American Cinematographer - May 1988 - 77

The

standard

grip/electric package

five

ton

was assem¬

bled from various sources, includ¬

ing Bee Bee Generator, Sequoia,
Hollywood Rental Co., Lee Ameri¬
ca, Keylite PSI, LTM, JL, Leonetti,
Lexus, Castex, and Cine Video.
Add-ons included a 12K HMI, a
Condor, and a Chapman Zeus
crane.
an

Arriflex assisted in

ARRI

BL 4

camera

obtaining
package

from CSC, and Clairmont Cam¬

provided additional camera
equipment.
era

A cast and

crew

of

over

160 donated their time -a blend of

industry professionals, film stu¬
dents, and inexperienced recruits.
Principal photography lasted 18
days and took place at 14 locations
in the Los Angeles area, including
the Canadian Consulate and Los

Angeles City Hall.
Despite its complexity
and size, however, the production
remained essentially an education¬
al experience. According to writer
and director Stephen Cornwell:
"State of Fear was a student film in
the truest

sense

of the term. There

feeling of discov¬
ery, of education, of learning in a
broad sense. Each day held new
lessons for everyone."
State of Fear is Cornwell's
USC master's thesis project. After
graduating from the London Col¬
lege of Printing with honors in Pho¬
tography, Cornwell spent several
years as an international photojour¬
nalist. His experiences in war-torn
countries such as Afghanistan and
Lebanon lend sophistication to his
vision of State of Fear. The story
centers on a newspaper editor,
Peter Jameson, and his struggle to
was an enormous

remain uninvolved

as

Crew readies for
crane

shot in Mal¬

ibu. Left: Steadicam operator Jet
Mart and soldiers

in

City Hall's

gram

rotunda.

he is inexora¬

bly drawn into civil
Because

war.
of his

photo¬
graphic background, Cornwell had
clear visual goals for the film. With
these in

mind, Cornwell chose

Ronn Schmidt to be the director of

photography. Schmidt is a graduate
of Brooks Institute and has recently
completed his second

year at

American Film Institute. He

three years as a

The

spent

grip/electrician in

Los

Angeles and Washington,
D.C., and photographed two low

75



American Cinematographer - May 1988

Table of Contents for the Digital Edition of American Cinematographer - May 1988

American Cinematographer - May 1988 - 1
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American Cinematographer - May 1988 - 104
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