American Cinematographer - February 1988 - 60

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So, I knew we would have to compose for
the TV screen, and deal with the relative
scales in a way that would come across at
home.

The
NEW
ASC
Manual

"Also, when you're shooting for
always helps to shoot your effects
shots long to allow some leeway in the
editorial process. Television tends not to be
as tightly pre-planned as a feature, and you
often need some extra footage to play
TV it

with."

Another consideration was that
for convenience and economy all of the
effects for Earth*Star Voyager would be
shot in 35mm, whereas much of Boss Films'

A " MUST"

big

screen work is produced in 65mm to
minimize any image deterioration through
the many stages of printing and duping that

ON EVERY
SET!

required to achieve the final composite
effects shots.
"We didn't do any of the matte

are

shots," says Edlund, "because when

we

brought in they had already shot the
plates in the VistaVision format, and we're
not set up for that; so those few shots were
done at the Disney effects shop in Burbank,
but all of the other space shots we did.
were

"We looked at what Robert
Stevens had shot so that we could match
the style and the mood, but by the time we

working he was already finished and
something else. Of course we did
work closely with James Goldstone and the
Disney people.
were
on

Completely revised
by FRED H. DETMERS

to

"In a sense," continues Edlund,
"the material we shot was so alien to the
rest of the film, that there wasn't the same
need to be involved all the way through the

34.95

project as we would be in a picture where
the effects were more closely integrated
with the story. The material we were asked
provide places everything in context and
provide the sense that we are in
outer space, but the film itself is very much

to

The ASC Press
P. O. Box

is there to

2230, Hollywood, CA 90078

a

possi¬
bility, the two-part Disney Sunday Movie
may well serve as a pilot for the continuing
saga of Captain Jonathan Flays and his crew
if the audience response is favorable. So,
bon voyage, Earth*Star Voyager; the world,

Please send

copies of AC Manual @ $34.95 each. Payment with order.
Add $2.50 postage in U.S., $3.50 Foreign. California residents add $2.27 State Tax.

Name

and civilization as we know it, are in need of

Address

regular and on-going salvation. May the
Nielsens be with you.
A

City
□ Payment enclosed

State

□ Charge

my

VISA

Zip

□ MASTERCARD

Card #

Exp. Date

Signed
Allow 6-8 weeks for

human drama."
First proposed as a series

delivery. U.S. funds only.

58

J



American Cinematographer - February 1988

Table of Contents for the Digital Edition of American Cinematographer - February 1988

American Cinematographer - February 1988 - 1
American Cinematographer - February 1988 - 2
American Cinematographer - February 1988 - 3
American Cinematographer - February 1988 - 4
American Cinematographer - February 1988 - 5
American Cinematographer - February 1988 - 6
American Cinematographer - February 1988 - 7
American Cinematographer - February 1988 - 8
American Cinematographer - February 1988 - 9
American Cinematographer - February 1988 - 10
American Cinematographer - February 1988 - 11
American Cinematographer - February 1988 - 12
American Cinematographer - February 1988 - 13
American Cinematographer - February 1988 - 14
American Cinematographer - February 1988 - 15
American Cinematographer - February 1988 - 16
American Cinematographer - February 1988 - 17
American Cinematographer - February 1988 - 18
American Cinematographer - February 1988 - 19
American Cinematographer - February 1988 - 20
American Cinematographer - February 1988 - 21
American Cinematographer - February 1988 - 22
American Cinematographer - February 1988 - 23
American Cinematographer - February 1988 - 24
American Cinematographer - February 1988 - 25
American Cinematographer - February 1988 - 26
American Cinematographer - February 1988 - 27
American Cinematographer - February 1988 - 28
American Cinematographer - February 1988 - 29
American Cinematographer - February 1988 - 30
American Cinematographer - February 1988 - 31
American Cinematographer - February 1988 - 32
American Cinematographer - February 1988 - 33
American Cinematographer - February 1988 - 34
American Cinematographer - February 1988 - 35
American Cinematographer - February 1988 - 36
American Cinematographer - February 1988 - 37
American Cinematographer - February 1988 - 38
American Cinematographer - February 1988 - 39
American Cinematographer - February 1988 - 40
American Cinematographer - February 1988 - 41
American Cinematographer - February 1988 - 42
American Cinematographer - February 1988 - 43
American Cinematographer - February 1988 - 44
American Cinematographer - February 1988 - 45
American Cinematographer - February 1988 - 46
American Cinematographer - February 1988 - 47
American Cinematographer - February 1988 - 48
American Cinematographer - February 1988 - 49
American Cinematographer - February 1988 - 50
American Cinematographer - February 1988 - 51
American Cinematographer - February 1988 - 52
American Cinematographer - February 1988 - 53
American Cinematographer - February 1988 - 54
American Cinematographer - February 1988 - 55
American Cinematographer - February 1988 - 56
American Cinematographer - February 1988 - 57
American Cinematographer - February 1988 - 58
American Cinematographer - February 1988 - 59
American Cinematographer - February 1988 - 60
American Cinematographer - February 1988 - 61
American Cinematographer - February 1988 - 62
American Cinematographer - February 1988 - 63
American Cinematographer - February 1988 - 64
American Cinematographer - February 1988 - 65
American Cinematographer - February 1988 - 66
American Cinematographer - February 1988 - 67
American Cinematographer - February 1988 - 68
American Cinematographer - February 1988 - 69
American Cinematographer - February 1988 - 70
American Cinematographer - February 1988 - 71
American Cinematographer - February 1988 - 72
American Cinematographer - February 1988 - 73
American Cinematographer - February 1988 - 74
American Cinematographer - February 1988 - 75
American Cinematographer - February 1988 - 76
American Cinematographer - February 1988 - 77
American Cinematographer - February 1988 - 78
American Cinematographer - February 1988 - 79
American Cinematographer - February 1988 - 80
American Cinematographer - February 1988 - 81
American Cinematographer - February 1988 - 82
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American Cinematographer - February 1988 - 84
American Cinematographer - February 1988 - 85
American Cinematographer - February 1988 - 86
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American Cinematographer - February 1988 - 88
American Cinematographer - February 1988 - 89
American Cinematographer - February 1988 - 90
American Cinematographer - February 1988 - 91
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American Cinematographer - February 1988 - 93
American Cinematographer - February 1988 - 94
American Cinematographer - February 1988 - 95
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American Cinematographer - February 1988 - 100
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