American Cinematographer - December 2016 - 18

Top: Evelyn and David explore the facility. Middle: The crew readies a scene inside the tunnels of
the bunker. Bottom: The production prepares an exterior greenscreen set.

18

December 2016

American Cinematographer

DoPChoice Snapgrids. "I'd never worked
with these lamps before," Gomoll notes,
"but from now on, I will have them on all of
my productions." He expresses gratitude to
Sean Goossen and LiteGear, who "provided a
big package of LED ribbons."
To help ensure the creative team
shared a common vision for Kryo's mood and
style, Gomoll helped create a 60-page
"bible" for the short, complete with reference images from influential films, explanations of intent, concept art, storyboards, set
diagrams, and even previsualized shots that
the cinematographer had created in FrameForge Previz Studio. He explains, "Every room
and corridor had its own story, lighting and
colors. It was essential to have a common
thinking between the production designer,
cinematographer and director. Our bible was
very helpful."
Kryo was shot almost entirely on an
Arri Alexa Plus camera in 16:9 HD. Gomoll
captured Log C ProRes 4:4:4:4 files to SxS
cards, and cropped the footage in post for a
final 2.39:1 aspect ratio. The cinematographer had hoped to shoot anamorphic, but
the cost was prohibitive, so instead he opted
to pair the Alexa with Arri/Zeiss Ultra Prime
lenses ranging from 12mm - used for
surveillance-camera shots - to 135mm, as
well as a 60mm Arri/Zeiss macro lens. He was
very happy with the results, and notes that
the Ultra Primes' integrated Lens Data System
was a great help for the visual-effects team.
Kryo's intro sequence - presented in "old
VHS style," Gomoll describes - was shot
with a Sony CineAlta PMW-F5.
➣



Table of Contents for the Digital Edition of American Cinematographer - December 2016

Contents
American Cinematographer - December 2016 - Cover1
American Cinematographer - December 2016 - Cover2
American Cinematographer - December 2016 - 1
American Cinematographer - December 2016 - 2
American Cinematographer - December 2016 - Contents
American Cinematographer - December 2016 - 4
American Cinematographer - December 2016 - 5
American Cinematographer - December 2016 - 6
American Cinematographer - December 2016 - 7
American Cinematographer - December 2016 - 8
American Cinematographer - December 2016 - 9
American Cinematographer - December 2016 - 10
American Cinematographer - December 2016 - 11
American Cinematographer - December 2016 - 12
American Cinematographer - December 2016 - 13
American Cinematographer - December 2016 - 14
American Cinematographer - December 2016 - 15
American Cinematographer - December 2016 - 16
American Cinematographer - December 2016 - 17
American Cinematographer - December 2016 - 18
American Cinematographer - December 2016 - 19
American Cinematographer - December 2016 - 20
American Cinematographer - December 2016 - 21
American Cinematographer - December 2016 - 22
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American Cinematographer - December 2016 - 24
American Cinematographer - December 2016 - 25
American Cinematographer - December 2016 - 26
American Cinematographer - December 2016 - 27
American Cinematographer - December 2016 - 28
American Cinematographer - December 2016 - 29
American Cinematographer - December 2016 - 30
American Cinematographer - December 2016 - 31
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American Cinematographer - December 2016 - 33
American Cinematographer - December 2016 - 34
American Cinematographer - December 2016 - 35
American Cinematographer - December 2016 - 36
American Cinematographer - December 2016 - 37
American Cinematographer - December 2016 - 38
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American Cinematographer - December 2016 - 40
American Cinematographer - December 2016 - 41
American Cinematographer - December 2016 - 42
American Cinematographer - December 2016 - 43
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American Cinematographer - December 2016 - 45
American Cinematographer - December 2016 - 46
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American Cinematographer - December 2016 - 50
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American Cinematographer - December 2016 - 53
American Cinematographer - December 2016 - 54
American Cinematographer - December 2016 - 55
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American Cinematographer - December 2016 - 104
American Cinematographer - December 2016 - Cover3
American Cinematographer - December 2016 - Cover4
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