AUGUST * 35c AMERICAN Cinematographer SERVING ALL FIELDS OF MOTION PICTURE PRODUCTION The Magazine of Motion Picture Photography Leon Shamroy uses variable color control in set lighting to enhance pace and mood of "Porgy and Bess." . . . page 476 Joseph Brun used wide-angle lenses almost entirely in photographing ''Odds Against Tomorrow." . . . page 478 Lee Garmes accomplishes startling, sharp photography with Panavision 65 camera for ''The Big Fisherman." page ► Photographing "The Nun's Story" ► Directional Continuity in Cinematography t Product Report on the Perfectone Recorder