American Cinematographer - December 1950 - 33

* RUSELL METTY, "Little Egypt (Techni¬
color), with Mark Stevens, Rhonda Fleming,
Nancy Guild, Charles Drake, Jerome Cowan,
Leon Belasco, Minor Watson. Frederick de
Cordova, director.
® IRVING GLASSBERG, "Francis Goes To The
Races," with Donald O'Connor, Piper Lauri,
Jesse White and Cecil Kellaway. Arthur
Lubin, director.
* MAURY GERTSMAN, "Cattle Drive" (Tech¬
nicolor), with Joel McCrea, Dean Stockwell,
Chill Wills. Kurt Neumann, director.

Warner Brothers
"Jim Thorpe, All-Ameri¬
can," with Burt Lancaster, Charles Bickford,
Phyllis Thaxter, Steve Cochran. Michael
Curtiz, director.
* WILFRID CLINE, "Lullaby Of Broadway,"
with Doris Day, Gene Nelson, Billy de
Wolfe, S. Z. Sakall and Ann Triola. David
Butler, director.
* TED MCCORD, "Goodbye My Fancy," with
Joan Crawford, Frank Lovejoy, Eve Arden,
and Virginia Gibson. Vincent Sherman, di¬
rector.
* SID HICKOX, "The Travelers," with Kirk
Douglas, Virginia Mayo and Walter Bren¬
nan, Raoul Walsh, director.
* ROBERT BURKES, "Strangers On A Train,"
with Rovert Walker, Ruth Roman, Farley
Grainger, and Pat Hitchcock. Alfred Hitch¬
cock, director.
* EDWIN DUPAR, "The Story Of Folsom,"
with David Brian, Steve Cochran, Dick Wes¬
son, Ted de Corsia. Crane Wilbur, director.
* ERNEST HALLER,

SURGICAL
CINEMATOGRAPHY
(Continued from Page 435)

acquired over a period of twenty-five
years.
In his position as surgical cinematog¬
rapher his knowledge of surgery eti¬
quette, its procedures and its technical
terminology must equal the surgeon's.
His position always is that of a guest of
the hospital. He has no legal rights
there, and he must conform to the strict
hospital codes. His equipment must be
sterile and draped in white linen when
set up near the operation. As with sur¬
geons and their attendants, Burke must
be clothed in the conventional cap, mask
and "whites" before entering the sur¬
gery room.
Other precautions consist of securely
taping to sockets the electric cables fur¬
nishing power for his photo lamps. The
circuits must be under-loaded to pre¬
vent any power failure during photog¬
raphy. Fresh photo lamps are used for
every operation to avoid any possible
chance of bulb failure or explosion-
although the chances of the latter is said
to be one in one-million.
Essential to the success of surgical
films is the matter of complete coopera¬
tion with the surgeon, his associates and
assistants. The cinematographer and the
surgeon, Burke points out, must first
understand each other's problems and be
able to work harmoniously together.
Prior to a filming assignment, the sur¬
geon explains to the cameraman what

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with TACHOMETER
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Interchangeable Motors:
12 Volt DC variable Speed 8-64 Frames.
115 Volt AC 60 Cycles, Synchronous Motor
Single Phase.
220 Volt AC 60 Cycle, 3 Phase, Synchro¬
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Animation Motors for Cine Special.
Maurer and Mitchell Cameras.
Motors for Bolex and Filmo.
Cameras. Time Lapse Equipment.

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