American Cinematographer - August 1987 - 88

BLUE SCREEN

*

ANIMATION

*

ROTO

*

TITLES
cooperated. When
rights on something

OPTICAL ILLUSIONS

keep

to

had planned to

substitute. We wanted

nice flow, which required a lot
of post cutting. Two editors - Kitty Rea
to

and I
row

METkOMDLI*

had

use, we

couldn't get

we

we

a

worked around the clock
it down to a rough cut."
-

to nar¬

Post-production on the Com¬
Graphics Special was completed
using the one-inch editing and video

puter

1984 Reconstruction

(818) 241-7696

effects facilities of One Pass. Michelwho was then chairman of the

son,

company, oversaw

this work.

"Markets for the program in¬
clude

SINGLE FRAME MOTORS & INTERVALOMETERS
*

12 to 24 VDC power

*

Crystal controlled mul¬
tiple shutter speeds -
1/16 sec. to over
time exposure.

*

SINGLE FRAME SYSTEMS
FOR. ARRI16 S & M * ARRI35
IIC * ARRI35 III * BOLEX REX

8 min.

4 & 5 * MITCHELL I6MM *

Intervals from I FPS to 60

MITCHELL S35R, MK II * MI¬
TCHELL 35 HIGH SPEED *
MITCHELL BNC

hrs.
*

Burst feature 1 to 15 frames

per pulse
*

LED frame counter.

*

Foreward Reverse

SCC 300

Opera¬

magical images that artists can create
using computers," said de Valois when
he started selling the Special. It was
released

initially

out its first edition of
week. The National Edu¬
cational Film Festival gave it a Silver

equipment for todays demands!

ANICAM
*

FIXED PIN REGISTRATION

*

SEPARATE SHUTTER AND E1LM TRANSFER

*

FORWARD OR REVERSE EXPOSURE

*

INDEPENDENTLY CONTROLLED FILM ADVANCE

*

INDEPENDENTLY CONTROLLED VARIBLE SHUTTER

*

AUTOMATIC FADE AND DISSOLVE CONTROL

*

EXPOSURE TIME CONTROL

*

LAPSE TIME CONTROL

*

UP-DOWN DIGITAL FRAME COUNTER

*

PRESET AND TOTAL FRAME COUNTER

*

8

*

RACK-OVER VIEWFINDER WITH PIN

*

BEAMSPLITER TYPE VIEWFINDER FOR

one

Apple Award. In rapid succession it was
picked up by Public Broadcasting's In¬
terregional Program Services for syn¬

NORRIS FILM PRODUCTS
1014 Green Lane * La Canada, California 91011 *

videocassette and videodisc

and a series of pleasant sur¬
prises followed. The Japanese bilingual
3,000 in

Precision

on

-

videodisc sold

INTERVALOMETER/CONTROLLER

tion.

(818) 790-1907

SLIDE OR FILM ANIMATION &
MOTION CONTROL CAMERA

dication via satellite, a national release
on the Discovery Channel, nationwide

showings in England and Italy, and
home video releases in Brazil and Aus¬
tralia. American Programs International,
which handles overseas TV showings,
had placed it on stations in Canada,

Febanon, Spain, Taiwan and Singapore
the time this article was in prepara¬
tion. The Fine Arts Museum of New
York has acquired it as part of a na¬
at

perf. OR 4 perf. PULLDOWN (STANDARD)

tional

REGISTERED ADJUSTALBE RETICLE
CONTINUOUS VIEWING

INBUILT 100FT. FILM CAPACITY

*

EXTERNAL MAGAZINE

*

PROGRAMMABLE FILM PITCH ADJUSTMENT
VIEWFINDER RETICLE PROJECTION AND

ROTOSCOPING CAPABILITY

5101 San Leandro St.,

show.

popularity of this deftly

assembled, carefully selected collection

(OPTIONAL)

J-K Camera Eng. Inc.,

art

The

(OPTIONAL)

*

*

public television, industry profes¬

sionals, ad agencies, and home viewers
who are simply enchanted with the

Oakland, CA 94601,

(415) 534-9018

of computer images is not surprising. It
is a splendid way to study the progress
of the technique, from the early days
when it had beauty and a sense of

dimension but was too slick and air¬
brush-like to intercut convincingly with
live action photography, to the utterly

solid-looking "glass man" by PIXEL
from Young Sherlock Holmes. It gets
better and better since the computer
artists have learned, as de Valois said,
"to dirty down the image."

Also, it's

a

darn

good piece

of razzle-dazzle, comical, beautiful
tainment.

The Blow up

specialists.

86

1000 Brannan Street* San Francisco, California

94103-(415) 626-1100

enter¬

A
American Cinematographer - August 1987

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