American Cinematographer - February 1988 - 46
Texas Tun
Produced and directed
by Burt Kennedy
Photographed by Ken Lamkin, ASC
by George Turner
Logic, according to some of the
"wise guys," seldom applies to the
making of movies. Sometimes the
facts
such
of
statement. On the other
seem
a
to indicate the truth
hand, it would be impossible to
produce a two-hour TV movie with
a
large cast and a lot of mass action
at several locations in
three states in
total of 18
days plus one day of
second unit photography without
appyling a great deal of logic. Veter¬
an writer-director Burt
Kennedy,
who was in charge of the CBS-TV
special, Once Upon a Texas Train, is
definitely a man of logic, attested
a
44
pher for his Western comedy-dra¬
Ken
ma.
Lamkin, ASC, suits this
kind of show the way John Wayne
and Gary Cooper did - like a work
glove. A tall Texan with an easy¬
going manner, at home in the sad¬
dle
one
well
Titan crane, the
time rodeo rider would rather
as
as on a
awhile. He wrote it and
just about
had it sold when the movie called
Tough Guys, with Burt Lancaster
Douglas, came out. The
story lines were somewhat similar
and Kirk
to his movie and CBS backed off.
Eventually, they went ahead with
the project, however. The Bob Papazian Company produced it; I had
photograph a Western than be a kid
again at Christmas. Not inciden¬
tally, he is an Emmy winner who
worked with him many years ago.
"Burt called me to shoot it
has been nominated for the award
and I
nine
times
in
four
different
categories.
my
"I had done the second
unit
was
delighted because, of all
the directors I've worked with, he is
guy.
all-time favorite. A first class
He is a rare individual who
seldom looks in the
by a string of successful projects
spanning more than three decades.
filming on Thirteen Days to Glo¬
the Alamo for Burt Kennedy and
now he wanted me for Once
Upon a
camera. He will
show you the scene, say 'Here's
what I want,' and he puts his trust
Logic certainly dictated
Kennedy's choice of a cinematogra¬
Texas Train," Lamkin recalled. "He
in the
had been
a
American
Cinematographer
ry:
February 1988
working
on
it for quite
cinematographer, giving you
feeling of responsibility and im-
American Cinematographer - February 1988
Table of Contents for the Digital Edition of American Cinematographer - February 1988
American Cinematographer - February 1988 - 1
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