American Cinematographer - May 1988 - 24

SINGLE FRAME MOTORS & INTERVALOMETERS
substantial cost
*

*

12 to 24 VDC power.

SINGLE

Crystal controlled
multiple shutter speeds
1/16 sec. to over 8

FRAME

FOR: Arri 16S & M
*

35IIC

Arri

*

SYSTEMS
*

Arri 16SR

Arri

35III

Bolex REX 4 & 5

min. time exposure
*

16mm

(8,194 possible).
tps to 60

*

Intervals from 1

*
*

Mitchell

Mitchell S35R, MKII

Mitchell 35

High Speed *

Mitchell BNC

hrs.
*

*

*

ACCESSORIES: 3" & 5" Cap¬

Burst feature 1 to 15

ping Shutter * AC Power

frames per pulse.
LED frame counter.

Control

Unit

*

Triggering Device

Foreward/Reverse

Strobe

1014 Green Lane

*

La Canada, California 91011

*

(818) 790-1907

*

FAX (818) 790-1920

systems

vanced amateurs and many industrial com¬
municators using single chip, video-8, VHS-C
and camcorder cameras weighing up to 10
lbs. System 10A features the Junior in
tem

NORRIS FILM PRODUCTS

new

featuring the Miller Junior fluid head bring
true Miller fluid head technology to ad¬

combination with

operations.

the Standard

over

Two economical

*

-

savings

System 40.

an

aluminum

10W, the Junior

on

tripod; Sys¬
high quality, tradi¬

tional wood legs.
For more information; Miller Flu¬
id Heads (USA) Inc., 2819 W. Olive Ave.,

Burbank, Calif. 91505. (818) 841-6262.

"Spectra" Color Gradation
Generator

SINCE 1927

Spectra is
CREATORS
OF DISTINCTIVE IDEAS AND DESIGNS
FOR SPECIAL PHOTOGRAPHIC EFFECTS
AND 0PTICALS

FOR MOTION PICTURE AND TELEVISION.
TITLES

*

MOTION CONTROL GRAPHICS

MINIATURES

*

MATTE PAINTINGS

BLUE BACKING

*

INSERTS

SPECIAL UNIT PHOTOGRAPHY
COMPLETE VIDEO LAB
ONE INCH NETWORK AIR TRANSFERS
B & W TEMP DUPES * 1:1 SOUND TRANSFERS

HOWARD A.
ANDERSON CD.

a new

background

color gradation generator highly compatible
with many brands of character generators
on the market. Spectra features internal

two-level keying, so that any character gen¬
erator with RGB and key outputs can be

Spectra-connected to assure input text dis¬
play over any Spectra background. Spectra
holds more than 100 backgrounds in memo¬
ry. Captions can be assigned a specific
Spectra background.
As a graphics design tool, Spec¬
tra generates vertical, horizontal and
diago¬
nal color gradations, allowing a mix of
shadings. Gradations can be generated over
part or all of the background. In addition to
enhancing television graphics, Spectra also
provides designers with a "create your own
background" facility through the use of its
small, remote keyboard.
For more information: Aston
Electronics Inc., 346 North Lindenwood
Drive, Olathe, KS 66062. 913-782-4007.
Tube Cases

MAIN OFFICE:

TELEVISION CENTER
1016 NORTH COLE AVE.

HOLLYWOOD, CA 90038

(213) 463-2336
CULVER FACILITY:

3767 OVERLAND BLVD.

SUITE 109
CULVER CITY, CA 90034

(213) 559-4369

Nalpak has introduced a new
generation of protective tubular cases for
tripods, stands, booms, antennas, and other
photographic equipment. The cases come in
seven sizes. They are octagonal, with tele¬
scoping covers for firmer holding. They have
twin handles, molded in for easy balancing
when carrying, a new quick buckle for one
hand release or strap adjustment, and a
shipping label holder. The lightweight,
rugged and shock resistant cases are made
of crosslinkable polyethylene and are foam
lined.
For more information: Nalpak
Video Sales, Inc., 1937 Friendship Dr., El

