American Cinematographer - November 2013 - 76

◗

Seized at Sea

Ackroyd
confers with
director Paul
Greengrass.

positioned exceptionally close when
rocking the craft on the gimbal.
Furthermore, seasickness struck during
the crew's brief time at sea when a real
lifeboat was released into the
Mediterranean off the coast of Malta.

76

Nonetheless, according to Ackroyd, "I
think what goes on in the lifeboat is
some of the most exciting footage I've
ever shot. It has a color palette that's just
amazing: the green interior, the skin
tones, the play of light. It was just amaz-

ing to be in there."
For the final grade at Company 3
in London, all film footage was scanned
at 4K on an Arriscan. Ackroyd spent six
weeks on the color correction with
colorist Rob Pizzey, who worked on a
DaVinci Resolve. (The finalized files
were filmed out at 4K to Kodak 2254
on an Arrilaser. Company 3 created the
4K DCP, and Deluxe Laboratories in
London created the answer print.)
The color correction was laborious, according to Ackroyd. "The film
had at least 2,000 edits, and they were
cut together from different moments
and sources," he says. "On a film with
long, flowing tracking shots, you can
just get the grading light on one and
skip to the next. But on this project, we
had to look at each of the frames over
and over again, backwards and
forwards, relative to each other."
Matching was the biggest challenge: horizon lines, the color of the
water, the direction of boat wakes, the



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American Cinematographer - November 2013

Table of Contents for the Digital Edition of American Cinematographer - November 2013

Contents
American Cinematographer - November 2013 - Cover1
American Cinematographer - November 2013 - Cover2
American Cinematographer - November 2013 - 1
American Cinematographer - November 2013 - 2
American Cinematographer - November 2013 - 3
American Cinematographer - November 2013 - 4
American Cinematographer - November 2013 - Contents
American Cinematographer - November 2013 - 6
American Cinematographer - November 2013 - 7
American Cinematographer - November 2013 - 8
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American Cinematographer - November 2013 - 11
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