American Cinematographer - December 1980 - 76
ARRI DIRECTOR'S FINDER
-
OR SHOULD IT BE "DIRECTOR
OF PHOTOGRAPHY'S
Same
FINDER"?
Continued from
lens mount
Lets you check out the
next shot with exactly the same
cavity
as on camera.
Accepts all
you'll use on the camera.
ARRI mount
lenses.
want to see exactly
what you'll get, there's nothing
like looking through the taking
lens. (Close up or at T1.2, it's
especially critical, of course.) You
can see both the coverage of that
individual lens and the aspect
ratio marked on the groundglass.
You can see perspective. You can
focus, and stop down to check
depth of field.
split
rings for neck
strap; and
tripod socket.
Two
groundglasses
from 35-2C
Type 3.
Rotating
light trap and
or
Eyepiece is
dust cover.
same as
used
on
ARRI
Finder is
101/2 ins. long
with diopter
(without
lens); weighs
adjustment
and receptacle
1 lb. 9 oz.
for corrective
cameras,
Now you can do all that
while the camera is being reloaded
or having its gate checked. With a
tool that weighs 1 lb. 9 oz.
lenses.
Flange focal
ARRI
distance is
same as on
camera.
relief
brightness.
and comment.
Construction
The
projector is formed using a stan¬
rack and designed so that
element can be tilted 5 de¬
grees above and 10 degrees below the
horizontal for centering of the picture on
dard type 19"
the projection
the
screen.
The
d.
c.
complete drive system employs 4
motors each with an individual elec¬
tronic control
system.
principal motor drives the mirror
scanning wheel and the film sprockets
etc. in synchronous mode and up to 4
times normal speed. It is controlled elec¬
tronically by a phase and voltage com¬
parator. In high speed up to 30 times the
The
mirror wheel is disconnected and the
ARRIFLEX CORPORATION
Same
has the choice of
choice between the 2 methods of presen¬
tation of the completed film for review
If you
Slot accepts
any of six
ARRI 35mm
dubbing system for instance the
using either a
projected large picture or a TV picture on
a monitor for mixing coupled with a
a
user
lens
Page 1274
type operations.
In
bayonet
eye
and
PERFECTONE HIGH-SPEED
"COMITOR 16 HS"
Blauvelt, N.Y.: (914) 353-1400;
main motor
In Canada:
elements
Burbank, Calif.: (213) 841-7070
Arri/Nagra, Inc., Mississauga, Ont.: (416) 677-4033
stopped and the film driving
driven by an auxiliary
are
motor.
Film
spooling is achieved by 2 identical
motors similar to those used in the mag¬
netic sound machines.
Constant tension
INTRODUCING
MOTION PICTURE & TELEVISION DICTIONARY
English-Russian
Russian- English
over
500 pages
The
of technical terms and equipment designa¬
as
well
both
during the Olympic Games and in co-productions.
dictionary has been thoroughly researched and checked with Russian
as
crews
are
invited to write for
quantity discounts.
is free from
ozone
employed which
emission and which is
dards. Alternative illuminants of 700 W,
1000 W or 1600 W can be fitted without
RUSSIAN-ENGLISH MOTION PICTURE &
TELEVISION DICTIONARY
P.O. Box 2230
change of overall dimensions. The com¬
plete lamphouse assembly comprising
Hollywood, CA 90028, U.S.A.
Please send
necessary.
A Xenon illuminant is
horizontally. In addition to the
advantages of high reliability and long
life resulting in low running costs, the
colour temperature of the screen image
produced from Xenon is in accordance
with European recommended TV stan¬
Official Publication of the
AMERICAN SOCIETY OF CINEMATOGRAPHERS
Dealers
a capacity of 1200 metres and as a
result of the very precise control of ten¬
sion the use of film flanged spools is un¬
mounted
American technicians.
An
ensures
has
tions for both Motion Pictures and Television to facilitate communications with
the Russian
the film
associated electronic control system.
The film plate and bobbin assembly
by George Kent
This book contains
on
completely satisfactory spooling in either
direction of running and at any speed.
