American Cinematographer - September 1968 - 29
ed, Air Force cameramen moved from
necessary electronic gear.
base to base. Because there was no
overall, unified concept of what they
Consequently,
mission
with
the
documentation
need
for
demonstrated
should be doing, the men often found
by the Korean conflict, men of what
themselves burdened with such menial
was
chores as making passport photos and
Charting
portraits,
ways
photographing
vehicle
and
plant accidents, etc.
then
the
Air
Service
to hang
Photographic
and
concentrated
on
cameras on
available
pylons.
Today, however, their job has been
"At one point," a veteran Air Force
clearly defined. The Air Force sums it
photographic technician recalled, "the
up
with
a
typical
military
abbrevia¬
boys
were
tion: "ComDoc." Translated into sim¬
tanks
and
ple English, that means combat docu¬
that would hold a camera."
mentation.
carving
just
up
auxiliary
about
Colonel Warndorf described
To illustrate his mission's value, not
gas
anything
else
some
of the first crude efforts as resembling
only in assessing the achievement of
50-gallon oil drums. An improvement
military aims but also in saving Ameri¬
was
can lives, Warndorf cited the follow¬
called the "Blue Bomb," which made
ing incident:
an
unknown
air missile)
stubby,
cigar-shaped
pod
its appearance in 1957. The name de¬
"One of our pilots went out and
found
the
site.
SAM (surface-to-
He strafed
its com¬
rived not only from its sky-blue paint
but from the fact that the pod was
affixed to the aircraft with bomb lugs.
munication trailers with his guns and
In its early form, however, the pod
his wingman came right in behind him
-just like bombs and extra fuel tanks
and dropped bombs.
-was rigged so the pilot could jetti¬
"When they got back to base, both
son it if he ran into trouble.
pilots reported they had knocked out
the site. They had
seen
"This was necessary to ensure max¬
M/Sgt Barney O. White, documentation cam¬
eraman with the 600;h Photo Squadron, re¬
cords action at Cam Ranh Bay Air Base.
their arma¬
imum aircraft performance against at¬
ment go in and they were rather sure
tacking MIGs," Warndorf said, "but
of the hit.
every time one of our boys punched
Col. Robin Olds (now General), who is
One
of his
strong
supporters was
"But, the two had landed at a base
the 'pickle button' to dump his cam¬
commandant of the Air Force Acade¬
where we had one of our trailer proc¬
era pod, we lost something like $12,-
my at Colorado Springs, Colo.
essing units. Before they had finished
000 worth of equipment."
During 107 missions in World War
II, Colonel Olds downed 24 Vi
enemy
debriefing, our men had the film which
Consequently, what are now Aero¬
showed the pilots were mistaken.
"It showed
the tracers tearing
space Audiovisual Service technicians
began studying operational aircraft
planes. In Vietnam, where he wound
for
sions,
through the site,
but it also showed
there was no damaging hit. The wingman's bombs missed the target alto¬
nooks
and
crannies
where
they
as with early ver¬
gether. This illustrates a case where a
sions of the F-4 Phantom, they were
wing
able to use the nose. When they were
commander is
provided
photo¬
graphic evidence to recommend to the
preempted from that location by addi¬
appropriate HQ that more planes be
tional
ordered
recess in which the Navy installs an
up
immediately,
and
within
radar gear, they adapted the
two hours that SAM site could again
arresting
be struck since it takes the Reds seven
of the plane.
to eight hours to dismantle one and
get it moving. Often they don't have
the chance."
The
hook
on
technicians
its
carrier version
call
the
housings
which cover such camera installations
blisters. Depending on the plane, this
Although such highly valuable evi¬
may be just a small hump which pro¬
dence of air strike performance is now
jects only a few inches, or it may be a
routine
whole, compact housing affixed on the
in
Vietnam,
was far from
essence,
its
achievement
easy. The problem,
was to convince
in
exterior of the craft's skin.
pilots that
Flight tests have shown that the blis¬
the drag created by affixing camera
ters create negligible drag compared
gear to their planes was worth it in
to the pods. But when Warndorf first
view of the photography obtained.
went to the Vietnam theater, develop¬
The N-6 gun cameras of World War
ment of the blisters was so embryonic
II were mounted in the wings of fighter
that men of the 600th Photo Squadron
planes.
still had to rely primarily on the pod
But with the advent of thin¬
winged
jets,
there
room
for
craft
designers,
were too
for
the
such
was
no
gear there.