Cajon, CA, 92020. (619) 258-1200
A



American Cinematographer - May 1988

Table of Contents for the Digital Edition of American Cinematographer - May 1988

American Cinematographer - May 1988 - 1
American Cinematographer - May 1988 - 2
American Cinematographer - May 1988 - 3
American Cinematographer - May 1988 - 4
American Cinematographer - May 1988 - 5
American Cinematographer - May 1988 - 6
American Cinematographer - May 1988 - 7
American Cinematographer - May 1988 - 8
American Cinematographer - May 1988 - 9
American Cinematographer - May 1988 - 10
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American Cinematographer - May 1988 - 14
American Cinematographer - May 1988 - 15
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American Cinematographer - May 1988 - 17
American Cinematographer - May 1988 - 18
American Cinematographer - May 1988 - 19
American Cinematographer - May 1988 - 20
American Cinematographer - May 1988 - 21
American Cinematographer - May 1988 - 22
American Cinematographer - May 1988 - 23
American Cinematographer - May 1988 - 24
American Cinematographer - May 1988 - 25
American Cinematographer - May 1988 - 26
American Cinematographer - May 1988 - 27
American Cinematographer - May 1988 - 28
American Cinematographer - May 1988 - 29
American Cinematographer - May 1988 - 30
American Cinematographer - May 1988 - 31
American Cinematographer - May 1988 - 32
American Cinematographer - May 1988 - 33
American Cinematographer - May 1988 - 34
American Cinematographer - May 1988 - 35
American Cinematographer - May 1988 - 36
American Cinematographer - May 1988 - 37
American Cinematographer - May 1988 - 38
American Cinematographer - May 1988 - 39
American Cinematographer - May 1988 - 40
American Cinematographer - May 1988 - 41
American Cinematographer - May 1988 - 42
American Cinematographer - May 1988 - 43
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American Cinematographer - May 1988 - 46
American Cinematographer - May 1988 - 47
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American Cinematographer - May 1988 - 49
American Cinematographer - May 1988 - 50
American Cinematographer - May 1988 - 51
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American Cinematographer - May 1988 - 53
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American Cinematographer - May 1988 - 57
American Cinematographer - May 1988 - 58
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American Cinematographer - May 1988 - 60
American Cinematographer - May 1988 - 61
American Cinematographer - May 1988 - 62
American Cinematographer - May 1988 - 63
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American Cinematographer - May 1988 - 65
American Cinematographer - May 1988 - 66
American Cinematographer - May 1988 - 67
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American Cinematographer - May 1988 - 70
American Cinematographer - May 1988 - 71
American Cinematographer - May 1988 - 72
American Cinematographer - May 1988 - 73
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American Cinematographer - May 1988 - 77
American Cinematographer - May 1988 - 78
American Cinematographer - May 1988 - 79
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American Cinematographer - May 1988 - 81
American Cinematographer - May 1988 - 82
American Cinematographer - May 1988 - 83
American Cinematographer - May 1988 - 84
American Cinematographer - May 1988 - 85
American Cinematographer - May 1988 - 86
American Cinematographer - May 1988 - 87
American Cinematographer - May 1988 - 88
American Cinematographer - May 1988 - 89
American Cinematographer - May 1988 - 90
American Cinematographer - May 1988 - 91
American Cinematographer - May 1988 - 92
American Cinematographer - May 1988 - 93
American Cinematographer - May 1988 - 94
American Cinematographer - May 1988 - 95
American Cinematographer - May 1988 - 96
American Cinematographer - May 1988 - 97
American Cinematographer - May 1988 - 98
American Cinematographer - May 1988 - 99
American Cinematographer - May 1988 - 100
American Cinematographer - May 1988 - 101
American Cinematographer - May 1988 - 102
American Cinematographer - May 1988 - 103
American Cinematographer - May 1988 - 104
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