American Cinematographer - February 1988 - 32

tattooed for identification and re¬
leased to the holding pens. Horses
which are not to be adopted are
released back to the wild. The
horses bolt the corral to freedom.

For the
LATEST
and the
BEST
in ARRI

The black stallion is the last re¬
leased. His whinnied calls reflect
the joy of a wild thing-freed.
Wild Horses,

Wild Times

was

filmed

The

equipment package is built

principally

on 16mm
ECN 7291 stock with ECN 7292
used for the high speed sequences.

around

RENTALS...

GSMO

the

Cinema

Products

package. The GSMO is the

ultimate adventure camera. It of¬
fers light weight combined with
useful features such as quick-

change co-axial magazines, orientable viewfinder, compact battery
system, and built-in variable speed
motor to 64
.

'WORLD CLASS'...
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In NEW YORK.

In ATLANTA

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ROESSEL CPT
48-20 70th Street

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Woodside, N Y. 11377

Atlanta, GA. 30341

718/424-1600

404/451-5051

fps. The quietness and
crystal sync capability are also very
advantageous. At KUED/7, we
normally shoot a combination
of Betacam and film

on our

docu¬

mentary projects. It's a system that's
been proven on shooting
grizzly
bears in Alaska, white water on the
Colorado River, and

hang gliding in

western mountains.

The
were

150

high speed

shot with

an

fps and with

a

sequences
Arriflex HSR at

Canon 150-600

f/5.6 lens. The lens complement for
the GSMO consists of an An-

genieux 12-240

INeed it now? Get it now!
Come in and carry

it out

in New York, New England,

...

Florida, and now in D.C. too! Or phone, wire or write

welcome export inquiries.
from Hollywood
(exclusive distributors for New England,
New York and the South East)

for same-day shipment. We
*

*

Mole Richardson Lighting

Bulbs and Sockets

-

for Television,

Motion Picture and Photograph
*

Lighting.

Stocking Stage and Studio Specialists.
CSI/HMI, DAYMAX lamps, 110/230 volt in stock.

*

Rosco and Lee Color

*

Cam-loc connectors.

Media.

New York 426 W 55 St. NY 10019
New

though quite heavy,
Angenieux has become
my standard lens for wildlife shoot¬
ing. I've used it for years with good
results on football highlight films
and find the extra length over a
more standard 12-120
very advan¬
tageous. The 12-240 was custom¬
ized for us by Derrick Whitehouse
in Los Angeles for the GSMO with

England 3 Draper St. Woburn, MA 01801 (617) 935-3920
6437G Gen. Green Way. Alexandria, VA 22312 (703)750-3900

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custom mount and built-in

Products

utilized

Capitol

FAX: (212) 247-8818 * TELEX:

Even

the 12-240

ma

(212) 586-1620

(305)844-5973

226 000 ETLXUR BARBIZON

J-5

zoom

Cine¬

control. We

number of

time-lapse se¬
of building thunderstorms
sunsets with
moving clouds in
a

quences
and

Wild Horses, Wild Times. These
shot with an Arriflex-S and

were

the Norris intervalometer.
The
concept
Horses, Wild Times was

30

Angenieux
Tegea wide

angle.

a

BARBIZ0N

zoom,

12-120 zoom, and 5.7

for
to

Wild

follow

a
American Cinematographer - February 1988

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