American Cinematographer - September 1968 - 69

"THE NEW DIMENSION"
INDUSTRIAL
PHOTOGRAPHIC
EQUIPMENT
COMPANY
CAMERAS

B & H EYEMO 35mm completely over¬
hauled, single lens $189.95.

,B & H 35mm EYMO Spider Turret with reflex
focusing in good working order, open back for
400' magazine azid motor mount, $485.00.
B & H
each.

FILMO and

EYMO 24 volt motor $89.95

B & H 70 DL in good condition, $178.00.
HIGH SPEED FASTAIR 16mm, $485.00; accessories
200' mag., 17, 25, 50, 76mm lenses.
HIGH SPEED TRAID 200 FPS 16mm, $225.00.
REFLEX 35mm CINEFLEX with magazine,
mirror shutter, and lens, $298.50.
CINE SPECIAL II with extra magazine,
lenses, carrying case, $385.00.
B & H 70 HL,

motor,
2

Ektar

like new, $265.00.

PRINTERS

B & H COLOR ADDITIVE mod. AB
excellent condition. Write for picture and addi¬
tional details.
B & H Mod. J 16mm, auto fade device, auto
light
changers.
Excel,
cond.,
$4,000.00
to
$9,000.00.
SOUND TRACK REDUCTION
printer
16mm, excel, cond., $3,800.00.

35mm

to

STEP PRINTER 16mm contact-cue device-auto
fade-auto color filter & light changer, tape
operated, $3,800.00.
B & H 35mm Mod. D printers, variable combina¬
tions; super high intensity lamp, auto color
filter changer, travel mattes, all excellent cond.
$4,000.00 to $10,000.00.
tions: auto light change, super high intensity
lamp, auto color filter changer, travel mattes,
computerized units, all excellent cond. $4,000.00
to $10,000.00.

PROCESSORS

ALL
MACHINES
STAINLESS
STEEL CONSTRUCTION. B & W-NEG/POS:
HOUSTON FEARLESS 16mm $1800.00.
OSCAR FISHER 16-35mm $3,800.00.
MORSE high speed spray 16-35-70mm $5,800.00.
HIGH SPEED SPRAY 70mm $4,800.00.
B&W REVERSAL NEG/POS: ANDRE DEBRIE 16mm,
daylight operation, compact $1,885.00.
HOUSTON FEARLESS 16mm $2,485.00.
EASTMAN COLOR NEG/POS H.F. 16-35mm w/sound
track applicator, 50' per min., all stainless.
Write for picture and additional details. As is
$19,850.00.
MINI RAPID processors, 16mm &
pos, daylight operation, $585.00.

35mm,

neg/

COLOR 35-70mm EASTMAN neg-pos processor,
daylight operation, self contained, $14,800.00.
B&W 35-46-70mm HOUSTON LABMASTER day¬
light operation, dry to dry, self contained, excel¬
lent condition, $7800.00.
B&W 35-46-70mm HOUSTON SUPER LAB day¬
light operation, backing remover, dry to dry,
self contained, excellent condition $7,800.00.

MISCELLANEOUS

NEUMADE
16mm & 35mm, $175.00 each.

film

cleaners,

HOUSTON FEARLESS 16mm & 35mm X 1000' mag.
$175.00/16mm & 35mm X 2000' mag. $285.00.
ARRIFLEX 35mm x 400' mag. $125.00 ea.
DeVRY 35mm X 2000' projection mag. $75.00 ea.
65mm & 70mm X 1000' MITCHELL mag. $155.00.
B & H 16-35 pedestal splicer, $950.00 like new.
MITCHELL VIEWFINDER w/adj. mattes mod. 1-LA
(good cond.) $585.00; HIGH HAT mod. 1-Y (like
new) $35.00; MATTE BOXES mod. l-V-50 (like
new) $185.00.
CINEFLEX 400' magazine, $75.00.
CUNNINGHAM 35mm movement w/registration pin
like new, $385.00.
ANAMORPHIC
35mm
Panavision
$785.00. Original cost $2000.00.

lenses,

pair

16mm X 400' PROJ. REELS (NEW) 20# each.
MOVIOLA 35mm Bulls Eye viewer, $99.50.
SUPER SIMPLEX 35mm arc projector with sound
head sold as pair or individually, $485.00 each
unit.

