American Cinematographer - February 1988 - 10

Another unique
custom accessory built by
Clairmont: our
new telephoto

filter system

Now you can

make your
long-lens shots stunning, even exotic,
with polarizers and grads

The problem: long-lens control,
shots

have been difficult to
because you couldn't filter them

properly. The solution:
Telephoto Filter Unit.

our new

As you know, effects filters don't
work in front of very long lenses.
And even solid filters, in front,

rotate to any angle you want. Two
together, the third independently.

Slide-in trays:
no

fingerprints

Each foam-lined Tele Filter Box
comes with ten filters, already
mounted in their custom trays.
You don't have to touch the glass

with your fingers. Each filter is
identified in one corner, of
course. You need forty different

types? Take four boxes.
Filters made

especially for

us
The filters measure 2V2 x U/4
inches. They're custom-made for

degrade the image. So people use
up to three 40.5mm round
filters screwed inside the backs of
the long Canons and Nikons.
Screwing around
That means disconnecting the
lens from the camera, reaching

inside, screwing and unscrewing.
A slow business, especially
when the sun's going down. Rear
screw-ins also mean you can't
use

polarizers and grads. Well,

now

you can.
360° rotation,

easy

image control

And now you don't have to remove
the lens from the camera-unless
you want more than three filters.
The Telephoto Filter Unit has

three

rotating stages. All three

It

was

Ron Dexter

who suggested
this one. Thank you!



American Cinematographer - February 1988

Table of Contents for the Digital Edition of American Cinematographer - February 1988

American Cinematographer - February 1988 - 1
American Cinematographer - February 1988 - 2
American Cinematographer - February 1988 - 3
American Cinematographer - February 1988 - 4
American Cinematographer - February 1988 - 5
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American Cinematographer - February 1988 - 9
American Cinematographer - February 1988 - 10
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American Cinematographer - February 1988 - 21
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American Cinematographer - February 1988 - 25
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American Cinematographer - February 1988 - 28
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American Cinematographer - February 1988 - 30
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American Cinematographer - February 1988 - 37
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American Cinematographer - February 1988 - 47
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American Cinematographer - February 1988 - 49
American Cinematographer - February 1988 - 50
American Cinematographer - February 1988 - 51
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American Cinematographer - February 1988 - 53
American Cinematographer - February 1988 - 54
American Cinematographer - February 1988 - 55
American Cinematographer - February 1988 - 56
American Cinematographer - February 1988 - 57
American Cinematographer - February 1988 - 58
American Cinematographer - February 1988 - 59
American Cinematographer - February 1988 - 60
American Cinematographer - February 1988 - 61
American Cinematographer - February 1988 - 62
American Cinematographer - February 1988 - 63
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American Cinematographer - February 1988 - 65
American Cinematographer - February 1988 - 66
American Cinematographer - February 1988 - 67
American Cinematographer - February 1988 - 68
American Cinematographer - February 1988 - 69
American Cinematographer - February 1988 - 70
American Cinematographer - February 1988 - 71
American Cinematographer - February 1988 - 72
American Cinematographer - February 1988 - 73
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American Cinematographer - February 1988 - 78
American Cinematographer - February 1988 - 79
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American Cinematographer - February 1988 - 100
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