American Cinematographer - May 1988 - 56
those
things forced
us to
non-continuous way
shoot in
a
in terms of the
script.
Kemper had a stand-in for
setting up, an artificial
horse from the prop
shop. He said it
was
enough contending with one
the horse for
live horse so that he didn't need a
live stand-in. The fake horse was
not
that
quite the
required
same
size
some
adjusting to the
lights.
as
Don,
so
The specific scene which
the most fun,
was
according to
was sitting
on the sofa
watching television.
There was a large screen television
set and Don and Bobcat were
play¬
ing the scene when the horse is first
Kemper,
was
when Don
invited up to
the apartment. "As
they start to relax, the horse begins
to get comfortable and
change posi¬
tions
-
the way anyone
would who
is
sitting around watching tv
strangers might sit in chairs
site each other
sofa. As the
or
-
two
oppo¬
at either end of the
friendship starts to
develop somebody gets up to get
some
then
fore
peanuts or a glass of beer, and
they sit around relaxing. Be¬
you know it, they are a little
closer
together. "Well, that is what
staged with the horse. Origi¬
nally the horse was sitting in the
chair alone, but
by the time the
scene was over, the two are side
by
we
side
the sofa
watching tv and
munching goodies. At the end of
the scene the horse was
lying down
watching television."
on
The problem for the cine¬
matographer, again, was a very
dark horse, a human actor and a
television projection screen which
had to be synchronized to the cam¬
era.
"I then had another criterion
for
light balance. I had to use the
television set as my reference for
exposure and work backwards
from that. So in addition to wor¬
rying about synchronizing and my
shutter, I also had
lower
to deal with
wise have used. Had to be
because the horse
tion
was
-
-
was
careful,
changed posi¬
by lighting him
not
scene)
who
a
light level than I might other¬
that he
night
and also lighting Bobcat
overlit (it
so
was
a
often right next to Don."
The television was front
projected. Kemper explains that,
American
Cinematographer
May 1988
American Cinematographer - May 1988
Table of Contents for the Digital Edition of American Cinematographer - May 1988
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