Warndorf
hard-pressed
ever-growing
longer
The
air¬
related,
finding
room
complexity
of
AMERICAN CINEMATOGRAPHER, SEPTEMBER 1968
housing.
Consequently,
convince
the
photographic
while.
the
individual
colonel
had
commanders
effort
the
pilot was
could tuck their cameras.
In some cases,
up with four MIG kills after 152 mis¬
was
to
that
worth¬
45-year-old
commander
F-4
of
Phantom
the
Eighth
Tactical Fighter Wing based at Ubon
in Thailand.
Colonel James P. Warndorf, who was respon¬
sible for perfecting the present Air Force film¬
ing capability in Vietnam. A dedicated officer,
he takes great pride in accomplishments of
the 600th Photo Squadron.
American Cinematographer - September 1968
Table of Contents for the Digital Edition of American Cinematographer - September 1968
American Cinematographer - September 1968 - 1
American Cinematographer - September 1968 - 2
American Cinematographer - September 1968 - 3
American Cinematographer - September 1968 - 4
American Cinematographer - September 1968 - 5
American Cinematographer - September 1968 - 6
American Cinematographer - September 1968 - 7
American Cinematographer - September 1968 - 8
American Cinematographer - September 1968 - 9
American Cinematographer - September 1968 - 10
American Cinematographer - September 1968 - 11
American Cinematographer - September 1968 - 12
American Cinematographer - September 1968 - 13
American Cinematographer - September 1968 - 14
American Cinematographer - September 1968 - 15
American Cinematographer - September 1968 - 16
American Cinematographer - September 1968 - 17
American Cinematographer - September 1968 - 18
American Cinematographer - September 1968 - 19
American Cinematographer - September 1968 - 20
American Cinematographer - September 1968 - 21
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American Cinematographer - September 1968 - 24
American Cinematographer - September 1968 - 25
American Cinematographer - September 1968 - 26
American Cinematographer - September 1968 - 27
American Cinematographer - September 1968 - 28
American Cinematographer - September 1968 - 29
American Cinematographer - September 1968 - 30
American Cinematographer - September 1968 - 31
American Cinematographer - September 1968 - 32
American Cinematographer - September 1968 - 33
American Cinematographer - September 1968 - 34
American Cinematographer - September 1968 - 35
American Cinematographer - September 1968 - 36
American Cinematographer - September 1968 - 37
American Cinematographer - September 1968 - 38
American Cinematographer - September 1968 - 39
American Cinematographer - September 1968 - 40
American Cinematographer - September 1968 - 41
American Cinematographer - September 1968 - 42
American Cinematographer - September 1968 - 43
American Cinematographer - September 1968 - 44
American Cinematographer - September 1968 - 45
American Cinematographer - September 1968 - 46
American Cinematographer - September 1968 - 47
American Cinematographer - September 1968 - 48
American Cinematographer - September 1968 - 49
American Cinematographer - September 1968 - 50
American Cinematographer - September 1968 - 51
American Cinematographer - September 1968 - 52
American Cinematographer - September 1968 - 53
American Cinematographer - September 1968 - 54
American Cinematographer - September 1968 - 55
American Cinematographer - September 1968 - 56
American Cinematographer - September 1968 - 57
American Cinematographer - September 1968 - 58
American Cinematographer - September 1968 - 59
American Cinematographer - September 1968 - 60
American Cinematographer - September 1968 - 61
American Cinematographer - September 1968 - 62
American Cinematographer - September 1968 - 63
American Cinematographer - September 1968 - 64
American Cinematographer - September 1968 - 65
American Cinematographer - September 1968 - 66
American Cinematographer - September 1968 - 67
American Cinematographer - September 1968 - 68
American Cinematographer - September 1968 - 69
American Cinematographer - September 1968 - 70
American Cinematographer - September 1968 - 71
American Cinematographer - September 1968 - 72
American Cinematographer - September 1968 - 73
American Cinematographer - September 1968 - 74
American Cinematographer - September 1968 - 75
American Cinematographer - September 1968 - 76
American Cinematographer - September 1968 - 77
American Cinematographer - September 1968 - 78
American Cinematographer - September 1968 - 79
American Cinematographer - September 1968 - 80
American Cinematographer - September 1968 - 81
American Cinematographer - September 1968 - 82
American Cinematographer - September 1968 - 83
American Cinematographer - September 1968 - 84
American Cinematographer - September 1968 - 85
American Cinematographer - September 1968 - 86
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