Control of torque is by roller arms rest¬
ing on the film spools and coupled to
potentiometers giving information to the
copies of the Dictionary $15.00 each, plus $1.00 handling fee. No C.O.D.'s.
the Xenon unit itself, the
aspheric mirror
unit, and the ventilation system is all in¬
corporated in the rack together with the
Name
Address
control elements. The rectifier unit must
City, State
or Country
California residents please
remit 60,o sales tax ($.90 per
International
1286
Money Order
or
Zip
book). Foreign Buyers please
U.S. Funds.
be external.
pay
by
The
heating effect of the infra-red
components in the light beam is elimi¬
nated by the characteristics of the mirror
AMERICAN CINEMATOGRAPHER,
DECEMBER, 1980
American Cinematographer - December 1980
Table of Contents for the Digital Edition of American Cinematographer - December 1980
American Cinematographer - December 1980 - 1
American Cinematographer - December 1980 - 2
American Cinematographer - December 1980 - 3
American Cinematographer - December 1980 - 4
American Cinematographer - December 1980 - 5
American Cinematographer - December 1980 - 6
American Cinematographer - December 1980 - 7
American Cinematographer - December 1980 - 8
American Cinematographer - December 1980 - 9
American Cinematographer - December 1980 - 10
American Cinematographer - December 1980 - 11
American Cinematographer - December 1980 - 12
American Cinematographer - December 1980 - 13
American Cinematographer - December 1980 - 14
American Cinematographer - December 1980 - 15
American Cinematographer - December 1980 - 16
American Cinematographer - December 1980 - 17
American Cinematographer - December 1980 - 18
American Cinematographer - December 1980 - 19
American Cinematographer - December 1980 - 20
American Cinematographer - December 1980 - 21
American Cinematographer - December 1980 - 22
American Cinematographer - December 1980 - 23
American Cinematographer - December 1980 - 24
American Cinematographer - December 1980 - 25
American Cinematographer - December 1980 - 26
American Cinematographer - December 1980 - 27
American Cinematographer - December 1980 - 28
American Cinematographer - December 1980 - 29
American Cinematographer - December 1980 - 30
American Cinematographer - December 1980 - 31
American Cinematographer - December 1980 - 32
American Cinematographer - December 1980 - 33
American Cinematographer - December 1980 - 34
American Cinematographer - December 1980 - 35
American Cinematographer - December 1980 - 36
American Cinematographer - December 1980 - 37
American Cinematographer - December 1980 - 38
American Cinematographer - December 1980 - 39
American Cinematographer - December 1980 - 40
American Cinematographer - December 1980 - 41
American Cinematographer - December 1980 - 42
American Cinematographer - December 1980 - 43
American Cinematographer - December 1980 - 44
American Cinematographer - December 1980 - 45
American Cinematographer - December 1980 - 46
American Cinematographer - December 1980 - 47
American Cinematographer - December 1980 - 48
American Cinematographer - December 1980 - 49
American Cinematographer - December 1980 - 50
American Cinematographer - December 1980 - 51
American Cinematographer - December 1980 - 52
American Cinematographer - December 1980 - 53
American Cinematographer - December 1980 - 54
American Cinematographer - December 1980 - 55
American Cinematographer - December 1980 - 56
American Cinematographer - December 1980 - 57
American Cinematographer - December 1980 - 58
American Cinematographer - December 1980 - 59
American Cinematographer - December 1980 - 60
American Cinematographer - December 1980 - 61
American Cinematographer - December 1980 - 62
American Cinematographer - December 1980 - 63
American Cinematographer - December 1980 - 64
American Cinematographer - December 1980 - 65
American Cinematographer - December 1980 - 66
American Cinematographer - December 1980 - 67
American Cinematographer - December 1980 - 68
American Cinematographer - December 1980 - 69
American Cinematographer - December 1980 - 70
American Cinematographer - December 1980 - 71
American Cinematographer - December 1980 - 72
American Cinematographer - December 1980 - 73
American Cinematographer - December 1980 - 74
American Cinematographer - December 1980 - 75
American Cinematographer - December 1980 - 76
American Cinematographer - December 1980 - 77
American Cinematographer - December 1980 - 78
American Cinematographer - December 1980 - 79
American Cinematographer - December 1980 - 80
American Cinematographer - December 1980 - 81
American Cinematographer - December 1980 - 82
American Cinematographer - December 1980 - 83
American Cinematographer - December 1980 - 84
American Cinematographer - December 1980 - 85
American Cinematographer - December 1980 - 86
American Cinematographer - December 1980 - 87
American Cinematographer - December 1980 - 88
American Cinematographer - December 1980 - 89
American Cinematographer - December 1980 - 90
American Cinematographer - December 1980 - 91
American Cinematographer - December 1980 - 92
American Cinematographer - December 1980 - 93
American Cinematographer - December 1980 - 94
American Cinematographer - December 1980 - 95
American Cinematographer - December 1980 - 96
American Cinematographer - December 1980 - 97
American Cinematographer - December 1980 - 98
American Cinematographer - December 1980 - 99
American Cinematographer - December 1980 - 100
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