American Cinematographer - February 1988 - 51
train there with about 15 miles of
track
the Nevada Northern Rail¬
-
It was built in the late 1800s but
running condition. It's
operated and kept up by the White
way.
it's still in
Pine Historical Railroad Founda¬
tion. The territory was just
great for
it because it looked
a
lot like West
Texas."
There
was
one
with
difficulty
Ely: the town is so small that it
was
impossible to recruit enough
extras from the local population to
stage the train robbery. This was a
day of second unit work, with none
of the regular cast available. Ken¬
nedy solved the problem by hiring
off-duty personnel from the county
sheriff's department.
"They were great," ac¬
cording to Lamkin. "They all knew
how to ride and how to handle
guns and they knew not to
them at anybody. Ordinarily a
has to load all the guns, but in
he'd just hand them a box
man
this
aim
prop
case
of shells and
they'd load their own.
Incidentally, our prop man got into
the act and played the conductor in
the robbery sequence.
"We did the ghost town
and saloon gunfight - in which
nobody gets killed! - at a little
town
about 50 miles south of Tuc¬
son,
called Mescal.
about 70 per cent
Altogether,
of the picture was
exterior, which I liked. We tried to
get as much vista in it
There
were
as
possible."
few retakes
and very little wasted film. Lamkin
feels that the film editor, Warner
Leighton, did a remarkable job of
preserving a tight, fast moving con¬
tinuity. "I worked with Art Tostado
at
Consolidated Film Industries
the final
on
timing and they did excel¬
lent work," Lamkin said.
He was less enthusiastic
about the film to
ever,
tape transfer, how¬
particularly regarding the loss
of blacks in interior
know what
in
scenes.
STARBURSTThe advantage is
clear to see!
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single star,
2. The Clear starburst enables you to create stars
loss of sharpness to the scene.
without any
3. The Diffusion starburst allows you to achieve the star
while
effect
adding a very subtle softening effect.
These particular Starburst filters are specially designed to
ensure that no pick-up of grid spacing should occur when using
wide angle lenses and are available in 2pt, 4pt, 6pt, 8pt, 16pt.
Lee Diffusion inters
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They allow very precise control of the softness of the scene.
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These
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the
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"We all
happen to our work
transfer process," he
the
us to
create a new range
can
of the
LEE FILTERS
many
film craftsmen who would
ADVANCING ART THROUGH ADVANCING SCIENCE
like to
see
lamented.
Ken Lamkin is
one
Western movies make
comeback. "I
was
a
brought
East Coast Distributor: Belden Communications
534 West 25th Street, New York, NY10001
Incorporated
up on
Westerns and I think it is ridiculous
Tel:
to
West Coast Distributor: Cine Mills Corporation
3500 West Magnolia Avenue, Burbank, California 91505
It
that kind of money to go
play cowboys and Indians.
pay me
out
and
was
wonderful!"
A
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Andover, Hampshire. SP10 5AN England.
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49
American Cinematographer - February 1988
Table of Contents for the Digital Edition of American Cinematographer - February 1988
American Cinematographer - February 1988 - 1
American Cinematographer - February 1988 - 2
American Cinematographer - February 1988 - 3
American Cinematographer - February 1988 - 4
American Cinematographer - February 1988 - 5
American Cinematographer - February 1988 - 6
American Cinematographer - February 1988 - 7
American Cinematographer - February 1988 - 8
American Cinematographer - February 1988 - 9
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American Cinematographer - February 1988 - 18
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American Cinematographer - February 1988 - 20
American Cinematographer - February 1988 - 21
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American Cinematographer - February 1988 - 25
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American Cinematographer - February 1988 - 28
American Cinematographer - February 1988 - 29
American Cinematographer - February 1988 - 30
American Cinematographer - February 1988 - 31
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American Cinematographer - February 1988 - 43
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American Cinematographer - February 1988 - 45
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American Cinematographer - February 1988 - 47
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American Cinematographer - February 1988 - 49
American Cinematographer - February 1988 - 50
American Cinematographer - February 1988 - 51
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American Cinematographer - February 1988 - 53
American Cinematographer - February 1988 - 54
American Cinematographer - February 1988 - 55
American Cinematographer - February 1988 - 56
American Cinematographer - February 1988 - 57
American Cinematographer - February 1988 - 58
American Cinematographer - February 1988 - 59
American Cinematographer - February 1988 - 60
American Cinematographer - February 1988 - 61
American Cinematographer - February 1988 - 62
American Cinematographer - February 1988 - 63
American Cinematographer - February 1988 - 64
American Cinematographer - February 1988 - 65
American Cinematographer - February 1988 - 66
American Cinematographer - February 1988 - 67
American Cinematographer - February 1988 - 68
American Cinematographer - February 1988 - 69
American Cinematographer - February 1988 - 70
American Cinematographer - February 1988 - 71
American Cinematographer - February 1988 - 72
American Cinematographer - February 1988 - 73
American Cinematographer - February 1988 - 74
American Cinematographer - February 1988 - 75
American Cinematographer - February 1988 - 76
American Cinematographer - February 1988 - 77
American Cinematographer - February 1988 - 78
American Cinematographer - February 1988 - 79
American Cinematographer - February 1988 - 80
American Cinematographer - February 1988 - 81
American Cinematographer - February 1988 - 82
American Cinematographer - February 1988 - 83
American Cinematographer - February 1988 - 84
American Cinematographer - February 1988 - 85
American Cinematographer - February 1988 - 86
American Cinematographer - February 1988 - 87
American Cinematographer - February 1988 - 88
American Cinematographer - February 1988 - 89
American Cinematographer - February 1988 - 90
American Cinematographer - February 1988 - 91
American Cinematographer - February 1988 - 92
American Cinematographer - February 1988 - 93
American Cinematographer - February 1988 - 94
American Cinematographer - February 1988 - 95
American Cinematographer - February 1988 - 96
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American Cinematographer - February 1988 - 100
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