American Cinematographer - September 1968 - 72
WHAT'S NEW
tPosifiife &ilky £inpo(hfiction
Continued from Page 647
FOR YOUR 35mm ARRIFLEX
plished with a single touch of a button
on the camera body.
Who knows more about "Fluid Heads" than Miller?
The manual version of the FOCUSMATIC system measures distance with
the same precision at a touch of a
button. The distance is then set man¬
ually on the marked lens scale.
From theoriginal patenteeof the "Fluid
Head" comes this new design made
especially for the 35mm Arriflex. Made
to be used with the Ball Leveling Top,
this unit provides for the smooth oper¬
ational control for which all Miller
"Fluid Heads" are famous... no shake,
jitter or backlash. You have full 360°
horizontal operational control as well
as complete vertical control. The unit
can also be used with flat top tripods.
COMPARE QUALITY, PERFORMANCE AND
PRICE . . . MILLER IS YOUR BEST BUY!
Professional Model
AR35 Fluid Head
Miller Ball-Leveling
Grooved-Leg Tripod
Complete
$540.00
$159.50
$699.50
(Can be purchased separately)
Other accessories for tripods avail¬
able at your dealer or order from . . .
MILLER PROFESSIONAL EQUIPMENT
Distributed and Serviced by V. J. Pincetich
6500 Santa Monica Blvd. Phone HO 7-8189
Hollywood, Calif. 90038
Both versions feature the same
method of calculating the distance be¬
tween subject and camera. The movie
maker simply sights the camera at the
feet of the person (or base of the ob¬
ject) being photographed so that a
horizontal line in the viewfinder is
exactly on the subject's feet.
By pressing and releasing the con¬
trol button, a reading of the distance
in feet is recorded on a direct-reading
scale built into the camera body.
With FOCUS-MATIC, accurate dis¬
tance measurement and accurate fo¬
cusing, requisites for sharp motion pic¬
tures, are now available in easy to
use automatic or manual versions.
FOCUS-MATIC uses principles of
trigonometry to achieve its precise
measurement of distance, with the
angle of downward tilt of the camera
being a key factor.
(From Birns & Sawyer)
Mrwf Gel Filter Holders
111 JJ VV ! For 10x12 Zoom!
Four New Volumes in Film
Series Due September 13
Doubleday will be publishing four
new volumes in its Cinema World Ser¬
ies on September 13. The new titles,
which will be available in hardcover
and paperback, are
ALAIN RESNAIS or The Theme of Time
by John Ward.
HOWARD HAWKS by Robin Wood.
HOW IT HAPPENED HERE by Kevin
Brownlow.
THE NEW WAVE. Critical Landmarks
selected by Peter Graham.
HANDY! Easy Slip-on rear gel holders in
fine spring steel. Holds filters securely.
See-through box carries five filters and
cutting template. Carry dupe and spare gels
cut and ready for action! Photo (left) shows
size. Catalog #1386, $29.95.
BIRNS & SAWYER. INCORPORATED
6424 Santa Monica Blvd., Hollywood, Cal. 90038
Rentals: 1014 N.Vine, Hollywood, Cal. 90038, Phone (213) 464-5166
702
The Cinema World Series was in¬
augurated on January 19, 1968, with
the publication of the first three vol¬
umes. Books in the series include criti¬
cal studies of individual directors and
stars, analyses of genres of films and
of national cinemas, and explanations
of techniques of filming. The authors
are chosen from top ranks of profes¬
sionals in or associated with the film
world.
The series is being published in
association with the British Film Insti¬
tute and Sight and Sound. Each book
contains filmography and up to 100
AMERICAN CINEMATOGRAPHER, SEPTEMBER 1968
American Cinematographer - September 1968
Table of Contents for the Digital Edition of American Cinematographer - September 1968
American Cinematographer - September 1968 - 1
American Cinematographer - September 1968 - 2
American Cinematographer - September 1968 - 3
American Cinematographer - September 1968 - 4
American Cinematographer - September 1968 - 5
American Cinematographer - September 1968 - 6
American Cinematographer - September 1968 - 7
American Cinematographer - September 1968 - 8
American Cinematographer - September 1968 - 9
American Cinematographer - September 1968 - 10
American Cinematographer - September 1968 - 11
American Cinematographer - September 1968 - 12
American Cinematographer - September 1968 - 13
American Cinematographer - September 1968 - 14
American Cinematographer - September 1968 - 15
American Cinematographer - September 1968 - 16
American Cinematographer - September 1968 - 17
American Cinematographer - September 1968 - 18
American Cinematographer - September 1968 - 19
American Cinematographer - September 1968 - 20
American Cinematographer - September 1968 - 21
American Cinematographer - September 1968 - 22
American Cinematographer - September 1968 - 23
American Cinematographer - September 1968 - 24
American Cinematographer - September 1968 - 25
American Cinematographer - September 1968 - 26
American Cinematographer - September 1968 - 27
American Cinematographer - September 1968 - 28
American Cinematographer - September 1968 - 29
American Cinematographer - September 1968 - 30
American Cinematographer - September 1968 - 31
American Cinematographer - September 1968 - 32
American Cinematographer - September 1968 - 33
American Cinematographer - September 1968 - 34
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American Cinematographer - September 1968 - 36
American Cinematographer - September 1968 - 37
American Cinematographer - September 1968 - 38
American Cinematographer - September 1968 - 39
American Cinematographer - September 1968 - 40
American Cinematographer - September 1968 - 41
American Cinematographer - September 1968 - 42
American Cinematographer - September 1968 - 43
American Cinematographer - September 1968 - 44
American Cinematographer - September 1968 - 45
American Cinematographer - September 1968 - 46
American Cinematographer - September 1968 - 47
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American Cinematographer - September 1968 - 49
American Cinematographer - September 1968 - 50
American Cinematographer - September 1968 - 51
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American Cinematographer - September 1968 - 53
American Cinematographer - September 1968 - 54
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American Cinematographer - September 1968 - 56
American Cinematographer - September 1968 - 57
American Cinematographer - September 1968 - 58
American Cinematographer - September 1968 - 59
American Cinematographer - September 1968 - 60
American Cinematographer - September 1968 - 61
American Cinematographer - September 1968 - 62
American Cinematographer - September 1968 - 63
American Cinematographer - September 1968 - 64
American Cinematographer - September 1968 - 65
American Cinematographer - September 1968 - 66
American Cinematographer - September 1968 - 67
American Cinematographer - September 1968 - 68
American Cinematographer - September 1968 - 69
American Cinematographer - September 1968 - 70
American Cinematographer - September 1968 - 71
American Cinematographer - September 1968 - 72
American Cinematographer - September 1968 - 73
American Cinematographer - September 1968 - 74
American Cinematographer - September 1968 - 75
American Cinematographer - September 1968 - 76
American Cinematographer - September 1968 - 77
American Cinematographer - September 1968 - 78
American Cinematographer - September 1968 - 79
American Cinematographer - September 1968 - 80
American Cinematographer - September 1968 - 81
American Cinematographer - September 1968 - 82
American Cinematographer - September 1968 - 83
American Cinematographer - September 1968 - 84
American Cinematographer - September 1968 - 85
American Cinematographer - September 1968 - 86
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