American Cinematographer - December 1980 - 20
TALKING TECHNICALLY
Continued from
lens in front of
Page 1206
number.
Having got the hyperfocal distance, then you can work out
depth of field with the following simplified formulae:
the
1).
Nearest distance =
acceptable focus
Hyperfocal distance x disjance focussed
Farthest distance
Hyperfocal distance + distance focussed
in
2).
in
Hyperfocal distance + distance focussed
=
acceptable focus
Hyperfocal distance
distance focussed
-
Taking an instance with the same 100mm lens at
cussed on 20 ft., the near distance is:
Example Display
Key Sequence
Enter
Touch
hyperfocal distance
+
115
115
+
115
20
Enter distance focussed
'Touch
-t-
Touch
=
Touch
x
Enter
Touch
(to find reciprocal)
0.0074074
0.0074074
115
0.851851
20
=
-
20
17.03702
Answer 17 ft.
Enter
Touch
Example
hyperfocal distance
115
-
-
20
'Touch
-s- (to find reciprocal)
Touch
=
Touch x
Enter hyperfocal distance
Touch x
Enter distance focussed
Touch
=
Display
115
115
Enter distance focussed
reference viz:
20
95
-5=
0.0105263
X
0.0105263
115
115
1.2105245
X
20
H
pupil is in front of the focal plane
Nearest distance
(Hyperfocal distance + a) x focussed distance
in
(Hyperfocal distance
=
acceptable focus
-
a) + focussed distance
(Hyperfocal distance + a) x focussed distance
(Hyperfocal distance
-
a)
-
focussed distance
and where the front entrance
pupil of the lens falls behind the focal plane the
following formulae must be used:
Nearest distance
in
Farthest distance
in
=
acceptable focus
acceptable focus
(Hyperfocal distance
-
a) x focussed distance
(Hyperfocal distance + a) + focussed distance
=
(Hyperfocal distance
-
a) x focussed distance
(Hyperfocal distance + a)
-
focussed distance
10
a =
-
0.8
Enter H Touch
+
=
stop
9.2 ft, H + a = 10 + 0.8
then calculate
can
Nearest distance in
Key Sequence
as
Example
Farthest distance in
Touch
9.2
X
10.8
X
=
0.0704225
0.0704225
10.8
0.760563
5
3.802815
acceptable focus = 3 ft. 9-5/8 in.
acceptable focus:
Example
(worked out in advance)
-
10.8
-
Enter focussed distance
'Touch
+
Touch =
Touch x
Enter H - a (worked out in
Touch x
Enter focussed distance
Touch =
5
14.2
5
Key Sequence
a
+
=
-
Nearest distance in
9.2
-7-
advance)
Display
9.2
5
'Touch
-sTouch = (to find reciprocal)
Touch x
Enter H + a (worked out in
Touch x
Enter focussed distance
Touch
Enter H +
10.8 ft.
acceptable focus:
(worked out in advance)
a
=
follows:
Enter focussed distance
5
-r
=
X
advance)
9.2
X
5
=
Display
10.8
10.8
5
5.8
0.1724137
0.1724137
9.2
1.586202
5
7.93103
acceptable focus = 7 ft. 11 Vs in.
4 ft. 11/2 in.
Which, of course, is significantly different from the 3 ft. 4 in. to
10 ft. and at a depth of field of 6 ft., 8 in. If the variation between
the front entrance pupil and focal plane was not taken into
Depth of field
pupil of the
=
consideration.
■
*Not all calculators find a reciprocal by pressing the
key fol¬
lowed by the =. Some have a 1/x key, others have no means, in
which case the result of the below the line calculation must be put
in the memory until the calculations above the line are done and
then divide the result by the number in the memory. (When using a
memory the memory dear key must sometimes be pressed twice
to make sure it is clear of a previous calculation).
**With
Where a' is the distance of the front entrance
1222
x
Farthest distance in
where the front entrance
Farthest distance
(in.)
viz:
-
We
acceptable focus
0.000129
Working this out, we find that for all practical purposes the
hyperfocal distance at 25mm is 10 ft. and at 250mm is 1000 ft.
Working out the depth of field by the simple formula, we
would have found the 25mm to be in acceptable focus from 3 ft.
4 in. to 10 ft., a depth of field of 6 ft. 8 in., and the 250mm to be
from 4.975 ft. to 5.025 ft., a depth of field of 1/2 inch.
From this we can also deduce that there is so little depth of
field at the 250mm end that for most applications it is pointless
to work it out. The 25mm one is worth having right, however,
and to do this we need to use the expanded formula.
Looking at the graph we see the value for 'a' at 25mm focal
length is + 0.8 ft. and before we make our calculations it is
advantageous to add and subtract 'a' values to and from the
hyperfocal distances (H) and note them down for future refer¬
ence,
20
Depth of field = 7 ft. 2Vz in.
(Note: if the distance focussed is greater than the hyperfocal
distance, the far distance is infinity and does not have to be
calculated.)
