American Cinematographer - August 1987 - 45
The
many other noted cinematogra¬
phers, including Milton Krasner,
ASC, as well as a photographer of
and
produc¬
tions, some of which he directed
as well. He won an Emmy for The
Mission, directed by Steven
Spielberg.
raphy
on
Kojak in
on scores
1977,
of TV
Almost needless
to
say,
Jaws: the Revenge is
a sequel to
that landmark hit of 1975, Jaws.
The story about a marauding great
white shark that wreaked havoc at
a New England resort town so
captured the imagination of the
public that it became for years the
biggest moneymaker in movie his¬
tory. (There were two previous se¬
quels, but the present film is more
closely allied to the original).
Northeast. This
days and
did
22
pages,"
was
bit¬
about 10 degrees
Fahrenheit and everything was
locked up for the winter. There¬
fore, we couldn't use any practi¬
cal for the night shots. We lit
with everything. We were shooting
night for night on Chappaquiddick Island back toward Edgartown, which was about a half-mile
away, and we literally had to light
-
-
quired
shooting only six
we
McPherson recalled. "It
terly cold
Vineyard, surprisingly enough.
there
paradise has lured
since Uni¬
versal's version of Twenty Thou¬
sand Leagues Under the Sea was
made there 70 years ago. The Dis¬
ney version was filmed in the same
area 40 years later, and it was the
setting for the making of Bahama
Passage, several James Bond ad¬
ventures and a great many other
many a
about
were
the beauti¬
think) seem a welcome lark after
the severity of working in the cold
The fastest yet hardest lo¬
cation shoot was at Martha's
"We
to
marked by purplish designs where
the coral reefs lie, towering palms,
flesh-colored beaches and sen¬
suous warmth would (one might
documentaries and commercials.
He became director of photog¬
worked
move
ful, balmy Bahamas, with their
fantastic aquamarine waters
a
mile-and-a-half
front of the entire
of
seven generators
equipment."
August 1987
cinematic
dise
prises,
crew on a
barge in
Bahaman waters.
Director
Sargent is
seated at left,
director of
photography
McPherson is seated
at
right. Above: A
lookout spots
trouble - an ominous
fin. Left: A
glimpse
danger.
of marauding
Even para¬
romances.
as
page:
some nasty sur¬
the Jaws
company
learned.
The location
the
It
re¬
were
a
lot
some
and
company
provide
can
across
town.
movie
Opposite
Members of the
scenes at sea
photographed from
a barge
miles offshore. At the time
American
American
Cinematographer visited
Cinematographer
43
American Cinematographer - August 1987
Table of Contents for the Digital Edition of American Cinematographer - August 1987
American Cinematographer - August 1987 - 1
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American Cinematographer - August 1987 - 45
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American Cinematographer - August 1987 - 48
American Cinematographer - August 1987 - 49
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American Cinematographer - August 1987 - 55
American Cinematographer - August 1987 - 56
American Cinematographer - August 1987 - 57
American Cinematographer - August 1987 - 58
American Cinematographer - August 1987 - 59
American Cinematographer - August 1987 - 60
American Cinematographer - August 1987 - 61
American Cinematographer - August 1987 - 62
American Cinematographer - August 1987 - 63
American Cinematographer - August 1987 - 64
American Cinematographer - August 1987 - 65
American Cinematographer - August 1987 - 66
American Cinematographer - August 1987 - 67
American Cinematographer - August 1987 - 68
American Cinematographer - August 1987 - 69
American Cinematographer - August 1987 - 70
American Cinematographer - August 1987 - 71
American Cinematographer - August 1987 - 72
American Cinematographer - August 1987 - 73
American Cinematographer - August 1987 - 74
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American Cinematographer - August 1987 - 77
American Cinematographer - August 1987 - 78
American Cinematographer - August 1987 - 79
American Cinematographer - August 1987 - 80
American Cinematographer - August 1987 - 81
American Cinematographer - August 1987 - 82
American Cinematographer - August 1987 - 83
American Cinematographer - August 1987 - 84
American Cinematographer - August 1987 - 85
American Cinematographer - August 1987 - 86
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American Cinematographer - August 1987 - 88
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American Cinematographer - August 1987 - 90
American Cinematographer - August 1987 - 91
American Cinematographer - August 1987 - 92
American Cinematographer - August 1987 - 93
American Cinematographer - August 1987 - 94
American Cinematographer - August 1987 - 95
American Cinematographer - August 1987 - 96
American Cinematographer - August 1987 - 97
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American Cinematographer - August 1987 - 99
American Cinematographer - August 1987 - 100
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