American Cinematographer - August 1987 - 11

Backlighting meant shooting into
sky, probably wide
open. The fading light meant not
many retakes. The plane would be
moving past and away at 150 mph.
No problem.
the sunset

"We disguised part of Mojave
Airport as a military base and we
set up as close to the runway as we
were allowed to get," says Bill
Bennett. "With the light going, we
knew we'd get only a few shots at

the takeoff. So I had two

cameras

rolling."
800mm as
second

on

backup
camera

"As a backup, I had my 800mm
Canon set up on the other side
the runway, shooting the same

of

(but opposite) angle. Threequarter rear view of the jet fighter
taking off against the blue hills
and banking steeply out of frame
against the orange sky."
"When the plane entered frame,
about 700 feet away, going

it

was

away from us. With the 1000mm,
the frame was a little under 15 feet
wide at 700 feet. The plane's wing¬

span was 22

feet. Just right."

Rotating filter stage at back of Clairmont lens

"To fill the frame with the 800mm,
would have had to pick the

we

plane up sooner and pan with it.
You try that-with an 800mm lens
wide open and an airplane going
by at 220 feet per second! "

"The Clairmont
1000
as

sharp
my 5.6 Canon
was as

800. And somewhat

Fast follow focus
"Kirk Bachman followed focus on
the Clairmont lens. The frontmounted distance pointer really
made his day. If he'd had to look
down at the scale on the lens bar¬

more

I

rel, by the time he looked up again
been 200 feet

contrasty.
surprised."

Comparison with

the plane would have
further away."

the 800mm Canon

"So
"We wanted the

was

now we

didn't have to use the

plane to be a
strong black silhouette against the
sunset sky, with sun highlights
glinting off the aluminum wings. A

800mm version," says Mr. Ben¬
nett. "But I did get to compare the

lens with flare or low contrast
would have turned that to mush.
But the 1000mm gave us a superb
cookie-cutter image."

Canon 800. And somewhat more

footage at the dailies. The Clair¬
mont 1000 was as sharp as my 5.6
contrasty-I was surprised. Any¬
how, we couldn't have got that shot
without it."

CLAIRMONT
CAMERA
Our front-mounted Focus
Scale and Sports Finder

4040 Vineland, Studio

City, CA 91604 ■ (818) 761 -4440



American Cinematographer - August 1987

Table of Contents for the Digital Edition of American Cinematographer - August 1987

American Cinematographer - August 1987 - 1
American Cinematographer - August 1987 - 2
American Cinematographer - August 1987 - 3
American Cinematographer - August 1987 - 4
American Cinematographer - August 1987 - 5
American Cinematographer - August 1987 - 6
American Cinematographer - August 1987 - 7
American Cinematographer - August 1987 - 8
American Cinematographer - August 1987 - 9
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American Cinematographer - August 1987 - 18
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American Cinematographer - August 1987 - 21
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American Cinematographer - August 1987 - 28
American Cinematographer - August 1987 - 29
American Cinematographer - August 1987 - 30
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American Cinematographer - August 1987 - 34
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American Cinematographer - August 1987 - 41
American Cinematographer - August 1987 - 42
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American Cinematographer - August 1987 - 100
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