These formulae, whilst reasonably accurate for all normal
lenses, particularly when the point of focus is twenty times the
lens focal length or more, are not accurate for the wide angle
end of zoom lenses at close focussing distances. For lenses
which are physically long, an expanded equation, which takes
into consideration the position of the entrance pupil relative to
the focal plane, must be used.
The reason for this is that depth of field is calculated from the
entrance pupil of a lens and we cameramen measure our focus
from the focal plane. At far distances this discrepancy is negli¬
gible and does not present a problem, but for close focussing,
especially for zoom lenses (where the front entrance pupil may
well be 11 inches in front of the focal plane at the wide angle
end and 5 inches behind the focal plane at the long end) the
differences can be quite significant.
A formula for Depth of Field which is accurate in practice for
close distances measured from the focal plane is:
in
x
24.21049
=
Answer 24 ft. 2Vi inches.
=
f2(mm)
=
20
X
Enter distance focussed
seen
circle of confusion
=
Touch
be
can
H
135
X
x
f/8 fo¬
-5-
115
hyperfocal distance
The far distance is:
Key Sequence
(+) or behind (-) the focal plane.
from the accompanying graph, the front
entrance pupil of a 25-250mm Cooke Cine Varotal zoom lens
(when set at infinity) is 9.65 in. (245mm) in front of the focal
plane at the 25mm end and 5.3 in. (135mm) behind the focal
plane at the 250mm end. (At close focussing distances at the
long focal lengths it is even further behind.)
To take examples when focussing at 5 ft. distance with focal
lengths of 25 and 250mm, and a circle of confusion of 1/1000
or 0.001 in. (0.025mm) at T/8 we must proceed as follows:
First we need to know the hyperfocal distances of these two
focal lengths at that aperture and note them down for future
As
calculators it may be necessary to enter the lens focal
second time in order to square it.
some
length
a
AMERICAN
CINEMATOGRAPHER, DECEMBER, 1980
American Cinematographer - December 1980
Table of Contents for the Digital Edition of American Cinematographer - December 1980
American Cinematographer - December 1980 - 1
American Cinematographer - December 1980 - 2
American Cinematographer - December 1980 - 3
American Cinematographer - December 1980 - 4
American Cinematographer - December 1980 - 5
American Cinematographer - December 1980 - 6
American Cinematographer - December 1980 - 7
American Cinematographer - December 1980 - 8
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American Cinematographer - December 1980 - 13
American Cinematographer - December 1980 - 14
American Cinematographer - December 1980 - 15
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American Cinematographer - December 1980 - 18
American Cinematographer - December 1980 - 19
American Cinematographer - December 1980 - 20
American Cinematographer - December 1980 - 21
American Cinematographer - December 1980 - 22
American Cinematographer - December 1980 - 23
American Cinematographer - December 1980 - 24
American Cinematographer - December 1980 - 25
American Cinematographer - December 1980 - 26
American Cinematographer - December 1980 - 27
American Cinematographer - December 1980 - 28
American Cinematographer - December 1980 - 29
American Cinematographer - December 1980 - 30
American Cinematographer - December 1980 - 31
American Cinematographer - December 1980 - 32
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American Cinematographer - December 1980 - 37
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American Cinematographer - December 1980 - 41
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American Cinematographer - December 1980 - 43
American Cinematographer - December 1980 - 44
American Cinematographer - December 1980 - 45
American Cinematographer - December 1980 - 46
American Cinematographer - December 1980 - 47
American Cinematographer - December 1980 - 48
American Cinematographer - December 1980 - 49
American Cinematographer - December 1980 - 50
American Cinematographer - December 1980 - 51
American Cinematographer - December 1980 - 52
American Cinematographer - December 1980 - 53
American Cinematographer - December 1980 - 54
American Cinematographer - December 1980 - 55
American Cinematographer - December 1980 - 56
American Cinematographer - December 1980 - 57
American Cinematographer - December 1980 - 58
American Cinematographer - December 1980 - 59
American Cinematographer - December 1980 - 60
American Cinematographer - December 1980 - 61
American Cinematographer - December 1980 - 62
American Cinematographer - December 1980 - 63
American Cinematographer - December 1980 - 64
American Cinematographer - December 1980 - 65
American Cinematographer - December 1980 - 66
American Cinematographer - December 1980 - 67
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American Cinematographer - December 1980 - 69
American Cinematographer - December 1980 - 70
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American Cinematographer - December 1980 - 73
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American Cinematographer - December 1980 - 77
American Cinematographer - December 1980 - 78
American Cinematographer - December 1980 - 79
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American Cinematographer - December 1980 - 84
American Cinematographer - December 1980 - 85
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American Cinematographer - December 1980 - 89
American Cinematographer - December 1980 - 90
American Cinematographer - December 1980 - 91
American Cinematographer - December 1980 - 92
American Cinematographer - December 1980 - 93
American Cinematographer - December 1980 - 94
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American Cinematographer - December 1980 - 97
American Cinematographer - December 1980 - 98
American Cinematographer - December 1980 - 99
American Cinematographer - December 1980 - 100
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