy summer,
welcoming students from two schools to
the Clubhouse. Students from the College

Photo of Clubhouse by Isidore Mankofsky, ASC; lighting by Donald M. Morgan, ASC.

Focal Press VES Handbook, 3-D Filmmakers
and American Cinematographer.
Matthew Jensen, ASC was born
in Indiana and grew up in Virginia. Instilled
with a great love and appreciation of
movies by his parents, Jensen pursued an
undergraduate degree from the University
of Southern California, majoring in film
production with a minor in English. At USC,
he found a mentor and role model in
Woody Omens, ASC.
After graduation, Jensen worked as
a grip, a camera assistant and an operator.
His early stints as a director of photography
were on independent features, including
Man of the Century. From there, he broke
into television, earning credits on such
shows as CSI: Crime Scene Investigation,
Numbers, Sleeper Cell and True Blood.
Most recently, he shot episodes of Game of
Thrones and Ray Donovan. His feature
credits include Chronicle (AC March '12)
and Filth.


http://www.DVXuser.com http://www.Reduser.net http://www.Reduser.net http://www.DVXuser.com http://www.Landmine.tv

American Cinematographer - November 2013

Table of Contents for the Digital Edition of American Cinematographer - November 2013

Contents
American Cinematographer - November 2013 - Cover1
American Cinematographer - November 2013 - Cover2
American Cinematographer - November 2013 - 1
American Cinematographer - November 2013 - 2
American Cinematographer - November 2013 - 3
American Cinematographer - November 2013 - 4
American Cinematographer - November 2013 - Contents
American Cinematographer - November 2013 - 6
American Cinematographer - November 2013 - 7
American Cinematographer - November 2013 - 8
American Cinematographer - November 2013 - 9
American Cinematographer - November 2013 - 10
American Cinematographer - November 2013 - 11
American Cinematographer - November 2013 - 12
American Cinematographer - November 2013 - 13
American Cinematographer - November 2013 - 14
American Cinematographer - November 2013 - 15
American Cinematographer - November 2013 - 16
American Cinematographer - November 2013 - 17
American Cinematographer - November 2013 - 18
American Cinematographer - November 2013 - 19
American Cinematographer - November 2013 - 20
American Cinematographer - November 2013 - 21
American Cinematographer - November 2013 - 22
American Cinematographer - November 2013 - 23
American Cinematographer - November 2013 - 24
American Cinematographer - November 2013 - 25
American Cinematographer - November 2013 - 26
American Cinematographer - November 2013 - 27
American Cinematographer - November 2013 - 28
American Cinematographer - November 2013 - 29
American Cinematographer - November 2013 - 30
American Cinematographer - November 2013 - 31
American Cinematographer - November 2013 - 32
American Cinematographer - November 2013 - 33
American Cinematographer - November 2013 - 34
American Cinematographer - November 2013 - 35
American Cinematographer - November 2013 - 36
American Cinematographer - November 2013 - 37
American Cinematographer - November 2013 - 38
American Cinematographer - November 2013 - 39
American Cinematographer - November 2013 - 40
American Cinematographer - November 2013 - 41
American Cinematographer - November 2013 - 42
American Cinematographer - November 2013 - 43
American Cinematographer - November 2013 - 44
American Cinematographer - November 2013 - 45
American Cinematographer - November 2013 - 46
American Cinematographer - November 2013 - 47
American Cinematographer - November 2013 - 48
American Cinematographer - November 2013 - 49
American Cinematographer - November 2013 - 50
American Cinematographer - November 2013 - 51
American Cinematographer - November 2013 - 52
American Cinematographer - November 2013 - 53
American Cinematographer - November 2013 - 54
American Cinematographer - November 2013 - 55
American Cinematographer - November 2013 - 56
American Cinematographer - November 2013 - 57
American Cinematographer - November 2013 - 58
American Cinematographer - November 2013 - 59
American Cinematographer - November 2013 - 60
American Cinematographer - November 2013 - 61
American Cinematographer - November 2013 - 62
American Cinematographer - November 2013 - 63
American Cinematographer - November 2013 - 64
American Cinematographer - November 2013 - 65
American Cinematographer - November 2013 - 66
American Cinematographer - November 2013 - 67
American Cinematographer - November 2013 - 68
American Cinematographer - November 2013 - 69
American Cinematographer - November 2013 - 70
American Cinematographer - November 2013 - 71
American Cinematographer - November 2013 - 72
American Cinematographer - November 2013 - 73
American Cinematographer - November 2013 - 74
American Cinematographer - November 2013 - 75
American Cinematographer - November 2013 - 76
American Cinematographer - November 2013 - 77
American Cinematographer - November 2013 - 78
American Cinematographer - November 2013 - 79
American Cinematographer - November 2013 - 80
American Cinematographer - November 2013 - 81
American Cinematographer - November 2013 - 82
American Cinematographer - November 2013 - 83
American Cinematographer - November 2013 - 84
American Cinematographer - November 2013 - 85
American Cinematographer - November 2013 - 86
American Cinematographer - November 2013 - 87
American Cinematographer - November 2013 - 88
American Cinematographer - November 2013 - 89
American Cinematographer - November 2013 - 90
American Cinematographer - November 2013 - 91
American Cinematographer - November 2013 - 92
American Cinematographer - November 2013 - 93
American Cinematographer - November 2013 - 94
American Cinematographer - November 2013 - 95
American Cinematographer - November 2013 - 96
American Cinematographer - November 2013 - 97
American Cinematographer - November 2013 - 98
American Cinematographer - November 2013 - 99
American Cinematographer - November 2013 - 100
American Cinematographer - November 2013 - 101
American Cinematographer - November 2013 - 102
American Cinematographer - November 2013 - 103
American Cinematographer - November 2013 - 104
American Cinematographer - November 2013 - 105
American Cinematographer - November 2013 - 106
American Cinematographer - November 2013 - 107
American Cinematographer - November 2013 - 108
American Cinematographer - November 2013 - 109
American Cinematographer - November 2013 - 110
American Cinematographer - November 2013 - 111
American Cinematographer - November 2013 - 112
American Cinematographer - November 2013 - Cover3
American Cinematographer - November 2013 - Cover4
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