American Cinematographer - December 2012 - 38
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MI6 Under Siege
separate the rooms and spaces across the entire floor. “We needed some source for this scene, and I thought using billboard hoardings outside the window to light the whole set would be the most interesting way to go, because Sam had said he wanted to capture the feel of Shanghai,” says Deakins. “Once we decided to build it as a set, Biggles and I started researching what kind of LED screens we could get to light it. We had to make sure there wasn’t too much of a moiré pattern between the pixels of the camera and the pixels of the LED screen, which would be 70 feet away.” “We got the art department to make up a 6-by-6-foot glass panel so we could experiment by putting images from various LED sources across it to check for any problems,” explains Higgins. “Eventually, we decided to use a system called Pixled F-11 for the bigger, dominant screen. F-11 refers to the 11mm pitch of the LEDs, the gap between them. The lower the pitch number, the higher the resolution, so these were quite high resolution. For the other, smaller screen, we used a commercially available system, Pixelines, which is fairly old technology in the LED world. It’s much lower resolution, but Roger liked its quality.” A model of the set was built to help determine angles and visual-effects requirements, with a TV monitor standing in for the large LED screen. “We needed images for the monitor, and the art department found this footage of jellyfish floating through the frame,” says Deakins. “When it came time to discuss what we really wanted to put on those screens, Sam and I looked at each other and said, ‘Well, why don’t we just leave it as jellyfish?’ It looked interesting, and it was a really deep blue, and we wanted this whole Shanghai section to feel quite cold. So that’s how the jellyfish got in the film — they were just stand-ins, really!” Almost all of the light for the scene came from the screens, with Deakins rating the Alexa at its suggested base sensitivity of EI 800 and stopping his Arri/Zeiss Master Prime
American Cinematographer
Top: When a plot twist allows Bond to go off the grid, he seeks thrills by engaging in a very dangerous drinking game. Middle: 007 examines a wound while contemplating a return to active duty. Bottom: Bond is stunned to discover that his injuries have affected his marksmanship.
38
December 2012
American Cinematographer - December 2012
Table of Contents for the Digital Edition of American Cinematographer - December 2012
American Cinematographer - December 2012
Contents
Editor's Note
President's Desk
Short Takes: Swimmer
Production Slate: Rust and Bone • It’s a SpongeBob Christmas!
MI6 Under Siege
Ravishing Romance
Freedom Fighter
An A-Plus Event
New Products & Services
International Marketplace
Classified Ads
Ad Index
2012 AC Index
In Memoriam: Harris Savides, ASC
ASC Membership Roster
Clubhouse News
ASC Close-Up: Jerzy Zielinski, ASC, PSC
American Cinematographer - December 2012 - American Cinematographer - December 2012
American Cinematographer - December 2012 - Cover2
American Cinematographer - December 2012 - 1
American Cinematographer - December 2012 - 2
American Cinematographer - December 2012 - Contents
American Cinematographer - December 2012 - 4
American Cinematographer - December 2012 - 5
American Cinematographer - December 2012 - 6
American Cinematographer - December 2012 - 7
American Cinematographer - December 2012 - Editor's Note
American Cinematographer - December 2012 - 9
American Cinematographer - December 2012 - President's Desk
American Cinematographer - December 2012 - 11
American Cinematographer - December 2012 - Short Takes: Swimmer
American Cinematographer - December 2012 - 13
American Cinematographer - December 2012 - 14
American Cinematographer - December 2012 - 15
American Cinematographer - December 2012 - 16
American Cinematographer - December 2012 - 17
American Cinematographer - December 2012 - Production Slate: Rust and Bone • It’s a SpongeBob Christmas!
