American Cinematographer - May 1988 - 84

Producers and

cinematographers in
documentary mode very often get
assigned to strange parts of the
world recording misery, danger,
weirdities, jungle predators - even
a

denizens of the American forest.
For this

particular story, these deni¬

turn out to be

beavers, whose
story lacks danger, thrills, or any of

zens

the above, but is nonetheless chal¬

lenging filming.
Jim Dutcher and Associ¬
ates of Sun

Valley, Idaho, took on
filming beaver family
life over a period of two years,
bringing about the picture, Beaver
Pond, a National Geographic Ex¬
plorer documentary to be seen this
the chore of

month

on television. Dutcher, Peter
Bricca, associate producer, and Jake
Provonsha, production assistant,

constitute the trio which

about what

can

brought

be described

as

family entertainment in the literal
sense of the
phrase.
Jim Dutcher has been

a

documentary cinematographer for
about 27 years. He started making
films

child, his first

as a

commer¬

cial efforts

being educational films,
most of them dealing with the sea underwater films. In 1984 he fin¬
ished

a

film, Water Birth, Planet

Earth for PBS and the National

Geographic Explorer series.
Out of the Water Birth film
evolved Beaver Pond. "We had done
some

work with beavers up

here in
during Water Birth we

Idaho and
learned

so

much about them

they create

-

how

pond and how all the
animals come to the pond - that
we
thought a very interesting
a

North American film would be the

story of a beaver pond," says

Two Year

Study

for Beaver Pond

Dutcher. "We started out

just that, nothing more
complicated. Ducks, moose, and of
the beaver. Then

course,

we

got to

looking at the beaver and realized
he was such a strong character that
it became

a

other animals

by Jean Turner

thinking

it would be

beaver film. All the
are

supporting cast."

"We recreated their habi¬
tat in

a

cabin here in Sun

Valley. You

can't go

out into a beaver pond and

swim in

a

you

beaver den and of course,

can't arrive there when they are

giving birth. That wouldn't hap¬
pen. So we recreated the whole

82

American

Cinematographer

May 1988



American Cinematographer - May 1988

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