American Cinematographer - December 1980 - 88

Video

Control

System

Image Stabilizer's side flange is fas¬

togra

rPbefn|
I lU.PRlNT
-June, 1968

FILMING "2001A SPACE ODYSSEY"

or

forwards.

for
ARRIFLEX

■"December, 1969

The mount is fixed to the support

rails
bridge plate or to the support rails
new ARRIFLEX light-weight sup¬

of the

2C, Blimps

and other motion

Cinema

enabling the Image Stabilizer to be po¬
sitioned on the optical axis of the lens.
The vertical and the horizontal adjust¬
ment range is approx ± 30mm. When
used with the 16 SR both adjusting slides
are in their middle position. The required
adjustment can be secured by tightening
the clamp screws.
The mounting support offers the ad¬
vantage that the Stabilizer, which is at¬
tached to it, can be swivelled away from
the taking lens: for example, when Vario
lenses must be set at a short focal length,
as it is possible that when working with a
positioned Stabilizer vignetting might
occur. The cameraman can also quickly
change lenses without any problem. The
supporting arm can be fixed at its ex¬
treme positions, so that during shooting
the Stabilizer does not fall backwards

35

^*IlmeficciA

tened, can, according to whichever cam¬
era is being used, be moved to the right
and left, upwards and downwards, thus

picture cameras

of the

SUPER 8-THE STATE
OF THE ART

port.
The support is so constructed that it
that the Stabilizer remains com¬

"June, 1970

ensures

VCS=Smaller expenses
in time and rawstock
VCS

Reduction of cost

=

Electronic transfer of the viewfinder

image to the monitor.

Optimum film image control outside
the camera during rehearsals and
shooting. Simultaneous videotape re¬
cording as well as successive, immediate
replay through a video player.

pletely steady even under the most dif¬

SUPER-16

ficult of conditions. Even with this most
robust of constructions, the

complete
weighs only 850 g.
Additionally, the Stabilizer now has a
3/8" thread on its upper side to enable an

"October, 1972

mount

VIDEOTAPE & FILM

steadier connection between the

even

Stabilizer and

taking camera. How this
connection is made must be worked out
depending on which camera is being
used.

perfect film
production technology

VCS

=

The

for feature and television film produc¬
for commercials and industrial

tion

cinematography and for documentaries
of any kind.
For information, technical specifications
and prices

contact

[P©D
PRAZISIONS-ENTWICKLUNG DENZ
83

Fertigungs GmbH
Josephsburgstr., D-8000 Munich 80
West-Germany
Telex: 05-216681

Developments, production
and special manufacture in
precision mechanics,
optics and electronics.

AG POTENTIAL CONTROL FOR ARRI
SILVER RECOVERY PLANTS
With this newly developed, regulated
Ag potential control for ARRI silver re¬
covery plants, the galvanic current is au¬
tomatically adjusted depending on the
silver content of the fixing bath. The
silver content of the fixing bath is deter¬
mined by measuring the ionic activity
with an electrode plate. The mea¬

P.O. Box

2230, Hollywood, Calif. 90028

I

Please send

regulator into an electrolytic current of
the level required. With this control unit
the required middle silver content, rang¬
ing upwards from 0.1 g per fixing bath

I

FOUR IN ONE

I

postpaid.

|

N AM E

litre,

be selected. The desired silver
content of the solution can be selected on
can

a control panel. The galvanic current
strength, if required, can also be set
manually. Additionally, the units enable
circulation without desilvering. The op¬

eration

ADDRESS

California

high level of automation in
regulated special
AMERICAN

copies of the
reprint (a> $5.00 ea.,

_

STATE

complete desilvering takes
place without circulation of the solution.
a

me

CITY

of

To enable

Inquire)

A M ERIC A N Cl NEM AT OCR A PH l.R

surements taken are transferred via a

the film lab, these
1298

(Dealer Discounts

L

ZIP
residents

please remit 6%

Sales lax. (30^ per copy). Foreign
buyers please pay by International
Money Order or ITS. Funds.

J

CINEMATOGRAPHER, DECEMBER, 1980
American Cinematographer - December 1980

Table of Contents for the Digital Edition of American Cinematographer - December 1980
