American Cinematographer - December 1960 - 58

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764

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COACHING BASKETBALL WITH MOVIES
Continued from Page 745

defense rather than concentrating the
camera on the opponents as they move
the ball up court.
In covering basketball action it is
desirable to photograph the scoreboard
even more often than when shooting
football - during time-outs, on fouls,
and at the quarter and at half time.
Most gyms now are equipped with
large electric scoreboards, making it
easy for the cameraman to shoot a few
frames at intervals that will indicate
the score during progress of the game.
Where such scoreboards are located
some distance from the camera, I have
found a 50mm Switar telephoto lens
ideal for making such shots.

Where there is any question about
the volume of light in a gym, its worth¬
while to shoot 50 or 100 feet of film
during a practice session to determine
if the illumination is ample for accept¬
able motion picture photography.
Sometimes adding a few spotlights or
reflector floods in the corners of the
gym will improve overall photographic
results.
Earlier I related how certain college
basketball coaches were using 16mm
movies as a training and analysis med¬
ium. Many others, of course, have ex¬
perienced gratifying results with
movies of student games, which were
Continued on Page 766

AMERICAN CINEMATOGRAPHER
American Cinematographer - December 1960

Table of Contents for the Digital Edition of American Cinematographer - December 1960
