American Cinematographer - December 1980 - 74

THE VIDEOLA V-1000

Continued from Page 1252
results in low

wow

and flutter.

Sound

head in line with

picture. Manual inching
provided. 16mm and 35mm transports,
both picture and sound, are interchange¬
able.
Film

VIBRATION ISOLATION HELICOPTER CAMERA MOUNTS
FOR 16 / 35 / 70 mm AND TV PHOTOGRAPHY

core or

Hollywood 213-989-4420-San Francisco 415-864-4644-Mexico City 905-559-4845-New York 212-431-3930
Miami 305-757-5988-Boston 617-266-7468-Denver 303-777-7699 -Seattle 206-625-9727

Chicago 312-321-9406-Dallas 214-369-1165-Detroit 313-589-1900
328-5830-Sydney 428-5300

Atlanta 404-622-1311 -London 01-452-8090-Paris

Send for brochure

Tyler Camera Systems, 14218 Aetna Street, Van Nuys, California 91401 U.S.A.

HELIC0PTERS_ ^CAMERAMEN

CAMERA_PIL0TSJ

without a Schneider,
your movie projector is just
a film transport system
A

projector is no better than its lens. And there is no better lens for a
16rmnn projector, regardless of light source, than a Cinelux-Xenon 16MC
by Schneider Isco. The fact is, Cinelux is the most cost effective way to
produce better images. Even through inexpensive projectors.
You'll want a Cinelux-Xenon 16MC for the same reasons as the people
at MGM, Universal Studios and the National Film Board of Canada: no
other lens gets more out of a piece of film. Compare it to any other
16mm projection lens and Schneider's superior resolution, increased

sharpness edge-to-edge, superb contrast and tremendous color
saturation become immediately apparent.
But you should expect that from the world's only multi-coated 16mm
projection lens, the Schneider Isco Cinelux-Xenon 16MC. It shares the
same advanced optical design, computer technology, rare earth
glasses and old world pride of craftsmanship as the lens that won an
Academy Award for Technical Achievement.

When you can't afford
you

anything less than the most the film has to offer,
can't afford anything less than a Cinelux-Xenon 16MC.

Cinelux-Xenon 16 MC
PROJECTION LENSES BY ISCO
Distributed in the United States and Canada
Schneider Corp. of America

185 Willis Avenue, Mineola, N.Y. 11501

Capacity: 2,000-ft. (610m) on lab
3,000-ft. (915m) standard projec¬

tion reel.

Film Speed: Crystal-controlled sound
speed forward 24 or 25 frames per
second, ± .01% (± .0024 fps). Push¬
button switch-activated variable speed
from less than two fps to six times
(35mm) or ten times sound speed
(16mm) in both forward and reverse

directions. Controlled acceleration and
deceleration for gentle film handling.
Interlock mode to external source. Digital
displayed film speed.
Torque System: Switch-selectable
automatic

manual turn on/off for each

supply or takeup torque motor. Motor
torque controlled via tension-sensing
idler

arm

system.

Audio

System: Built-in control and
mixing facilities for four audio tracks in¬
cluding composite optical or magnetic.
Output: 15 Watts RMS, 8 Ohms. 600
Ohm balanced transformer-isolated out¬

put for each track and 2,000 Ohm quasi
line output also provided.

Headphone

output automatically disconnects exter¬
nal speakers.
Controls: All controls

conveniently

placed for minimum lost motion. PIC¬
TURE and SOUND manual

buttons located

INCHING

respective transport.

Control Panel: Power ON-OFF. PRO¬
JECTION LAMP switch. LOCK switch for
sound

transport. Selectable 24/25 fps.

SOUND

SPEED

switch

for both

transports. PICTURE MASTER SOUND
SPEED switch for sound speed and stop
from sound speed. Pushbutton controls
for variable speed forward/reverse direc¬
tion. PICTURE MASTER LOCK switch
for interlock slave operation. PICTURE

MASTER pushbutton control for variable
speed forward/reverse. Electronic ad¬
vance/retard control for each transport.
Audio Panel: Composite optical/mag
level control.

Magnetic level controls #1,
#2, #3. Master audio level control. Exci¬
ter lamp switch. Servo iris control.
Input Panel: Line fuses, two each 10
amp, 3 AG type for 120 VAC. Interlock
remote

input plug for slave operation.

Interlock remote output jack for master

operation. Speaker output. A&B wind
selector switch for each torque motor.
Electronics: Power supply and elec¬
tronics in removable chassis/card cage,

mounted

pedestal base.

Optical Response: 50-7000 Hz

3dB, SMPTE standard.
1284

AMERICAN

CINEMATOGRAPHER, DECEMBER, 1980

American Cinematographer - December 1980

Table of Contents for the Digital Edition of American Cinematographer - December 1980