1032 NORTH ORANGE DRIVE
HOLLYWOOD, CALIF. 90038
(213) 462-1297 * 462-2376

AMERICAN CINEMATOGRAPHER, SEPTEMBER 1968

Continued from Page 693

pros and cons. Certainly, there is a
long tradition of reel to reel projec¬
tion experience in existence. There is
a built-in acceptance of reel to reel
projection. The mechanisms for trans¬
porting film is this configuration are
technically more advanced. It is less
expensive and there is more flexibil¬
ity. But all the same there are many,
many advantages to the cartridge
load system and first and foremost,
from the point of view of the ulti¬
mate consumer, it is simple. From the
time a child develops the manual dex¬
terity and the physical strength to
pick up an object of a few ounces in
weight, place it in a slot and push a
button, there are no limitations and
no training problems involved in using
a cartridge load projector. How quickly
did your children learn to handle the
TV set when Howdy-Doody was on?
Mine learned very fast-but my wife
and I both acknowledge they are ex¬
ceptional children! This cannot be said
of reel to reel projectors. I have seen
grown men on the verge of tears, try¬
ing to put on a successful showing
where they had to thread the pro¬
jector. You and I know it is not that
complicated. But, all the same, there
is a built-in resistance on the part of
many, many people to get involved
with anything mechanical. So, the
cartridge system is simple in utiliza¬
tion. It isn't simple in design and engi¬
neering. We still have problems that
have not been completely resolved.
But these problems are recognized
and in the mill-they are being
whipped-fast.
We have all seen the acceptance
of the Technicolor standard 8 and
super 8 projectors and we are wit¬
nessing the interest in the new optical
sound projector. Fairchild with their
magnetic sound cartridge load pro¬
jector has been very successful. We
know that other manufacturers have
cartridge load systems in the works.
There will be a new cartridge load
projector with optical sound intro¬
duced in the United States from Japan
in March. As opposed to the previous
problems I have mentioned, projec¬
tion mechanics is not an issue that is
entirely resolved. Assuming the exist¬
ing cartridge load problems are
solved, as I believe they will be, the
answer is fairly clear. We are pro¬
ceeding with our planning on the as¬
sumption there will be some demand

FOR

HOT
JOBS

NIGHT
AND

DAY

PROCESSING

PHONE

(214) 631-5670
DAY OR NIGHT
we can process your color
original and make a color
workprint overnight...
for screening prior to the
next day's shooting!
For quality processing PDQ
...Use the HOT LINE to PSI.

PRODUCER

SERVICES, INC.

3011 Midas, Dallas, Texas 7524 7

699



American Cinematographer - September 1968

Table of Contents for the Digital Edition of American Cinematographer - September 1968

American Cinematographer - September 1968 - 1
American Cinematographer - September 1968 - 2
American Cinematographer - September 1968 - 3
American Cinematographer - September 1968 - 4
American Cinematographer - September 1968 - 5
American Cinematographer - September 1968 - 6
American Cinematographer - September 1968 - 7
American Cinematographer - September 1968 - 8
American Cinematographer - September 1968 - 9
American Cinematographer - September 1968 - 10
American Cinematographer - September 1968 - 11
American Cinematographer - September 1968 - 12
American Cinematographer - September 1968 - 13
American Cinematographer - September 1968 - 14
American Cinematographer - September 1968 - 15
American Cinematographer - September 1968 - 16
American Cinematographer - September 1968 - 17
American Cinematographer - September 1968 - 18
American Cinematographer - September 1968 - 19
American Cinematographer - September 1968 - 20
American Cinematographer - September 1968 - 21
American Cinematographer - September 1968 - 22
American Cinematographer - September 1968 - 23
American Cinematographer - September 1968 - 24
American Cinematographer - September 1968 - 25
American Cinematographer - September 1968 - 26
American Cinematographer - September 1968 - 27
American Cinematographer - September 1968 - 28
American Cinematographer - September 1968 - 29
American Cinematographer - September 1968 - 30
American Cinematographer - September 1968 - 31
American Cinematographer - September 1968 - 32
American Cinematographer - September 1968 - 33
American Cinematographer - September 1968 - 34
American Cinematographer - September 1968 - 35
American Cinematographer - September 1968 - 36
American Cinematographer - September 1968 - 37
American Cinematographer - September 1968 - 38
American Cinematographer - September 1968 - 39
American Cinematographer - September 1968 - 40
American Cinematographer - September 1968 - 41
American Cinematographer - September 1968 - 42
American Cinematographer - September 1968 - 43
American Cinematographer - September 1968 - 44
American Cinematographer - September 1968 - 45
American Cinematographer - September 1968 - 46
American Cinematographer - September 1968 - 47
American Cinematographer - September 1968 - 48
American Cinematographer - September 1968 - 49
American Cinematographer - September 1968 - 50
American Cinematographer - September 1968 - 51
American Cinematographer - September 1968 - 52
American Cinematographer - September 1968 - 53
American Cinematographer - September 1968 - 54
American Cinematographer - September 1968 - 55
American Cinematographer - September 1968 - 56
American Cinematographer - September 1968 - 57
American Cinematographer - September 1968 - 58
American Cinematographer - September 1968 - 59
American Cinematographer - September 1968 - 60
American Cinematographer - September 1968 - 61
American Cinematographer - September 1968 - 62
American Cinematographer - September 1968 - 63
American Cinematographer - September 1968 - 64
American Cinematographer - September 1968 - 65
American Cinematographer - September 1968 - 66
American Cinematographer - September 1968 - 67
American Cinematographer - September 1968 - 68
American Cinematographer - September 1968 - 69
American Cinematographer - September 1968 - 70
American Cinematographer - September 1968 - 71
American Cinematographer - September 1968 - 72
American Cinematographer - September 1968 - 73
American Cinematographer - September 1968 - 74
American Cinematographer - September 1968 - 75
American Cinematographer - September 1968 - 76
American Cinematographer - September 1968 - 77
American Cinematographer - September 1968 - 78
American Cinematographer - September 1968 - 79
American Cinematographer - September 1968 - 80
American Cinematographer - September 1968 - 81
American Cinematographer - September 1968 - 82
American Cinematographer - September 1968 - 83
American Cinematographer - September 1968 - 84
American Cinematographer - September 1968 - 85
American Cinematographer - September 1968 - 86
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