American Cinematographer - December 1960 - 59

INDEX TO AMERICAN CINEMATOGRAPHER FOR 1 960-Volume 41.
INDEX BY TITLE OR SUBJECT
A
A & B Rolls, How to Edit 1 6mm, Oct. 605
Academy Award Winners for 1959, May 299.
"All the Young Men," Filming, Sept. 550.
Animation: What Every Young Animator Should
Know, Jan. 37. One-cel Complex, Sept. 540.
Auricon Super-1200, The, Mar. 180.
B
Barn Doors For R-40 Lamps, Nov. 674.
Black-and-White Printing, Similarities and Dif¬
ferences in, Apr. 235.
"Ben-Hur," Filming The Chariot Race For,
Feb. 94.
C
Camera, Lightweight, Thinline Panoramic, Feb.
104.
Camera 65, Why MGM Choose, Mar. 162.
Cameras: Pathe "Webo-M" 16mm, Jan. 36;
Panoramic camera for aerial reconnaissance,
Feb. 104; MGM"s Camera-65, Mar. 162;
Auricon Super-1200, Mar. 180; Panavision,
May 302; Mitchell 35mm Reflex, Jun. 360;
Todd A-O, Nov. 662.
"Can Can," Filming of. May 300.
"Captured Moment," How Filmed, Oct. 61 3.
Cinematographers: Kazua Miyagawa, Jan. 40;
James Wong Howe, Jul. 408; Eiji Tsuburaya, Aug. 488; Hal Mohr, Nov. 650.
Cinematography For Color TV Films, Some
Aspects Of, May 306.
Cinematography For Television Films, Dec. 734.
Cinematography In Opthalmology, Feb. 106.
Closeup Diaphragm Calculator (chart), Jul.
424.
Coaching Basketball With Movies, Dec. 744.
College Film Makers, Sept. 552.
Color Correction In Lenses, Aug. 479.
Color Films-New, Fast-Meet Jet-Age Needs,
Jul. 416.
Color Temperature Evaluation, Degrees Kelvin
Versus Mireds In, Feb. 111.
Colortran-Lightweight Set-Lighting Package,
Apr. 240
Creativity, The Need For, In Non-theatrical
Cinematography, Jan. 45.
D
Deep Sea Fishing, Filming, Sept. 556.
Depth of Field, Oct. 620.
Double-X Pan (New), Twice As Fast As Plus-X,
Aug. 484.
E
Eastman High-speed Reversal Color Film,
Shooting With The, Feb. 98.
Edge-Numbering, Why It Pays Dividends, Mar.
1 64.
Effects: Optical for TV Films, Jun. 366; Min¬
iatures, Oct. 598; Without Mattes, Nov.
668; Traveling Matte, Nov. 670.
8mm Comes Of Age, Sept. 547.
8mm Sound Film, Nov. 678.
Equipment Leasing Plan (S.O.S.) Feb. 100.
Extension Tubes in Cinematography, Jul. 424.
F
Feature Film, Photographing My First, Aug.
481.
Filming An Operation For TV, Jan. 43.
Film Sound Recording, A Synchronous %-inch
Tape System For, Feb. 102; April 236; Jun.
370.
Films: E-K's High-Speed Reversal Color Film,
Feb. 98; Ektachrome ER Film, Jul. 416; Tri-X
Negative, Jul. 422; New Double-X Pan,
Aug. 484.
Filter Lore, Oct. 609.
Follow-focus In Cinematography, The Develop¬
ment Of, Jun. 346.
Free-lancing, Is There A Future In, Dec. 742.
"Freeze Action" Lineups, How Still Camera Can
Aid Production of, Sept. 543.
"FSZOL" Process, The, Jul. 417.
"Fugitive Kind," Filming of, Jun. 354.

DECEMBER

* 1960

G
Lee Garmes Elected President of ASC, May,
284.
"The Golden Fish," How Filmed, Sept. 558.
H
"Hawaiian Eye," Filming, Oct. 602.
"Hell to Eternity," Shooting, Jul. 412.
High-speed Photography In Research and In¬
dustry, Nov. 654.
Hyperfocal Distance, Sharp Focus Safety With,
Mar. 168.

I
Industrial Cinematography: Jan. 45; May 288;
May 296; Jun. 368; Nov. 676.
Infrared Self-Matting Process, An, Dec. 740.
K
Kinopanorama, Russia's Circular, Jan. 46.
L
Laboratory Techniques: Jan. 34; Apr. 235;
Jul. 417; Sept. 548.
"La Dolce Vita," Filming of, Apr. 234.
Leasing Equipment, (The S.O.S. Plan) Feb. 100.
Lighting: Lowel-Lite, Jan. 38; Colortran, Apr.
240; Mite-Lite, Jul. 427; Jul. 428; Barn
Doors For, Nov. 674; For Industrial Films,
Nov. 676.
Lighting (How Good) Can Enhance Industrial
Films, Jul. 428.
Lighting Equipment for Industrial Film Pro¬
duction, Nov. 676.
Lip-sync Sound With Any 16mm Camera, Mar.
173.
Lowel-Light Unit that mounts anywhere, Jan.
38.
M
Mark of A Pro, The, Feb. 108.
Master Of Monsters, Japan's, Aug. 488.
Miniatures, making them look realistic, Oct.
598.
Mitchell Introduces New 35mm Reflex Camera,
Jun. 360.
Mite-Lite, Portable Lighting Unit For TV News
Filmers, Jul. 427.
Kazuo Miyagawa, The Techniques of, Jan. 40.
Hal Mohr Honored by Fellow Cinematogra¬
phers, Nov. 650.
Multiple Camera, Long-Sustained Take Tech¬
nique, Why Renoir Favors, Mar. 176.
Multiple Cameras Cut Shooting Time of "Hell
To Eternity," Jul. 412.
Music For TV Films, Tracking of, Jun. 362.
N
Nomad Magnetic Recorder, Mar. 173.
"No Second Chance,' How staged and filmed,
Apr. 238.