American Cinematographer - December 2012 - 19
American Cinematographer - December 2012 - 20
American Cinematographer - December 2012 - 21
American Cinematographer - December 2012 - 22
American Cinematographer - December 2012 - 23
American Cinematographer - December 2012 - 24
American Cinematographer - December 2012 - 25
American Cinematographer - December 2012 - 26
American Cinematographer - December 2012 - 27
American Cinematographer - December 2012 - 28
American Cinematographer - December 2012 - 29
American Cinematographer - December 2012 - 30
American Cinematographer - December 2012 - 31
American Cinematographer - December 2012 - 32
American Cinematographer - December 2012 - 33
American Cinematographer - December 2012 - MI6 Under Siege
American Cinematographer - December 2012 - 35
American Cinematographer - December 2012 - 36
American Cinematographer - December 2012 - 37
American Cinematographer - December 2012 - 38
American Cinematographer - December 2012 - 39
American Cinematographer - December 2012 - 40
American Cinematographer - December 2012 - 41
American Cinematographer - December 2012 - 42
American Cinematographer - December 2012 - 43
American Cinematographer - December 2012 - 44
American Cinematographer - December 2012 - 45
American Cinematographer - December 2012 - 46
American Cinematographer - December 2012 - 47
American Cinematographer - December 2012 - 48
American Cinematographer - December 2012 - 49
American Cinematographer - December 2012 - Ravishing Romance
American Cinematographer - December 2012 - 51
American Cinematographer - December 2012 - 52
American Cinematographer - December 2012 - 53
American Cinematographer - December 2012 - 54
American Cinematographer - December 2012 - 55
American Cinematographer - December 2012 - 56
American Cinematographer - December 2012 - 57
American Cinematographer - December 2012 - 58
American Cinematographer - December 2012 - 59
American Cinematographer - December 2012 - 60
American Cinematographer - December 2012 - 61
American Cinematographer - December 2012 - 62
American Cinematographer - December 2012 - 63
American Cinematographer - December 2012 - 64
American Cinematographer - December 2012 - 65
American Cinematographer - December 2012 - Freedom Fighter
American Cinematographer - December 2012 - 67
American Cinematographer - December 2012 - 68
American Cinematographer - December 2012 - 69
American Cinematographer - December 2012 - 70
American Cinematographer - December 2012 - 71
American Cinematographer - December 2012 - 72
American Cinematographer - December 2012 - 73
American Cinematographer - December 2012 - 74
American Cinematographer - December 2012 - 75
American Cinematographer - December 2012 - 76
American Cinematographer - December 2012 - 77
American Cinematographer - December 2012 - An A-Plus Event
American Cinematographer - December 2012 - 79
American Cinematographer - December 2012 - 80
American Cinematographer - December 2012 - 81
American Cinematographer - December 2012 - 82
American Cinematographer - December 2012 - 83
American Cinematographer - December 2012 - 84
American Cinematographer - December 2012 - 85
American Cinematographer - December 2012 - 86
American Cinematographer - December 2012 - 87
American Cinematographer - December 2012 - 88
American Cinematographer - December 2012 - 89
American Cinematographer - December 2012 - New Products & Services
American Cinematographer - December 2012 - 91
American Cinematographer - December 2012 - 92
American Cinematographer - December 2012 - 93
American Cinematographer - December 2012 - 94
American Cinematographer - December 2012 - 95
American Cinematographer - December 2012 - 96
American Cinematographer - December 2012 - 97
American Cinematographer - December 2012 - International Marketplace
American Cinematographer - December 2012 - Classified Ads
American Cinematographer - December 2012 - Ad Index
American Cinematographer - December 2012 - 2012 AC Index
American Cinematographer - December 2012 - 102
American Cinematographer - December 2012 - 103
American Cinematographer - December 2012 - 104
American Cinematographer - December 2012 - 105
American Cinematographer - December 2012 - In Memoriam: Harris Savides, ASC
American Cinematographer - December 2012 - 107
American Cinematographer - December 2012 - ASC Membership Roster
American Cinematographer - December 2012 - 109
American Cinematographer - December 2012 - Clubhouse News
American Cinematographer - December 2012 - 111
American Cinematographer - December 2012 - ASC Close-Up: Jerzy Zielinski, ASC, PSC
American Cinematographer - December 2012 - Cover3
American Cinematographer - December 2012 - Cover4
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