American Cinematographer - November 1988 - 10

New at Clairmont:
Power
Pods
They need no special
'operator.' You
rent only the bits you
need. Adjustable
fluid-drag wheels have
gearhead feel.
Modular electronic

Compact Joystick
for tight spaces
We have two kinds of pan/tilt

remote robotic head

With an ARRI35
Typeshoulder
3
low-profile
and its

of our Power
Pods, you could fly the whole rig
through a big car window.

magazine

on one

With the same Power Pod and its
two modular risers, you can
mount a 35BL with 1000 foot mag
and 5 to 1 zoom - and you can
make 360 degree tilts. (Plus, of
course,

360 degree pans.)

Compact two ways
setup can be
rigged two ways: Pod and camera
can be 14V2 inches high, 2IV2
inches wide. Or they can be 2OV2
inches high, 13 inches wide.
The "car window"

Riser versatility:
higher, lower, faster
With the risers, you can also
scrape the ceiling or the floor with¬
out going to a longer crane
arm.

Less

mass

in the

arm means

smaller
dolly, happier grips, crisper moves.
a

quicker setup,

a

Simpler to set

up
and to operate

This is

sophisticated remote
head, but it's relatively straight¬
a

forward to set up

and relatively
simple to work with. You don't need
to hire a special "operator."
Money saved.
Weighs about 15% less
In compact form, the Power Pod

control for our Power Pods: wheels
and joystick. When you're hiding
on the floor of a car, the Joystick is

helpful. Including base, it's
10 inches long, 6 inches wide and
8V2 inches high. And you can
work it with

one

hand, of course.

is about 15%

lighter than the
competition. That also means less
lead on the back of the boom.
When your key grip needs to make
a fast stop, every little bit helps.

Familiar

positions

Save money - rent
only what you need
Another way to save money: at
Clairmont, you don't have to rent

whole package - just the
parts you need. If you don't need
a zoom control, if you don't
want the Joystick, if you already
have a video monitor, you
don't have to pay for them.
a

We

help you
pick what's needed
We'll be happy to advise you
on what to take, if you like. Maybe
you do want a zoom control, or
a

follow-focus. But if you

have those

Wheels where you

expect to find them

can

already

Lift off the Clairmont shippingcase lid - there's our gearhead-

style Wheel Control Unit, ready to
(You place the monitor on
top.) As you can see in the photo,
go.

the camera, all
you may need is a couple of exten¬

the wheels

sion cables.

used to them.

on

are

in the familiar

gearhead positions, where you're



American Cinematographer - November 1988

Table of Contents for the Digital Edition of American Cinematographer - November 1988

American Cinematographer - November 1988 - 1
American Cinematographer - November 1988 - 2
American Cinematographer - November 1988 - 3
American Cinematographer - November 1988 - 4
American Cinematographer - November 1988 - 5
American Cinematographer - November 1988 - 6
American Cinematographer - November 1988 - 7
American Cinematographer - November 1988 - 8
American Cinematographer - November 1988 - 9
American Cinematographer - November 1988 - 10
American Cinematographer - November 1988 - 11
American Cinematographer - November 1988 - 12
American Cinematographer - November 1988 - 13
American Cinematographer - November 1988 - 14
American Cinematographer - November 1988 - 15
American Cinematographer - November 1988 - 16
American Cinematographer - November 1988 - 17
American Cinematographer - November 1988 - 18
American Cinematographer - November 1988 - 19
American Cinematographer - November 1988 - 20
American Cinematographer - November 1988 - 21
American Cinematographer - November 1988 - 22
American Cinematographer - November 1988 - 23
American Cinematographer - November 1988 - 24
American Cinematographer - November 1988 - 25
American Cinematographer - November 1988 - 26
American Cinematographer - November 1988 - 27
American Cinematographer - November 1988 - 28
American Cinematographer - November 1988 - 29
American Cinematographer - November 1988 - 30
American Cinematographer - November 1988 - 31
American Cinematographer - November 1988 - 32
American Cinematographer - November 1988 - 33
American Cinematographer - November 1988 - 34
American Cinematographer - November 1988 - 35
American Cinematographer - November 1988 - 36
American Cinematographer - November 1988 - 37
American Cinematographer - November 1988 - 38
American Cinematographer - November 1988 - 39
American Cinematographer - November 1988 - 40
American Cinematographer - November 1988 - 41
American Cinematographer - November 1988 - 42
American Cinematographer - November 1988 - 43
American Cinematographer - November 1988 - 44
American Cinematographer - November 1988 - 45
American Cinematographer - November 1988 - 46
American Cinematographer - November 1988 - 47
American Cinematographer - November 1988 - 48
American Cinematographer - November 1988 - 49
American Cinematographer - November 1988 - 50
American Cinematographer - November 1988 - 51
American Cinematographer - November 1988 - 52
American Cinematographer - November 1988 - 53
American Cinematographer - November 1988 - 54
American Cinematographer - November 1988 - 55
American Cinematographer - November 1988 - 56
American Cinematographer - November 1988 - 57
American Cinematographer - November 1988 - 58
American Cinematographer - November 1988 - 59
American Cinematographer - November 1988 - 60
American Cinematographer - November 1988 - 61
American Cinematographer - November 1988 - 62
American Cinematographer - November 1988 - 63
American Cinematographer - November 1988 - 64
American Cinematographer - November 1988 - 65
American Cinematographer - November 1988 - 66
American Cinematographer - November 1988 - 67
American Cinematographer - November 1988 - 68
American Cinematographer - November 1988 - 69
American Cinematographer - November 1988 - 70
American Cinematographer - November 1988 - 71
American Cinematographer - November 1988 - 72
American Cinematographer - November 1988 - 73
American Cinematographer - November 1988 - 74
American Cinematographer - November 1988 - 75
American Cinematographer - November 1988 - 76
American Cinematographer - November 1988 - 77
American Cinematographer - November 1988 - 78
American Cinematographer - November 1988 - 79
American Cinematographer - November 1988 - 80
American Cinematographer - November 1988 - 81
American Cinematographer - November 1988 - 82
American Cinematographer - November 1988 - 83
American Cinematographer - November 1988 - 84
American Cinematographer - November 1988 - 85
American Cinematographer - November 1988 - 86
American Cinematographer - November 1988 - 87
American Cinematographer - November 1988 - 88
American Cinematographer - November 1988 - 89
American Cinematographer - November 1988 - 90
American Cinematographer - November 1988 - 91
American Cinematographer - November 1988 - 92
American Cinematographer - November 1988 - 93
American Cinematographer - November 1988 - 94
American Cinematographer - November 1988 - 95
American Cinematographer - November 1988 - 96
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