American Cinematographer - August 1987 - 56

Tuck and assistant
in

good guys' lab.

Photos

by Larry Barbier

Innerspace:
a

Microscopic Adventure
Produced by Mike Finnell
Directed by Joe Dante
Andrew Laszlo, ASC, director

by Ron Magid
Prior

to

his involvement with Pol¬

filmmaking. As in its '60s
deals with

Laszlo

joined the Innerbecause he was im¬
pressed by a number of Dante's
earlier efforts, including The
Howling and Gremlins, and be¬

tergeist II, cinematographer An¬
drew Laszlo, ASC, was perhaps

counterpart, Innerspace
the miniaturization of

best known for his suspenseful ac¬
tion film work on such projects as
First Blood, Streets of Fire, and
Remo Williams. With Innerspace,

microscopic size who is then in¬
jected into the body of another
human being, where the minute
dimensions of organs, veins and
arteries suddenly loom like vast
expanses of an unknown universe
to the tiny explorer. For Laszlo,
bringing Innerspace to convincing
cinematic life meant facing some
of the most difficult challenges of

the bizarre technical de¬
mands intrigued him. "I liked the
fact that Joe was very definite,"
Laszlo says. "I found him totally
committed to the project, and I
also found him to be a terrific mo¬

his varied

and

Joe Dante's comedic reinterpreta¬
tion of the '6os science fiction

classic, Fantastic Voyage, Laszlo is
likely to cement his niche
among the elite minority of cin¬
ematographers who can handle
the rigorous demands of special ef¬
very

54

fects

of photography

American

Cinematographer

August 1987

career.

a

man

to

space team

cause

tion

picture historian. He was so
knowledgeable about filmmaking,
once

he made

a

decision

as to



American Cinematographer - August 1987

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