American Cinematographer - February 1988 - 14

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techniques of cinema is delin¬
eated in Five American Cinematogra¬
phers by Scott Eyman. In substantive
interviews, Karl Struss, ASC, Joseph Ruttenberg, ASC, James Wong Howe, ASC,
Linwood Dunn, ASC, and William H. Clothier,
ASC, offer knowledgeable comments on the
development of camera techniques and pro¬
duction procedures, and personal memories
of working with George Cukor, Charles
Chaplin, Sam Peckinpah, William Wellman,
John Ford, Orson Welles and others. (Scare¬
crow, Metuchen, NJ, $25).
A yearly supplement to the 12-

© 1987 Red Line Research

3300 features, with
of directors and performers,

cross-indexing
biographies of
leading directors, and English-language ti¬

on over

tles of all listed films. This extensive refernece work also includes a brief history of
the German film industry and interviews
with filmmakers. (Scarecrow, Metuchen, NJ,

$52.50).

Anthony Slide's The Big V tells
of Vitagraph, a major Eastern film
production company from the 1890s to its
1925 sale to Warner Bros. This richly docu¬
mented volume contains biographical
sketches of Vitagraph's leading actors, direc¬
tors, cameramen and producers, a complete

the story

vol. Motion Picture Guide, the 1987 edition
of The Motion Picture Guide Annual

list of its films, and an account of its
business dealings. (Scarecrow, Metuchen,

covers all features released in the US during
the previous year. Expertly edited by Jay
Robert Nash and Stanley Ralph Ross, each

NJ, $29.50).
A star of the movies'

is

early days
portrayed by Q. David Bowers in Muriel

entry of this valuable research source in¬

Ostriche, Princess of Silent Films.

cludes

This informative, well illustrated book traces
Ostriches 1912-1920 career against a de¬
tailed background of East Coast film produc¬
tion. (Vestal Press, Vestal, NY, $24.95/14.95).
In her delightfully informal mem¬

lengthy plot summaries with critical
evaluations, full production data, and other
essential information. (CineBooks, Evanston,

IL; Bowker, distrib., NYC, $99.95).
Denis Gifford's sweeping survey,
British Animated Films, 1895-1985

logs close to 1300 entries, from one-minute
wartime propaganda cartoons to full-length
features. Complete production data, plot
summaries and review excerpts complete
this specialized reference work. (McFarland,
Jefferson, NC, $29.95).
A study impressive in scholar¬
ship and magnitude, Richard Abel's French
Cinema is fundamental to

our

understand¬

ing of film

as a societal phenomenon. It
considers the 1915-1929 period, when the

oir, The Making of "The African
Queen," Katharine Hepburn narrates her

experiences during the 1951 shooting in the
of John Huston's
incisive sketches of
Huston, co-star Humphrey Bogart with wife
Lauren Bacall along for the ride, and pro¬
ducer Sam Spiegel, all struggling valiantly to
surmount the rigors of climate, the primitive

former Belgian Congo
classic movie. Hepburn's

accommodations, not to mention the haz¬
ards of

dynamic style of American imports con¬
literary ap¬
proach, an artistic clash that prodded
domestic filmmaking into more relevant pat¬
terns, and gave birth to an active avantgarde. (Princeton U. Press, Princeton, NJ,

production in an inhospitable jungle.
(Knopf, NYC, $15.95).
An intriguing literary tour of L.A.
is conducted by Elizabeth Ward and Alain
Silver in Raymond Chandlers Los An¬
geles. It juxtaposes passages from
Chandler's suspenseful novels and realistic
screenplays with striking photographs of

$27.50).

the

fronted the traditional French

A

comprehensive survey by
Richard C. and Marie E. Helt, West Ger¬
man

Cinema Since 1945 carries full data

Ontario, CA 91761
(714)986-7600

12

cameramen to

the art and

Laboratories, Inc.

February 1988

city, evoking dramatically the environ¬

ment of

less

$25).

private eye Phillip Marlowe's relent¬

stalking of his

prey.

(Overlook, NYC,
American Cinematographer - February 1988

Table of Contents for the Digital Edition of American Cinematographer - February 1988
