American Cinematographer - November 2013 - 60

◗

Taking on Water

Top: Zuccarini
prepares to
shoot. Bottom:
The life raft is
maneuvered
into position.

John Goldsmith, about the placement
of practical lighting. I carefully
thought of where Bob would be most
of the time, and installed lights accordingly throughout the cabin. I wanted
to make sure he'd never have to deal
with finding his light or dodging
around lighting hardware or wiring.
"Our marine coordinator, Jimmy
60

November 2013

O'Connell, and his crew built floating
Connect-Deck docks around the boat
for lighting, grip and personnel
access," DeMarco adds. "I could
punch Arri M18 HMIs through the
portholes and let them burn out a bit,
which felt more real to me than trying
to see details outside. I also liked
putting Kino Flos over the top
American Cinematographer

hatches, especially in the forward
sleeping cabin. I'd take a Fat Boy, a 2foot 4-bulb Kino, wrap it in plastic
and put it right on top of the hatch to
create toplight in the sleeping cabin.
In the storm situations, I put foamcore around the railings of the boat at
45-degree angles and let that passively
accept the toplight from the overhead
soft box, bouncing the light into the
cabin through the portholes."
In addition to work at the Baja
facility, Zuccarini spent more than a
week on the open ocean, shooting
underwater shots of sharks, fish and
the underside of the life raft. "We had
amazing luck, and we were able to
capture every storyboarded shot that
J.C. had created for us almost exactly,"
he recalls.
DeMarco also went out on the
open ocean for a single day of shooting with Redford. "We knew we
needed to see real rolling water and
ocean spray for certain sequences," he
notes. "We were incredibly lucky
because the day we went out with
Bob, his last day of shooting, we had a
mix of conditions, from brooding



American Cinematographer - November 2013

Table of Contents for the Digital Edition of American Cinematographer - November 2013

Contents
American Cinematographer - November 2013 - Cover1
American Cinematographer - November 2013 - Cover2
American Cinematographer - November 2013 - 1
American Cinematographer - November 2013 - 2
American Cinematographer - November 2013 - 3
American Cinematographer - November 2013 - 4
American Cinematographer - November 2013 - Contents
American Cinematographer - November 2013 - 6
American Cinematographer - November 2013 - 7
American Cinematographer - November 2013 - 8
American Cinematographer - November 2013 - 9
American Cinematographer - November 2013 - 10
American Cinematographer - November 2013 - 11
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American Cinematographer - November 2013 - 14
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