American Cinematographer - May 1988 - 90

LONDON INTERNATIONAL FILM SCHOOL
positive film, automatically winding pre¬
scribed lengths onto cores and placing them
into containers, which are then sealed,
labeled and stacked for shipping. This com¬
puter driven operation shortens delivery
time, reduces cost and increases

productivity.
Eastman Kodak Company for the
development of Eastman Color High Speed
SA Negative Film 5295 for blue screen
traveling matte photography. The Eastman
5295 is designed for special applications,
primarily for visual effects, where lower
light levels can be used for greater economy.
This film is produced to dimensional toler¬

Hollywood,

Athens, Tokyo, Lagos, Rio, Tel-Aviv, Reykjavik, Sydney, Toronto,

Geneva, Hong Kong, London - just some of the centres worldwide where our graduates are
making films.
Students from over thirty different countries come to the heart of London's West End to
take our two year Diploma Course. Experienced professionals teach all aspects of film
making - covering studio feature and location documentary productions in 16mm and
35mm.

Teaching of scriptwriting, direction, camerawork, sound recording, editing etc. ensures a
high degree of professionalism. And it must do - Governments, T.V. Networks and
Educational Foundations have been sending personnel to us for training for over twenty
years.

This intensive

Course, demanding hard work and committment, produces over twentyfive films each term
many students working on more than one production.
There are fresh intakes in January, April and September.
-

Contact: The Administrator, London International Film School, Department AC2
24 Shelton Street, London WC2H 9HP, England. Telephone (London) 01-836 0826

ances one-half those of the American Na¬
tional Standards Institute, resulting in

improved traveling matte photography.
Eastman Kodak Company for the
development of Eastman Color High Speed
Daylight Negative Film 5297/7297. Eastman
5297 provides excellent image quality at
extended exposure indices under daylight or
mixed-illumination conditions. This offers

cinematographers the opportunity to work
lighting conditions might
have been previously unacceptable. As a
result, directors of photography are at great¬
er liberty to work with the most appropriate
lighting for any scene and to extend their
daylight filming hours.

where and when

Fritz Gabriel Bauer for the inven¬

MOVING?

tion and

By invitation...

development of the improved fea¬
System. The

tures of the Moviecam Camera

Moviecams features include

ing link movement and

PLEASE NOTIFY US

The American

6 WEEKS IN ADVANCE

Society

of
(please print)

Name

Cinematographers
has members available to

Apt. No.

New Address

conduct seminars
City

Zip

State

on

the

phases of
cinematography.
many

MAIL TO
AMERICAN

CINEMATOGRAPHER

a

compensat¬

improved sound
isolation that renders it virtually silent dur¬
ing operation. The film plane position is
maintained precisely under all tilting condi¬
tions by means of a pendulum-type counter¬
weight. Digital scene information can be
applied optically to the film, and a program¬
ming capability provides different speeds for
special effects.
Montage Group, Ltd. for the de¬
velopment, and Ronald C. Barker and
an

Chester L. Sculer for the invention, of the

P.0. Box 2230

"Our

Hollywood, Ca.
90028

is

expertise in this field
an
amalgamation of
experience and artistry,"
says

Harry Wolf,

President, A.S.C.

Montage Picture Processor electronic film
editing system. The processor is the first
video editing system designed specifically
for the needs of feature films. It allows
random access to any frame or section of
film stored in its memory, enabling the film
editor to make

Call and let

us help you
teach others.

ATTACH

88

LABEL

HERE

for

address

change

or

inquiry. If you are receiving duplicate copies of
AMERICAN CINEMATOGRAPHER, please send both
labels. If moving, list new address above.

Ask for Jean Turner

(213) 876-5080

rapid selections for preview¬
ing temporary versions of the "final cut."
Advanced microprocessing techniques are
combined with film-to-film transfers to

cre¬

menu-driven, non-linear, film-style
"electronic" flatbed editing system, provid¬

ate

a

ing editors and directors with increased
American Cinematographer - May 1988

Table of Contents for the Digital Edition of American Cinematographer - May 1988