O
One-cel Complex Animation, Sept. 540.
One-Man Film Producer, Jun. 367.
Optical Effects For TV Films and Commercials,
Jun. 366.
"Oscar" Nominees, Mar. 171.
P
Pathe "Webo-M" camera, Jan. 36.
Panavision's Progress, May 302.
Perspective, Controlling, Oct. 612.
Photographic Instrumentation For Shipboard
Polaris Missile Tests, Nov. 664.
Photography That Advances The Story, Dec.
736.
Plus-X (16mm), Shooting it at 1000 ASA, Jun.
356.
"Private Property," Filming, Aug. 487.
Process Film As You Shoot, Sept. 548.
Product Reports: Ryder Sync Motor Drive, May
293; Pathe "Webo-M" 16mm Camera, Jan.
36; Rapromatic Processor, Sept. 548; Motordriven Zoom Lens, Dec. 746.
Progress Reports On Film, May 296.
Protective Shield For Wildlife Photographers,
Mar. 170.
Q
Quality Control Center, E-K's West Coast Tech¬
nical Service, Sept. 538.
R
Reflected Light, How To Get Professional Re¬

sults With, Mar. 178.
Ryder Sync Motor Drive, May 293.

S
Scents, This Movie Has, (Smell-O-Vision) Feb.
92.
Science, March of, Jan. 41.
Short-wave Radio, Use of in Film Production,
Oct. 608.
Single-system Film Production, Jun. 368.
Smell-O-Vision, Feb. 92.
Sound Quality, Factors Involved In Release
Print, Aug. 485.
Sound Recording: Feb. 102; Mar. 173; Apr.
236; Apr. 244; Jun. 370; Aug. 485.
Sound Stage Sea Saga, Apr. 228.
Sound System For 16mm, Apr. 244.
Space Age-New Challenge for Cinematog¬
raphy, May 288.
Speed-What Does It Mean In Photography?
Jul. 445.
Special Effects Without Mattes, Nov. 668.
"Story Of Ruth (The)," Filming, Jul. 420.
"Studs Lonigan," Filming by Arthur Feindel,
T
Tables, Charts and Calculators, Apr. 242.
Television Films: Jan. 43; May 306; Jun. 356;
Jun. 362; Jul. 417; Jul. 422; Jul. 427;
Aug. 492; Sept. 543; Dec. 734.
"The Alamo," Filming, Nov. 662.
"The Time Machine," Filming, Aug. 490.
35/32MM Method, Why results in better
16mm prints, Jan. 34.
Titling, Modern Approach To, Aug. 476.
Tracking Music For TV Films, Jun. 362.
Traveling Matte Processes, Some Practical, Nov.
670.
Tri-X Negative, Use of in TV Film Production,
Jul. 422.
TV Commercial Production, Speed Keys Chester¬
field's, Jul. 422.
TV Commercials, Production of in Australia,
Aug. 492.
V
Video Tape Speeds Production of TV Film
Commercials, Sept. 554.
Video Tape and Film, Integrating, Dec. 748.
W
Whale Hunt, Filming A, In The Antarctic, May
290.
What Every Young Animator Should Know,
Jan. 37.
Wheels Turn Backwards, When, Jul. 430.
Wide Screen, Jan. 46.
Wildlife Photography, Protective Shield For,
Mar. 170.
"Wreck of The Mary Deare," Filming, Apr.
228.
Z
Zoom Lens, Motor-driven, Dec. 746.
Zooming Technique, Oct. 614.
INDEX BY AUTHORS
A
Ancona, Edward P., Jr.
-Cinematography For Television Films, Dec.
734.
B
Belanger, Jean
-Why Renoir Favors Multiple Camera, Long
Sustained Take Technique, Mar. 176.
-How "The Golden Fish" Was Filmed,
Sept. 558.
Bodger, Lowell A.
-Modern Approach To Film Titling, Aug.
477.
Bohmer, Joseph
-Single-System Film Production, Jun. 368.
C
Cline, Richard
-High Adventure in Filming Deep Sea Fish¬
ing, Sept. 556.
Continued on Next Page

765
American Cinematographer - December 1960

Table of Contents for the Digital Edition of American Cinematographer - December 1960
